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Ireng Mask Dance
Ireng mask dance also known as Topeng Ireng or Dayakan ( jv, ꦠꦺꦴꦥꦺꦁꦲꦶꦉꦁ) is a traditional Javanese art that developed in Magelang Regency, Central Java, Indonesia. The main attraction of the Ireng mask art lies in the costumes of the dancers, which are almost similar to the Indian tribes in America or the Dayak tribes in Kalimantan. Colorful feather decorations similar to the crowns of Indian chiefs adorn the heads of each dancer. Likewise with the feather crown, the makeup of the dancers and the clothes of the dancers are also like Indian. Tufted and full of cheerful colors. Meanwhile, the lower part of the costume is like the Dayak clothing, the fringed skirt. For footwear, they usually wear gladiator shoes or boots with rolling bracelets, which are almost 200 pieces per player and make a clattering noise with every movement. Each Ireng mask dance performance will be noisy accompanied by various sounds. Starting from the sound of footsteps that cause ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Java
Java (; id, Jawa, ; jv, ꦗꦮ; su, ) is one of the Greater Sunda Islands in Indonesia. It is bordered by the Indian Ocean to the south and the Java Sea to the north. With a population of 151.6 million people, Java is the world's List of islands by population, most populous island, home to approximately 56% of the Demographics of Indonesia, Indonesian population. Indonesia's capital city, Jakarta, is on Java's northwestern coast. Many of the best known events in Indonesian history took place on Java. It was the centre of powerful Hindu-Buddhist empires, the Islamic sultanates, and the core of the colonial Dutch East Indies. Java was also the center of the History of Indonesia, Indonesian struggle for independence during the 1930s and 1940s. Java dominates Indonesia politically, economically and culturally. Four of Indonesia's eight UNESCO world heritage sites are located in Java: Ujung Kulon National Park, Borobudur Temple, Prambanan Temple, and Sangiran Early Man Site. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalimantan
Kalimantan () is the Indonesian portion of the island of Borneo. It constitutes 73% of the island's area. The non-Indonesian parts of Borneo are Brunei and East Malaysia. In Indonesia, "Kalimantan" refers to the whole island of Borneo. In 2019, President of Indonesia Joko Widodo proposed that Capital of Indonesia, Indonesia's capital be moved to Kalimantan, and in January 2022 Indonesian legislature approved the proposal. The shift is expected to take up to 10 years. Etymology The name ''Kalimantan'' is derived from the Sanskrit word ''Kalamanthana'', which means "burning weather island", or island with a very hot temperature, referring to its hot and humid tropical climate. It consists of the two words ''Kāla (time), kal[a]'' ("time, season, period") and ''manthan[a]'' ("boiling, churning, burning"). The indigenous people of the eastern region of Borneo referred to their island as ''Pulu K'lemantan'' or "Kalimantan" when the sixteenth century Portuguese explorer Jorge de Meneze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Javanese Dance
Javanese dance ( id, Tarian Jawa; jv, ꧋ꦠꦫꦶꦗꦮ) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate and refined. Javanese art often displays a finesse, and at the same time a serene composure which is elevated far above everything mundane. Javanese dance is usually associated with courtly, refined and sophisticated culture of the Javanese kratons, such as the '' bedhaya'' and ''srimpi'' dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as ''ronggeng, tayub, reog,'' and '' jaran kepang''. Javanese dance and its discipline has different styles and philosophy compared to other Indonesian dance traditions. Unlike vigorous and expressive Balinese dance or cheerful and slightly sensual Sundanese dance, Javanese dance are commonly involving slow movements and graceful poses. Javanese dance have somewhat a meditative qua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topeng Dance
''Topeng'' (from ban, ᬢᭀᬧᬾᬂ, su, ᮒᮧᮕᮨᮔᮌ, and jv, ꦠꦺꦴꦥꦺꦁ, topeng, mask) is a dramatic form of Indonesian dance in which one or more mask-wearing, ornately costumed performers interpret traditional narratives concerning fabled kings, heroes and myths, accompanied by gamelan or other traditional music instruments. ''Topeng'' dance is a typical Indonesian dance that can be found in various regions in Indonesia. ''Topeng'' dance has the main characteristic that the dancers use masks to cover their faces. The dance will usually be performed by one dancer or a group of dancers. ''Topeng'' is widely used in dances that are part of traditional ceremonies or the retelling of ancient stories from the ancestors. It is believed that ''topeng'' is closely related to ancestral spirits which are considered interpretations of gods. In some tribes, ''topeng'' still adorns various daily artistic and customary activities. Topeng dance is a performance dance full ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betawi Mask Dance
The Betawi mask dance ( id, Tari Topeng Betawi) is a theatrical form of dance and drama of Betawi people in Jakarta, Indonesia. This dance-drama encompasses dance, music, ''bebodoran'' (comedy) and ''lakon'' (drama). The Betawi mask dance demonstrates the theme of Betawi society life which represented in the form of dance and drama. It is called mask dance because the dancers using ''topeng'' (mask) during dancing which Betawi people believed that the ''topeng'' has magical powers. History and origin The Betawi mask dance was first created by Mak Kinang and Kong Djioen in 1930 which was inspired by Cirebonese mask dance. This theatrical form of dance drama developed in the area of the Betawi Pinggir community (''Betawi Ora'') in Jakarta. Social functions The Betawi mask dance has some social functions in Betawi society. In the past, Betawi people believed that Betawi mask dance has function to keep them away from dangers, diseases and calamities. However, nowadays, Betawi occasio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjar Mask Dance
Banjar Mask Dance ( id, Tari Topeng Banjar) is a local indigenous art form of Banjar in South Kalimantan, Indonesia. It is called mask dance because the dancers use masks (Topeng) when dancing. This dance is usually played for sacred ceremonies, such as the ''manyanggar'' ceremony. The ceremony is a ritual to clean inherited equipment, treat supernatural diseases, give thanks after harvesting, cleansing the village of evil spirits, and ask for protection from disasters. The Banjar mask dance will be performed in the form of a wayang wong, where the dancers will wear masks and are accompanied by a set of gamelan salendro. Banjar mask dance is known to have grown and developed since the Kingdom of Dipa. The shape of the Banjar mask consists of several types, such as ''Gunung Sari'', ''Patih'', ''Panji'', ''Batarakala'' (Sangkala/Gajah Barung), ''Pantul'', ''Tambam'', ''Pamambi'', ''Pamimdu'', '' Kalana '', and ''Ranggajiwa''. Until now, the banjar mask dance performance is still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cirebonese Mask Dance
Cirebonese mask dance ( id, Tari Topeng Cirebon) is a local indigenous art form of Cirebon in Java, including Indramayu and Jatibarang, West Java and Brebes, Central Java. It is called mask dance because the dancers use masks when dancing. There is a lot of variety in Javanese mask dance, both in terms of the dance style and the stories to be conveyed. Sometimes the mask dance can be performed by solo dancers, or it can also be performed by several people. Tari topeng cirebon comprised Panji, Samba, Rumyang, Tumenggung and Kelana. Each mask represents different meanings. Panji represents holiness like a new born person. Samba represents a child and excitement. Rumyang represents a teenager and life. Tumenggung represents a wise person and loyalty. And last Kelana represents emotions, anger and hatred. All these meanings influence the dance movements. Panji has slow and soft dance movements, while Samba has fast dance movements. Graceful hand and body movements, and musical accomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suling
The suling or seruling (Sundanese: ) is a musical instrument of the Sundanese people in western Java, Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of "tamiang" bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes can be produced. The airflow speed also can modify the tone's frequency. A note with twice frequency can be produced mostly by blowing the air into suling's head's hole with twice speed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kendang
Kendang or Gendang ( jv, ꦏꦼꦤ꧀ꦝꦁ, translit=Kendhang, su, ᮊᮨᮔ᮪ᮓᮀ, translit=Kendang, ban, ᬓᬾᬦ᭄ᬤᬂ, translit=Kendang, Tausug/Bajau Maranao: ''Gandang'', Bugis: ''Gendrang'' and Makassar: ''Gandrang'' or ''Ganrang'' ) is a two-headed drum used by people from the Indonesian Archipelago. Kendang is one of the primary instruments used in the Gamelan ensembles of Javanese, Sundanese, and Balinese, the Kendang ensemble as well as various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is a relation to the Indian mridangam double-headed drum. Overview The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple. Among the Javanese, Sundanese, and Balinese, the has one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dangdut
Dangdut () is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic and to lesser extent, Malay and local folk music. Dangdut is a most popular musical genre in Indonesia and a very popular in other Malay world countries as well because of its melodious instrumentation and vocals. Dangdut features a tabla and gendang beat. One of the most popular Dangdut musicians and singers such as Rhoma Irama, known as the "King of Dangdut"; Mansyur S.; Meggy Z; and Ellya Khadam include strong Indian-music influence in the basis of harmony, theme, and beat to their songs and also by other popular dangdut singers. A dangdut band typically consists of a lead singer, male or female, backed by four to eight musicians. Instruments usually include a tabla, gendang, flute, mandolin, guitars, sitar, drum machines, and synthesizers. The term has been expanded from the desert-style music to embrace other musical styles. Modern dangdut incorporates influences fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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