Infinity Eighteen Vol. 1
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Infinity Eighteen Vol. 1
Infinity Eighteen Vol.1 is the second studio album of Japanese recording artist Ami Suzuki, released on February 9, 2000, through Sony Music Entertainment Japan, True Kiss Disc. Information The album was released the same day of Suzuki's eighteenth birthday. The album was a commercial success in Japan, debuted at number one its first week on the Oricon charts, and selling over one million copies, her second best-selling album to date. The album charted for 14 weeks on the Japanese Oricon charts. All the singles released prior to the album were rearranged and were added vocoder effects on Suzuki's voice. After a legal dispute between Suzuki and her manager in September 2000, Sony Music Entertainment Japan, Sony put the album out of print along with all other Ami Suzuki singles and albums released up to that point, and she was blacklisted from the J-pop music scene. However, after she re-debuted under Avex Trax in 2005, the album was re-released later that same year as part of her B ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Don't Need To Say Good Bye
Infinity Eighteen Vol.1 is the second studio album of Japanese recording artist Ami Suzuki, released on February 9, 2000, through True Kiss Disc. Information The album was released the same day of Suzuki's eighteenth birthday. The album was a commercial success in Japan, debuted at number one its first week on the Oricon charts, and selling over one million copies, her second best-selling album to date. The album charted for 14 weeks on the Japanese Oricon charts. All the singles released prior to the album were rearranged and were added vocoder effects on Suzuki's voice. After a legal dispute between Suzuki and her manager in September 2000, Sony put the album out of print along with all other Ami Suzuki singles and albums released up to that point, and she was blacklisted from the J-pop J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular musi ...
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Ami Suzuki Albums
AMI or Ami may refer to: Arts, entertainment and media *AMI-tv, a Canadian TV channel **AMI-télé, the French-language version *AMI-audio, a Canadian audio broadcast TV service *''Ami Magazine'', an Orthodox Jewish news magazine Businesses and organizations * AMI Insurance, in New Zealand * AMI Semiconductor, acquired by Onsemi * Accessible Media Inc., a Canadian media company for the visually impaired * African Minerals Limited (AMI.L) * Alternative Miss Ireland, a Dublin beauty pageant * Amazon Malaria Initiative * American Meat Institute, a trade association * American Media, Inc., now A360media, a publisher * American Megatrends Inc., a computer company * American Monetary Institute, a non-profit * American Mustache Institute, an advocacy organization * Anugerah Musik Indonesia, an annual Indonesian music award ceremony * ''Armes-Militaria-Informations'', a Belgian magazine, later ''Fire'' * ''Associació de Municipis per la Independència'' (Association of Munici ...
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Blu-spec CD 2
Blu-spec is a format of compact disc that was made using the same technology as Blu-ray discs had in the mastering process. The alleged benefit of these was in the playback accuracy. The back catalogue of mainstream artists were released in this format. Background News was out in November 2009 that Japanese company Sony Music Entertainment had developed a new CD that had compatibility with standard compact disc players, hence the CD in the name. It was claimed by Sony Music Entertainment that in the production process, new machines were used to make the master discs. They are completely compatible with existing disc players. With the mastering of the Blu-spec CD being the same as a Blu-ray, the more precise authoring relates to a better sound quality than normal CDs. When a standard CD is mastered, an Infared beam is used to make the digital notches on the master disc (mother matrix). With the Blu-spec master, a blue laser is used which is a finer etching process. With this tech ...
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Bazooka 17
is a Japanese recording artist, DJ, and actress from Zama, Kanagawa, Japan. Having been discovered at the talent TV show ''Asayan'', she was one of the most popular female teen idols in the late 1990s. However, in 2000, Suzuki faced legal problems with her management company resulting in a controversial blacklisting from the entertainment industry. Suzuki attempted to resurrect her career under her own steam with two indie singles before signing to Avex Trax in 2005. She released " Delightful", a dance song that reached No. 3 on the Japanese Oricon charts with a style similar to electronic club music, significantly different from her pop idol days. Since her appearance in the 2006 film '' Rainbow Song'', Suzuki has gradually made a name for herself in the acting field, starring in various movies, television series, and musicals. Biography 1998: ''Asayan'' and debut While attending high school, Ami auditioned for Japanese talent show ''Asayan'', which was searching for a young ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ...
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Happy New Millennium
"Happy New Millennium" is a song by Ami Suzuki, released as her ninth single under Sony Music Japan. The Maxi Single also included two B-side The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record compan ...s with the finished "Rain of Tears" track. The single peaked at number two on the Oricon chart. Information Released in 1999, the song described the end of the 1000s and the beginning of the 2000s. However, after Suzuki was blacklisted from the music industry in September 2000, production and distribution of the single stopped in its entirety. Track listing #Happy New Millennium #Rain of Tears #Winter Buzz #Happy New Millennium: TV Mix Ami Suzuki songs 1999 singles 1999 songs Songs written by Tetsuya Komuro Songs written by Ami Suzuki Sony Music Entertainment Japan singles {{ ...
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Ami Suzuki
is a Japanese recording artist, DJ, and actress from Zama, Kanagawa, Japan. Having been discovered at the talent TV show ''Asayan'', she was one of the most popular female teen idols in the late 1990s. However, in 2000, Suzuki faced legal problems with her management company resulting in a controversial blacklisting from the entertainment industry. Suzuki attempted to resurrect her career under her own steam with two indie singles before signing to Avex Trax in 2005. She released " Delightful", a dance song that reached No. 3 on the Japanese Oricon charts with a style similar to electronic club music, significantly different from her pop idol days. Since her appearance in the 2006 film '' Rainbow Song'', Suzuki has gradually made a name for herself in the acting field, starring in various movies, television series, and musicals. Biography 1998: ''Asayan'' and debut While attending high school, Ami auditioned for Japanese talent show ''Asayan'', which was searching for a young ...
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Our Days
"Our Days" is the 8th single released by Japanese singer Ami Suzuki under label Sony Music Japan. Information The song was a huge success at the time of its release, debuting at number one in the Oricon charts, and being also one of the best-selling singles of Suzuki. The song "Our Days" was her second single that was written by Mitsuko Komuro, and also was used as the main theme of "Professional Style", a home product made by Kanebo. The maxi single included a clip of "Rain of Tears", a song of Suzuki that appeared on a Kodak The Eastman Kodak Company (referred to simply as Kodak ) is an American public company that produces various products related to its historic basis in analogue photography. The company is headquartered in Rochester, New York, and is incorpor ... TV Commercial called "Snap Kids". Following her blacklisting from the music industry in September 2000, production and distribution of the single stopped in its entirety. Track listing Ami Suzuki so ...
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