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Intonarumori
Intonarumori are experimental musical instruments invented and built by the Italian futurist Luigi Russolo between roughly 1910 and 1930. There were 27 varieties of intonarumori built in total, with different names. Background Russolo built these instruments to perform the music outlined in his ''The Art of Noises'' manifesto written in 1913 and published in book form in 1916. The instruments were completely acoustic, not electronic. The boxes had various types of internal construction to create different types of noise music. Often a wheel was touching a string attached to a drum. The wheel rattled or bowed the strings, while the drum functioned as an acoustic resonator. Many of the instruments featured a handle on top of the box, which was used to vary the string tension. Pulling the handle raised the tone, and the horn attached to the box amplified the sound. Intonarumori ('noise tuner' in Italian) made noise, but not at a very high volume, since they were all acoustic devi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luciano Chessa
Luciano Chessa (, born January 12, 1971, in Sassari, Italy) is a musician, performance/visual/installation artist, and musicologist. As a composer, conductor, pianist, and musical saw / Đàn bầu, Vietnamese dan bau soloist, Luciano Chessa has been active in Europe, the U.S., Australia, and South America. Compositions include a piano and percussion duet after Pier Paolo Pasolini’s "Petrolio", written for Sarah Cahill (pianist), Sarah Cahill and Chris Froh and presented in 2004 at the American Academy in Rome, "Il pedone dell’aria" (“air walker”) for orchestra and double children choir, premiered in 2006 at the Auditorium of Turin's Lingotto and subsequently released on DVD, and two works in collaboration with artist Terry Berlier: "Louganis" for piano and TV/VCR combo (performed at the Monday Evening Concerts in 2010) and "Inkless Imagination IV" for viola, mini-bass musical saw, turntables, piano, percussion, FM radios, blimp and video projection (premiered at UC Davis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Musical Instrument
An experimental musical instrument (or custom-made instrument) is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked drum cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components. The instruments created by the earliest 20th-century builders of experimental musical instruments, such as Luigi Russolo (1885–1947), Harry Partch (1901–1974), and John Cage (1912–1992), were not well received by the public at the time of their invention. Even mid-20th century builders such as Ivor Darreg, Pierre Schaeffer and Pierre Henry did not gain a great deal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Russolo
Luigi Carlo Filippo Russolo (30 April 1885 – 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto ''The Art of Noises'' (1913). He is often regarded as one of the first noise music experimental composers with his performances of ''noise music concerts'' in 1913–14 and then again after World War I, notably in Paris in 1921. He designed and constructed a number of noise-generating devices called Intonarumori. Biography Luigi Russolo was perhaps the first noise artist. His 1913 manifesto, '' L'Arte dei Rumori (The Art of Noises)'', stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining, and he envisioned noise music as its future replacement. Russolo designed and constructed a number of noise-generating devices called Intonarumori, and assembled a noise orchestra to perform with them. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Material (band)
Material was an American band formed in 1979 and operative through to 1999, led by producer and bassist Bill Laswell. The group began in 1978 coalescing at Giorgio Gomelsky's Zu House in Manhattan with at its core Laswell, Michael Beinhorn, Fred Maher, Cliff Cultreri and Kramer, acting as a house band for visiting European musicians, such as Daevid Allen. Laswell, Beinhorn, Maher and Cultreri evolved as Material in 1979 first releasing the ''Temporary Music'' EP, followed by two more albums '' Memory Serves'' and '' One Down'' with an ever-revolving list of contributors, including singers Nona Hendryx, Bernard Fowler and Whitney Houston. From 1982, the name would be used by Laswell and Beinhorn for many projects, including Herbie Hancock's ''Future Shock'' album and " Rockit" single, Timezone's "World Destruction" single, and from 1985 onward solely by Laswell such as on Sly and Robbie's ''Rhythm Killers'' and Public Image Ltd.'s ''Album''. Laswell would continue with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golan Levin
Golan ( he, גּוֹלָן ''Gōlān''; ar, جولان ' or ') is the name of a biblical town later known from the works of Josephus (first century CE) and Eusebius (''Onomasticon'', early 4th century CE). Archaeologists localize the biblical city of Golan at Sahm el-Jaulān, a Syrian village east of Wadi ar-Ruqqad in the Daraa Governorate, where early Byzantine ruins were found. Israeli historical geographer, Zev Vilnay, tentatively identified the town Golan with the Goblana (Gaulan) of the Talmud which he thought to be the ruin ''ej-Jelêbîne'' on the Wâdy Dabûra, near the Lake of Huleh, by way of a corruption of the site's original name. According to Vilnay, the village took its name from the district Gaulanitis (Golan). The ruin is not far from the Daughters of Jacob Bridge. The traces of the town were described by G. Schumacher in the late 19th-century as being "a desert ruin," having "no visible remains of importance, but avingthe appearance of great antiquity." G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Isherwood
Nicholas Isherwood is a Franco-American bass singer, who specialises in contemporary and baroque music. Notable roles include "Lucifer" in the world premieres of Stockhausen’s '' Montag'', '' Dienstag'', and '' Freitag'' from '' Licht'' at La Scala and the Leipzig Opera, and in '' Donnerstag aus Licht'' at Covent Garden. Life and career Isherwood has worked with Joel Cohen, William Christie, Peter Eötvös, Paul McCreesh, Nicholas McGegan, Kent Nagano, Zubin Mehta and Gennady Rozhdestvensky as well as composers Sylvano Bussotti, Elliott Carter, George Crumb, Hans Werner Henze, Mauricio Kagel, György Kurtág, Olivier Messiaen, Giacinto Scelsi, Karlheinz Stockhausen, and Iannis Xenakis in venues such as La Scala, Covent Garden, the Théâtre des Champs-Élysées, Salzburg Festival, Concertgebouw, Berlin Staatsoper, Vienna Konzerthaus, Tanglewood). His operatic roles include: "Antinoo" in Monteverdi’s '' Il ritorno d'Ulisse in Patria'' with Boston Baroque; "Claudio" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition '' 4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnegie Mellon University
Carnegie Mellon University (CMU) is a private research university in Pittsburgh, Pennsylvania. One of its predecessors was established in 1900 by Andrew Carnegie as the Carnegie Technical Schools; it became the Carnegie Institute of Technology in 1912 and began granting four-year degrees in the same year. In 1967, the Carnegie Institute of Technology merged with the Mellon Institute of Industrial Research, founded in 1913 by Andrew Mellon and Richard B. Mellon and formerly a part of the University of Pittsburgh. Carnegie Mellon University has operated as a single institution since the merger. The university consists of seven colleges and independent schools: The College of Engineering, College of Fine Arts, Dietrich College of Humanities and Social Sciences, Mellon College of Science, Tepper School of Business, Heinz College of Information Systems and Public Policy, and the School of Computer Science. The university has its main campus located 5 miles (8 km) from Dow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GOGBOT
The GOGBOT Festival is an annual four day festival in Enschede organized by ''Planetart'', a local group of artists. It was first organized in 2004. The festival revolves around multimedia, art, music and technology and includes a three month exhibition in collaboration with the local Rijksmuseum (RMT), a four day exhibition during the festival, a symposium, a film program, and the Youngblood award for art academy graduates. History The festival originates from several events that ''Planetart'' had previously organized in the city center of Enschede, i.e. in empty warehouses, in squares, in music venues, etc. Examples include the Gods must be Crazy, Op Drift, Sociale Dienst, RealAudio, Exploding Digita, and Astro Friezen. Both PlanetArt and GOGBOT were founded by creative director and artist Kees de Groot. Wilja Jurg was managing director from 2004 until 2007. She left to become director of the Enschede based artspace Tetem. Between 2007 and 2015 it was Viola van Alphen, who no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pittsburgh Post-Gazette
The ''Pittsburgh Post-Gazette'', also known simply as the PG, is the largest newspaper serving metropolitan Pittsburgh, Pennsylvania. Descended from the ''Pittsburgh Gazette'', established in 1786 as the first newspaper published west of the Allegheny Mountains, the paper formed under its present title in 1927 from the consolidation of the ''Pittsburgh Gazette Times'' and ''The Pittsburgh Post''. The ''Post-Gazette'' ended daily print publication in 2018 and has cut down to two print editions per week (Sunday and Thursday), going online-only the rest of the week. In the 2010s, the editorial tone of the paper shifted from liberal to conservative, particularly after the editorial pages of the paper were consolidated in 2018 with '' The Blade'' of Toledo, Ohio. After the consolidation, Keith Burris, the pro- Trump editorial page editor of '' The Blade'', directed the editorial pages of both papers. Early history ''Gazette'' The ''Post-Gazette'' began its history as a four-pag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
