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Interlacing In The Lord Of The Rings
J. R. R. Tolkien's narrative interlacing in ''The Lord of the Rings'', also called by the French term ''entrelacement'', is an unusual and complex narrative structure, known from medieval literature, that enables him to achieve a variety of literary effects. These include maintaining suspense, keeping the reader uncertain of what will happen and even of what is happening to other characters at the same time in the story; creating surprise and an ongoing feeling of bewilderment and disorientation. More subtly, the leapfrogging of the timeline in ''The Lord of the Rings'' by the different story threads allows Tolkien to make hidden connections that can only be grasped retrospectively, as the reader realises on reflection that certain events happened at the same time, and that these connections imply a contest of good and evil powers. Interlacing and interconnections presented Peter Jackson with a complex challenge in translating the book to a narrative suitable for his ''The Lor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siedlęcin Wieża Książęca Gotyckie Malowidła ścienne (17) (cropped)
Siedlęcin (german: Boberröhrsdorf) is a village in the administrative district of Gmina Jeżów Sudecki, within Jelenia Góra County, Lower Silesian Voivodeship, in south-western Poland. It lies approximately west of Jeżów Sudecki, north-west of Jelenia Góra, and west of the regional capital Wrocław. The most important historical monument in Siedlęcin is the 14th century Siedlęcin Tower. The river Bóbr Bóbr ( cs, Bobr, german: Bober, ) is a river which carries water through the north of the Czech Republic and the southwest of Poland, a left tributary of the Oder. Course The Bóbr has a length of (3 in Czech Republic, 276 in Poland, 10th lo ... runs through the lower part of the village. References External linksDagmara Adamska, Siedlęcin, czyli „wieś Rudigera”. Studia nad średniowiecznym osadnictwem wokół Jeleniej Góry, In: Wieża książęca w Siedlęcinie w świetle dotychczasowych badań. Podsumowanie na 700-lecie budowy obiektu, ed. P. Nocu� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old English
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English literary works date from the mid-7th century. After the Norman conquest of 1066, English was replaced, for a time, by Anglo-Norman (a relative of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during this period the English language was heavily influenced by Anglo-Norman, developing into a phase known now as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons and Jutes. As the Germanic settlers became dominant in England, their language replaced the languages of Roman Britain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatomy Of Criticism
''Anatomy of Criticism: Four Essays'' (Princeton University Press, 1957) is a book by Canadian literary critic and theorist Northrop Frye that attempts to formulate an overall view of the scope, theory, principles, and techniques of literary criticism derived exclusively from literature. Frye consciously omits all specific and practical criticism, instead offering classically inspired theories of modes, symbols, myths and genres, in what he termed "an interconnected group of suggestions." The literary approach proposed by Frye in ''Anatomy'' was highly influential in the decades before deconstructivist criticism and other expressions of postmodernism came to prominence in American academia circa 1980s. Frye's four essays are sandwiched between a "Polemical Introduction" and a "Tentative Conclusion." The four essays are titled "Historical Criticism: Theory of Modes", "Ethical Criticism: Theory of Symbols", " Archetypal Criticism: A Theory of Myths", and "Rhetorical Criticism: Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tolkien And The Modernists
J. R. R. Tolkien, the author of the bestselling fantasy ''The Lord of the Rings'', was largely rejected by the literary establishment during his lifetime, but has since been accepted into the literary canon, if not as a modernist then certainly as a modern writer responding to his times. He fought in the First World War, and saw the rural England that he loved built over and industrialised. His Middle-earth fantasy writings, consisting largely of a legendarium that underlies ''The Lord of the Rings'' and ''The Silmarillion'' that was not published until after his death, embodied his realism about the century's traumatic events, and his Christian hope. Scholars have compared Tolkien to authors of the 19th and 20th centuries, writing that he fits into the romantic tradition of William Morris and W. B. Yeats; has some connection with the Celtic Revival and the Symbolist movement; can be likened to the romantic Little Englandism and anti-statism of George Orwell and G. K. Cheste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tolkien And The Medieval
J. R. R. Tolkien was attracted to medieval literature, and made use of it in his writings both in his poetry, which contained numerous pastiches of medieval verse, and in his Middle-earth writings where he embodied a wide range of medieval concepts. Tolkien's prose adopts medieval ideas for much of its structure and content. ''The Lord of the Rings'' is interlaced in medieval style. ''The Silmarillion'' has a medieval cosmology. ''The Lord of the Rings'' makes use of many borrowings from ''Beowulf'', especially in the culture of the Riders of Rohan, as well as medieval weapons and armour, heraldry, languages including Old English and Old Norse, and magic. Context The Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the Post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Disco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Gawain
Gawain (), also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and a Knight of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian stories in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the famous Middle English poem ''Sir Gawain and the Green Knight''. Other tales featuring Gawain as the central character include ''De Ortu Waluuanii'', ''Diu Crône'', ''Ywain and Gawain'', ''Golagros and Gawane'', ''Sir Gawain and the Carle of Carlisle'', ''L'âtre périlleux'', ''La Mule sans frein'', ''La Vengeance Raguidel'', ''Le Chevalier à l'épée'', '' The Awntyrs off Arthure'', ''The Greene Knight'', and '' The Weddynge of Syr Gawen and Dame Ragnell''. In Arthurian chivalric romance literature, Gawain is usually depicted as King Arthur's closest compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Faerie Queene
''The Faerie Queene'' is an English epic poem by Edmund Spenser. Books IIII were first published in 1590, then republished in 1596 together with books IVVI. ''The Faerie Queene'' is notable for its form: at over 36,000 lines and over 4,000 stanzas it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues, and though the text is primarily an allegorical work, it can be read on several levels of allegory, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing ''The Faerie Queene'' was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of ''The Faerie Queene'' to Elizabeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'', more loosely ''Raging Roland'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French '' Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently English) as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), ''Old East Norse'' or ''Old East Nordic'', and '' Old Gutnish''. Old West Norse and Old East Norse formed a dialect co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Shippey
Thomas Alan Shippey (born 9 September 1943) is a British medievalist, a retired scholar of Middle and Old English literature as well as of modern fantasy and science fiction. He is considered one of the world's leading academic experts on the works of J. R. R. Tolkien about whom he has written several books and many scholarly papers. His book '' The Road to Middle-Earth'' has been called "the single best thing written on Tolkien". Shippey's education and academic career have in several ways retraced those of Tolkien: he attended King Edward's School, Birmingham, became a professional philologist, occupied Tolkien's professorial chair at the University of Leeds, and taught Old English at the University of Oxford to the syllabus that Tolkien had devised. He has received three Mythopoeic Awards and a World Fantasy Award. He participated in the creation of Peter Jackson's ''The Lord of the Rings'' film trilogy, assisting the dialect coaches. He featured as an expert medievali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faerie Queene
''The Faerie Queene'' is an English epic poem by Edmund Spenser. Books IIII were first published in 1590, then republished in 1596 together with books IVVI. ''The Faerie Queene'' is notable for its form: at over 36,000 lines and over 4,000 stanzas it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues, and though the text is primarily an allegorical work, it can be read on several levels of allegory, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing ''The Faerie Queene'' was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of ''The Faerie Queene'' to Elizabeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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