Insert (film)
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Insert (film)
In film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. Inserts cover action already covered in the master shot, but emphasize a different aspect of that action due to the different framing. An insert differs from a cutaway as cutaways cover action ''not'' covered in the master shot. There are more exact terms to use when the new, inserted shot is another view of actors: close-up, head shot, knee shot, two shot. So the term "insert" is often confined to views of objects—and body parts, other than the head. Often inserts of this sort are done separately from the main action, by a second-unit director using stand-ins. Inserts and cutaways can both be vexatious for directors, as care must be taken to preserve continuity by keeping the objects in the same relative position as in the main take, and having the lighting be the same. In popular culture The 1975 movie '' Inserts'' directed by John Byrum about a porno ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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John Byrum
John Byrum is an American film director, and writer known for ''The Razor's Edge'', '' Heart Beat'', ''Duets'' and '' Inserts''. Early life Raised in Winnetka, Illinois, on the North Shore of Chicago, Byrum attended New Trier High School, and later studied at New York University in the late 1960s. His instructors included Haig P. Manoogian and graduate student Martin Scorsese, and classmates Oliver Stone and Eric Jenkins. At NYU, he co-wrote ''Item 72-D, The Adventures of Spa and Fon'' with director Edward Summer. Career As a student, Byrum interned with Jim Henson on early appearances of The Muppets and was later hired by Henson as one of the original writers of ''Sesame Street''. Henson took a special interest in Byrum's talent, and hired him to write freelance projects. Byrum left New York for Hollywood after Byrum's original script ''Inserts'' received positive reaction, and he was tapped to write the script '' Harry and Walter Go to New York'' by producers and mentors Don ...
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Cinematic Techniques
This article contains a list of cinematic techniques that are divided into categories and briefly described. Basic definitions of terms ;180-degree rule :A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. ;Airborne shot :A shot taken from an aerial device, generally while moving. This technique has gained popularity in recent years due to the popularity and growing availability of drones. ;Arc :A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right") ;Backlighting (lighting design) :The main source of light is behind the subject, silhouetting it, and directed toward the camera. ;Bridging shot :A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling cal ...
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Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields of ...
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Continuity Editing
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. Common techniques of continuity editing Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity. ...
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X-rated
An X rating is a rating used in various countries to classify films that have content deemed suitable only for adults. It is used when the violent or sexual content of a film is considered to be potentially disturbing to general audiences. Australia The Australian Classification Board (ACB, formerly known as the OFLC), a government institution, issues ratings for all movies and television shows exhibited, televised, sold, or hired in Australia. Material showing explicit, non-simulated sex that is pornographic in nature is rated X18+. People under 18 may not buy, rent, exhibit, or view these films in cinemas. The exhibition or sale of these films to people under the age of 18 years is a criminal offence carrying a maximum fine of $5,500. Films classified as X18+ are forbidden from being sold or rented anywhere in the six states of Australia. They are legally available to be sold or hired in the Australian Capital Territory and the Northern Territory. Importing X18+ material from ...
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Richard Dreyfuss
Richard Stephen Dreyfuss (; born Dreyfus; October 29, 1947) is an American actor. He is known for starring in popular films during the 1970s, 1980s, and 1990s, including ''American Graffiti'' (1973), ''Jaws'' (1975), ''Close Encounters of the Third Kind'' (1977), ''The Goodbye Girl'' (1977), '' The Competition'' (1980), '' Stand by Me'' (1986), '' Down and Out in Beverly Hills'' (1986), '' Stakeout'' (1987), ''Always'' (1989), ''What About Bob?'' (1991), and '' Mr. Holland's Opus'' (1995). Dreyfuss won the Academy Award for Best Actor in 1978 for ''The Goodbye Girl'' (at the time, the youngest-ever actor, at age 30, to win) and was nominated in 1995 for ''Mr. Holland's Opus''. He has also won a Golden Globe Award, a BAFTA Award, and was nominated in 2002 for two Screen Actor's Guild Awards for his portrayal of former Secretary of State Alexander Haig in the Showtime Networks ensemble film ''The Day Reagan Was Shot''. Early life Dreyfuss was born on October 29, 1947, in Brookl ...
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Pornographic Film
Pornographic films (pornos), erotic films, sex films, and 18+ films are films that present sexually explicit subject matter in order to arouse and satisfy the viewer. Pornographic films present sexual fantasies and usually include erotically stimulating material such as nudity ( softcore) and sexual intercourse (hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective. Pornographic films are produced and distributed on a variety of media, depending on the demand and technology available, including traditional film stock in various formats, home video, DVDs, Internet download, cable TV, in addition to other media. Today, pornographic films are sold or rented on DVD; shown through Internet streaming, special channels and pay-per-view on cable and satellite; and viewed in rapidly disappeari ...
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Inserts (film)
''Inserts'' is a 1975 British comedy-drama film written and directed by John Byrum in his directorial debut, and starring Richard Dreyfuss, Jessica Harper, Bob Hoskins and Veronica Cartwright. The film was originally rated X but later re-rated as NC-17 in 1996. The plot concerns actors and directors in the early 1930s who were unable to make the transition from silent films to talkies, and thus turned to making pornography. The film's title takes its name from the double meaning that "insert" both refers to a film technique and sexual intercourse. ''Inserts'' was filmed in the vein of a one-act stage play on one set and filmed entirely in real time. Plot Prior to the opening credits we see portions of the stag film that is shot in the course of the movie. Voices are overheard that make it apparent that men and women are watching this in the present day. At the end a man complains that there was no "cum shot", something that will later develop into a plot point. The st ...
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Scene (filming)
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two. Theatre In drama, a scene is a unit of action, often a subdivision of an act. French scene A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed.George, Kathleen (1994) ''Playwriting: The First Workshop'', Focal Press, , p. 154 Obligatory scene From the French ''scène à faire'', an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is ''Hamlet'' 3.4, when Hamlet confronts his mother. Film In filmmaking and video production, a scene is generally thought of as a section of a motion picture in a single location and continuous time made up of a serie ...
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Continuity (fiction)
In fiction, continuity is a consistency of the characteristics of people, plot, objects, and places seen by the reader or viewer over some period of time. It is relevant to several media. Continuity is particularly a concern in the production of film and television due to the difficulty of rectifying an error in continuity after shooting has wrapped. It also applies to other art forms, including novels, comics, and video games, though usually on a smaller scale. It also applies to fiction used by persons, corporations, and governments in the public eye. Most productions have a script supervisor on hand whose job is to pay attention to and attempt to maintain continuity across the chaotic and typically non-linear production shoot. This takes the form of a large amount of paperwork, photographs, and attention to and memory of large quantities of detail, some of which is sometimes assembled into the story bible for the production. It usually regards factors both within the scene and ...
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Two Shot
A two shot is a type of shot in which the frame encompasses two people (the subjects). The subjects do not have to be next to each other, and there are many common two shots which have one subject in the foreground and the other subject in the background. Classic two shots are shot with a medium lens, head to knees or closer (the term two shot is shorthand for "medium two shot"), and show the characters so that both of their faces can be clearly seen. Common variations include two people in profile, one person in profile and the other 3/4 or full towards camera, two people looking towards camera either side by side or with one behind the other, one person with their back to the other while the other looks at them, either profile, 3/4, or full face, or the mirror two shot. An "American two shot" shows the two heads facing each other in profile to the camera. In a "two shot west," two characters will begin a conversation face-to-face, then one character will turn 180° away from ...
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