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Ippolito Buzzi
Ippolito Buzzi (or Buzio) (1562–1634) was an Italian sculptor from Viggiù, near Varese, in northernmost Lombardy, a member of a long-established dynasty of painters, sculptors and architects from the town, who passed his mature career in Rome. His personality as a sculptor is somewhat overshadowed by the two kinds of work he is known for: restorations to ancient Roman sculptures, some of them highly improvisatory by modern standards, and sculpture contributed to architectural projects and funeral monuments, where he was one among a team of craftsmen working under the general direction of an architect, like Giacomo della Porta - in projects for Pope Clement VIII, or Flaminio Ponzio - in projects for Pope Paul V - who would provide the designs from which the work was executed, always in consultation with the patron. Buzzi also turned his hand to garden sculpture of a high order, such as caryatids for the ''Teatro delle Acque'' in the Villa Aldobrandini, Frascati, works that wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eros Psyche Altemps Inv8567 N1
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods. Etymology The Greek , meaning 'desire', comes from 'to desire, love', of uncertain etymology. R. S. P. Beekes has suggested a Pre-Greek origin. Cult and depiction Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interventions i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dying Gaul
Dying is the final stage of life which will eventually lead to death. Diagnosing dying is a complex process of clinical decision-making, and most practice checklists facilitating this diagnosis are based on cancer diagnoses. Signs of dying The National Cancer Institute in the United States advises that the presence of some of the following signs may indicate that death is approaching: * Drowsiness, increased sleep, and/or unresponsiveness (caused by changes in the patient's metabolism). * Confusion about time, place, and/or identity of loved ones; restlessness; visions of people and places that are not present; pulling at bed linens or clothing (caused in part by changes in the patient's metabolism). * Decreased socialization and withdrawal (caused by decreased oxygen to the brain, decreased blood flow, and mental preparation for dying). * Decreased need for food and fluids, and loss of appetite (caused by the body's need to conserve energy and its decreasing ability to us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of San Giovanni In Laterano
The Archbasilica Cathedral of the Most Holy Savior and of Saints John the Baptist and John the Evangelist in the Lateran ( it, Arcibasilica del Santissimo Salvatore e dei Santi Giovanni Battista ed Evangelista in Laterano), also known as the Papal Archbasilica of Saint John nLateran, Saint John Lateran, or the Lateran Basilica, is a Catholic cathedral church of the Diocese of Rome in the city of Rome, and serves as the seat of the bishop of Rome, the pope. The archbasilica lies outside of Vatican City proper, which is located approximately to the northwest. Nevertheless, as properties of the Holy See, the archbasilica and its adjoining edifices enjoy an extraterritorial status from Italy, pursuant to the terms of the Lateran Treaty of 1929. The church is the oldest and highest ranking of the four major papal basilicas as well as one of the Seven Pilgrim Churches of Rome, holding the unique title of "archbasilica". Founded in 324, it is the oldest public church in the city of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Barberini (1562–1630)
Carlo Barberini, Duke of Monterotondo, (28 May 1562 – 26 February 1630) was an Italian nobleman of the Barberini family and lieutenant general of the papal army. He was the brother of Maffeo Barberini, who was elected to the papal throne as Pope Urban VIII. Carlo Barberini was the son of Antonio Barberini and Camilla Barbadori. As their eldest son he became patriarch of the Barberini family. In 1594, he married Costanza Magalotti (1575–1644), daughter of Vincenzo Magalotti and Clarice Capponi and sister of Lorenzo Magalotti. They had six children including Taddeo Barberini, Francesco Barberini and Antonio Barberini (Antonio the Younger). When Barberini's brother was elected to the papal throne as Pope Urban VIII, Francesco and Antonio were both elevated to Cardinal. Taddeo was given the title of Prince of Palestrina, later passed on to successive Barberini patriarchs. Barberini did not escape his brother's famous nepotism; he was appointed Gonfalonier of the Church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Dei Conservatori
The Capitolium or Capitoline Hill ( ; it, Campidoglio ; la, Mons Capitolinus ), between the Forum and the Campus Martius, is one of the Seven Hills of Rome. The hill was earlier known as ''Mons Saturnius'', dedicated to the god Saturn. The word ''Capitolium'' first meant the temple of Jupiter Optimus Maximus later built here, and afterwards it was used for the whole hill (and even other temples of Jupiter on other hills), thus ''Mons Capitolinus'' (the adjective noun of ''Capitolium''). In an etymological myth, ancient sources connect the name to ''caput'' ("head", "summit") and the tale was that, when laying the foundations for the temple, the head of a man was found, some sources even saying it was the head of some ''Tolus'' or ''Olus''. The ''Capitolium'' was regarded by the Romans as indestructible, and was adopted as a symbol of eternity. By the 16th century, ''Capitolinus'' had become ''Capitolino'' in Italian, and ''Capitolium'' ''Campidoglio''. The Capitoline Hill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antinous
Antinous, also called Antinoös, (; grc-gre, Ἀντίνοος; 27 November – before 30 October 130) was a Greek youth from Bithynia and a favourite and probable lover of the Roman emperor Hadrian. Following his premature death before his twentieth birthday, Antinous was deified on Hadrian's orders, being worshipped in both the Greek East and Latin West, sometimes as a god () and sometimes merely as a hero (). Little is known of Antinous's life, although it is known that he was born in Claudiopolis (present day Bolu, Turkey), in the Roman province of Bithynia et Pontus. He was probably introduced to Hadrian in 123, before being taken to Italy for a higher education. He had become the favourite of Hadrian by 128, when he was taken on a tour of the Roman Empire as part of Hadrian's personal retinue. Antinous accompanied Hadrian during his attendance of the annual Eleusinian Mysteries in Athens, and was with him when he killed the Marousian lion in Libya, an event highly publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Winckelmann
Johann Joachim Winckelmann (; ; 9 December 17178 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and founding hero of modern archaeology", Boorstin, 584 Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. Many consider him the father of the discipline of art history. He was one of the first to separate Greek Art into periods, and time classifications. He had a decisive influence on the rise of the Neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. Winckelmann's ''History of Ancient Art'' (1764) was one of the first books written in German to become a classic of European literature. His subsequent influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castor And Pollux (Prado)
The Castor and Pollux group (also known as the San Ildefonso Group, after San Ildefonso in Segovia, Spain, the location of the palace of La Granja at which it was kept until 1839) is an ancient Roman sculptural group of the 1st century AD, now in the Museo del Prado, Madrid. Drawing on 5th- and 4th-century BC Greek sculptures in the Praxitelean tradition, such as the '' Apollo Sauroctonos'' and the "Westmacott Ephebe", and without copying any single known Greek sculpture, it shows two idealised nude youths, both wearing laurel wreaths. The young men lean against each other, and to their left on an altar is a small female figure, usually interpreted as a statue of a female divinity. She holds a sphere, variously interpreted as an egg or pomegranate. The group is 161 cm high and is now accepted as portraying Castor and Pollux. Identification The lefthand figure was originally headless but was restored in the 17th century, the heyday of interpretive restorations, by Ippoli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando II De' Medici
Ferdinando II de' Medici (14 July 1610 – 23 May 1670) was Grand Duchy of Tuscany, grand duke of Tuscany from 1621 to 1670. He was the eldest son of Cosimo II de' Medici, Grand Duke of Tuscany, Cosimo II de' Medici and Archduchess Maria Maddalena of Austria, Maria Maddalena of Austria. He was remembered by his contemporaries as a man of culture and science, actively participating in the Accademia del Cimento, the first scientific society in Italy, formed by his younger brother, Leopoldo de' Medici. His 49-year rule was punctuated by the beginning of Tuscany's long economic decline, which was further exacerbated by his successor, Cosimo III de' Medici, Grand Duke of Tuscany, Cosimo III de' Medici. He married Vittoria della Rovere, a first cousin, with whom he had two children who reached adulthood: the aforementioned Cosimo III, and Francesco Maria de' Medici, Duke of Rovere and Montefeltro, a Cardinal (Catholicism), cardinal. Reign Ferdinando was only 10 years of age when hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
