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Ippolito Ed Aricia
''Ippolito ed Aricia'' is a " reform opera" in five acts by Tommaso Traetta with an Italian libretto by Carlo Innocenzo Frugoni. The opera is based upon abbé Simon-Joseph Pellegrin's libretto for Rameau's earlier opera ''Hippolyte et Aricie'', which was in turn based on Racine's tragedy ''Phèdre''. The work premiered at the Teatro Ducale in Parma on 9 May 1759 and is still occasionally performed today. Background and musical analysis ''Ippolito ed Aricia'' was commissioned in 1759 by Guillaume du Tillot, a minister for Philip, Duke of Parma, on behalf of the duke and his wife, Princess Louise Élisabeth of France. At that time, both France and Spain thought of Parma as a strategic point of interest and subsidized the court heavily. The duke and his wife were particularly fond of French opera and Tillot promoted all forms of French musical theater at the court. However, Tillot decided that he wanted to commission an opera for the court that would merge Italian musical idioms, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diana (mythology)
Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter (mythology), Jupiter and Latona, and a twin brother, Apollo,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. though she had Diana Nemorensis, an independent origin in Italy. Diana is considered a virgin goddess and protector of childbirth. Historically, Diana made up a triad with two other Roman deities: Egeria (mythology), Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god. Diana is revered in modern neopagan religions including Roman polytheistic reconstructionism, Roman neopaganism, Stregheria, and Wicca. In the ancient, medieval, and modern periods, Diana has been considered a triple deity, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caterina Gabrielli
Caterina Gabrielli (12 November 1730 – 16 February or 16 April 1796), born Caterina Fatta, was an Italian coloratura singer. She was the most important soprano of her age. A woman of great personal charm and dynamism, Charles Burney referred to her as "the most intelligent and best-bred virtuosa" that he had ever encountered. The excellence of her vocal artistry is reflected in the fact that she was able to secure long-term engagements in three of the most prestigious operatic centers in her day outside of Italy (Vienna, St. Petersburg, and London). Biography Caterina Gabrielli was the daughter of a cook in the service of prince Gabrielli, in Rome. With the support of the prince, she studied with García and Porpora and at the L'Ospedaletto conservatory in Venice, and as a sign of gratitude she decided to assume her patron's surname as her stage name. Her humble roots were remembered by audiences in her nickname ''La cochetta'' ("little cook"), which was actually recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aricia (mythology)
Aricia ( grc, Ἀρικία, ''Arikía'') is a name appearing in Virgil's ''Aeneid'' in a context that makes it possible for it to be interpreted as referring to a mythical personage: Ibat et Hippolyti proles pulcherrima bello, Virbius, insignem quem mater Aricia misit... (Rough translation: "To the war also came the most fair offspring of Hippolytus, Virbius, whom, distinguished, mother Aricia sent...") It may appear from the quoted passage that Aricia is the mother of Virbius by Hippolytus. Yet Virbius is commonly the name by which Hippolytus himself was known after he was brought back to life on the request of Artemis. As for Aricia, Servius in his commentary on the lines in question explained that Virgil had been referring to the town Aricia, using the epithet "mother" with the town's name in honor of Octavian Augustus whose mother was a native of Aricia. Indeed, Aricia was a location holy to Diana (equated with Artemis) near Rome where Egeria, the spirit of a nearby stre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedra (mythology)
In Greek mythology, Phaedra ( grc, Φαίδρα, ) (or Fedra) was a Cretan princess. Her name derives from the Greek word (), which means "bright". According to legend, she was the daughter of Minos and Pasiphaë, and the wife of Theseus. Phaedra fell in love with her stepson Hippolytus. After he rejected her advances, she accused him of trying to rape her, causing Theseus to pray to Poseidon to kill him, and then killed herself. The story of Phaedra is told in Euripides' play '' Hippolytus'', Seneca the Younger's ''Phaedra'', and Ovid's ''Heroides''. It has inspired many modern works of art and literature, including a play by Jean Racine. Family Phaedra was the daughter of Minos and Pasiphaë of Crete, and thus sister to Acacallis, Ariadne, Androgeus, Deucalion, Xenodice, Glaucus and Catreus and half-sister to the Minotaur. She was the wife of Theseus and the mother of Demophon of Athens and Acamas. Mythology Much of what we know about the mythology and story o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Hippolytus (mythology)
upright=1.3, ''The Death of Hippolytus'', by Sir Lawrence Alma-Tadema (1836–1912) In Greek mythology, Hippolytus ( el, Ἱππόλυτος'', Hippolytos'' 'unleasher of horses'; ) is the son of Theseus and either Hippolyta or Antiope. His downfall at the hands of Aphrodite is most famously recounted by the playwright Euripides, although other, sometimes differing versions of the story have also survived. Etymology The meaning of Hippolytus' name is ironically ambiguous. Ἱππό translates to 'horse', and the element -λυτος (from λύω 'loosen, destroy') suggests the adjectivλυτός, -ή, -όν'which may be undone, destroyed'. His name thereby takes on the prophetic meaning 'destroyed by horses'. Premise of the myth Hippolytus is a hunter and sportsman who is disgusted by sex and marriage. In consequence, he scrupulously worships Artemis, the virgin huntress, and refuses to honor Aphrodite. Offended by this neglect, Aphrodite causes Phaedra, Hippolytus’ ste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Amorevoli
Angelo Maria Amorevoli (16 September 1716 – 15 November 1798) was a leading Italian tenor in Baroque opera. Biography Angelo Amorevoli began singing in opera seria when he was just thirteen: in 1729 he sang in revivals of the musical dramas, ''Amore e gratitudine'', probably by Flavio Carlo Lanciani, and '' Ottone in villa'' by Antonio Vivaldi. The following year he was on the stage in Rome for Porpora’s operas ''Mitridate'' and ''Siface'', and in Venice for Hasse’s ''Dalisa''. From 1731 to 1735 he took part in major operatic productions in Turin, Milan, and other towns of northern Italy. From 1736 to 1740 he moved to Naples, where he took part in eleven premières, one of which was Sarro’s ''Achille in Sciro'', the drama that inaugurated the Teatro di San Carlo on 4 November 1737. In 1739 he traveled to Vienna, where he attracted a lot of attention, primarily with his interpretation of Vivaldi's ''Feraspe''. On 26 December 1740 he took part in the inauguration o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theseus
Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes described as the son of Aegeus, King of Athens, and sometimes as the son of the god Poseidon. He was raised by his mother, Aethra, and, upon discovering his connection to Aegeus, travels overland to Athens, having many adventures on the way. When he reaches Athens, he finds that Aegeus is married to Medea (formerly wife of Jason), who plots against him. The most famous legend about Theseus is his slaying of the Minotaur, half man and half bull. He then goes on to unite Attica under Athenian rule: the ''synoikismos'' ('dwelling together'). As the unifying king, he is credited with building a palace on the fortress of the Acropolis. Pausanias reports that after ''synoikismos'', Theseus established a cult of Aphrodite ('Aphrodite of all the People' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
