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Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naskh (script)
Naskh ( ar, , qalam an-naskh, from the verb , , 'to copy', from n-s-kh root (ن-س-خ)) is a smaller, round script of Islamic calligraphy. Naskh is one of the first scripts of Islamic calligraphy to develop, commonly used in writing administrative documents and for transcribing books, including the Qur’an, because of its easy legibility. In his 1617 ''Grammatica Arabica'', Thomas van Erpe defined naskhī characters as the "noblest and true writing style". Origin Naskh style of writing can be found as early as within the first century of the Islamic calendar. Round scripts became the most popular in the eleventh, twelfth and thirteenth centuries, due to their use by scribes. Ibn Muqla is credited with standardizing the "Six Pens" of Islamic calligraphy, also including , , , , and . These are known as "the proportioned scripts" () or "the six scripts" (). Kufic is commonly believed to predate naskh, but historians have traced the two scripts as coexisting long before their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niebuhr Beschreibung Von Arabien Tab XIII
Niebuhr is a German surname. Notable people with the surname include: *Barthold Georg Niebuhr, (1776–1831), 19th-century German statesman and historian *Carsten Niebuhr, (1733–1815), 18th-century German traveller, explorer and surveyor, and father of Barthold Georg Niebuhr (sometimes mistakenly called by his son's first name) * H. Richard Niebuhr (1894–1962), Christian ethicist * Reinhold Niebuhr (1892–1971), Christian theologian (brother of H. Richard Niebuhr) See also * Neubauer *Neugebauer Neugebauer is a German surname. Notable people with the surname include: *Alfred Neugebauer, Austrian film actor * Fritz Neugebauer, Second President of the National Council of Austria *Gerry Neugebauer, American astronomer * Hans E J Neugebauer, G ... {{surname, Niebuhr German-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colour
Color (American English) or colour (British English) is the visual perceptual property deriving from the spectrum of light interacting with the photoreceptor cells of the eyes. Color categories and physical specifications of color are associated with objects or materials based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space, colors can be identified numerically by their coordinates. Because perception of color stems from the varying spectral sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance. Color science includes the perception of color by the eye and brain, the origin of color in materials, color theory in art, and the physics of electr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboo
Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, but it probably comes from the Dutch or Portuguese language, which originally borrowed it from Malay or Kannada. In bamboo, as in other grasses, the internodal regions of the stem are usually hollow and the vascular bundles in the cross-section are scattered throughout the stem instead of in a cylindrical arrangement. The dicotyledonous woody xylem is also absent. The absence of secondary growth wood causes the stems of monocots, including the palms and large bamboos, to be columnar rather than tapering. Bamboos include some of the fastest-growing plants in the world, due to a unique rhizome-dependent system. Certain species of bamboo can grow within a 24-hour period, at a rate of almost an hour (equivalent to 1 mm every 90 seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phragmites
''Phragmites'' () is a genus of four species of large perennial reed grasses found in wetlands throughout temperate and tropical regions of the world. Taxonomy The World Checklist of Selected Plant Families, maintained by Kew Garden in London, accepts the following four species: * ''Phragmites australis'' ( Cav.) Trin. ex Steud. – cosmopolitan * ''Phragmites japonicus'' Steud. – Japan, Korea, Ryukyu Islands, Russian Far East * ''Phragmites karka'' ( Retz.) Trin. ex Steud. – tropical Africa, southern Asia, Australia, some Pacific Islands, invasive in New Zealand * ''Phragmites mauritianus'' Kunth – central + southern Africa, Madagascar, Mauritius The cosmopolitan common reed has the generally accepted botanical name ''Phragmites australis''. (Cav.) Trin. ex Steud. About 130 other synonyms have been proposed. Examples include ''Phragmites communis'' Trin., ''Arundo phragmites'' L., and ''Phragmites vulgaris'' (Lam.) Crép. (illegitimate name). Wildlife in reed beds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qalam
A qalam ( ar, قلم) is a type of pen made from a cut, dried reed, used for Islamic calligraphy. The pen is seen as an important symbol of wisdom in Islam, and references the emphasis on knowledge and education within the Islamic tradition. Etymology The word was borrowed from Greek ''kálamos'' ( κάλαμος, "reed"), possibly via Ge'ez ''ḳäläm'' (, "reed") mixed into the root of ''ḳälämä'' (, "to color, to stain, to write"). Manufacturing The stems of hollow reeds are cut at specific angles depending on intended script so that they can be used for calligraphy, and the type of reed used varies depending on the specific calligrapher's preferences. For example, master calligrapher Ja'far Tabrizi preferred the ''wāṣeṭi'' and ''āmuyi'' reeds of eastern Iraq and the Oxus River, respectively. It was desired that the ''qalam'' should be roughly twelve to sixteen inches long, and could not be too dry as they needed to be a specific balance of not too sturdy an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic World
The terms Muslim world and Islamic world commonly refer to the Islamic community, which is also known as the Ummah. This consists of all those who adhere to the religious beliefs and laws of Islam or to societies in which Islam is practiced. In a modern geopolitical sense, these terms refer to countries in which Islam is widespread, although there are no agreed criteria for inclusion. The term Muslim-majority countries is an alternative often used for the latter sense. The history of the Muslim world spans about 1,400 years and includes a variety of socio-political developments, as well as advances in the arts, science, medicine, philosophy, law, economics and technology, particularly during the Islamic Golden Age. All Muslims look for guidance to the Quran and believe in the prophetic mission of the Islamic prophet Muhammad, but disagreements on other matters have led to the appearance of different religious schools of thought and sects within Islam. In the modern era, most of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such as a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosque
A mosque (; from ar, مَسْجِد, masjid, ; literally "place of ritual prostration"), also called masjid, is a place of prayer for Muslims. Mosques are usually covered buildings, but can be any place where prayers ( sujud) are performed, including outdoor courtyards. The first mosques were simple places of prayer for Muslims, and may have been open spaces rather than buildings. In the first stage of Islamic architecture, 650-750 CE, early mosques comprised open and closed covered spaces enclosed by walls, often with minarets from which calls to prayer were issued. Mosque buildings typically contain an ornamental niche ('' mihrab'') set into the wall that indicates the direction of Mecca (''qiblah''), Wudu, ablution facilities. The pulpit (''minbar''), from which the Friday (jumu'ah) sermon (''khutba'') is delivered, was in earlier times characteristic of the central city mosque, but has since become common in smaller mosques. Mosques typically have Islam and gender se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (Islamic Art)
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Turkish Language
Ottoman Turkish ( ota, لِسانِ عُثمانى, Lisân-ı Osmânî, ; tr, Osmanlı Türkçesi) was the standardized register of the Turkish language used by the citizens of the Ottoman Empire (14th to 20th centuries CE). It borrowed extensively, in all aspects, from Arabic and Persian, and its speakers used the Ottoman Turkish alphabet for written communication. During the peak of Ottoman power (), words of foreign origin in Turkish literature in the Ottoman Empire heavily outnumbered native Turkish words, with Arabic and Persian vocabulary accounting for up to 88% of the Ottoman vocabulary in some texts.''Persian Historiography & Geography''Pustaka Nasional Pte Ltd p 69 Consequently, Ottoman Turkish was largely unintelligible to the less-educated lower-class and to rural Turks, who continued to use ("raw/vulgar Turkish"; compare Vulgar Latin and Demotic Greek), which used far fewer foreign loanwords and is the basis of the modern standard. The Tanzimât era (1839–187 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
