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Industry Of The Ordinary
Industry of the Ordinary (IOTO) is a two-person conceptual art collaborative, made up of Chicago-based artists and educators Adam Brooks and Mathew Wilson. Their work is usually performative or sculptural, often incorporating audience participation and interaction with the artists. About Industry of the Ordinary document their projects at their website, where their manifesto states, "Through sculpture, text, photography, video, sound and performance, Industry of the Ordinary are dedicated to an exploration and celebration of the customary, the everyday, and the usual. Their emphasis is on challenging pejorative notions of the ordinary and, in doing so, moving beyond the quotidian." Industry of the Ordinary formed in 2003. IOTO's work appears in diverse forms, including performances tailored for specific exhibitions and performance art openings, artist-driven interventions on the streets of cities throughout the US and internationally, and public works commissioned by the Nebraska S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nebraska State Historical Society
History Nebraska, formerly the Nebraska State Historical Society is a Nebraska state agency, founded in 1878 to "encourage historical research and inquiry, spread historical information ... and to embrace alike aboriginal and modern history." It was designated a state institution in 1883, and upgraded to a state agency in 1994. The agency rebranded and announced their name change to History Nebraska on April 30, 2018. The agency's mission statement is " ocollect, preserve, and open to all, the histories we share." The agency developed a process for the return of human remains, burial objects and cultural items of 1,400 individuals in accordance with the Native American Graves Protection and Repatriation Act of 1990. State Historic Sites Facilities and operations of the society include: History Nebraska also operates the Gerald R. Ford Conservation Center in Omaha. See also * National Register of Historic Places listings in Nebraska * List of National Historic Landm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Contemporary Art, Chicago
The Museum of Contemporary Art (MCA) Chicago is a contemporary art museum near Water Tower Place in downtown Chicago in Cook County, Illinois, United States. The museum, which was established in 1967, is one of the world's largest contemporary art venues. The museum's collection is composed of thousands of objects of Post-World War II visual art. The museum is run gallery-style, with individually curated exhibitions throughout the year. Each exhibition may be composed of temporary loans, pieces from their permanent collection, or a combination of the two. The museum has hosted several notable debut exhibitions including Frida Kahlo's first U.S. exhibition and Jeff Koons' first solo museum exhibition. Koons later presented an exhibit at the museum that broke the museum's attendance record. The current record for the most attended exhibition is the 2017 exhibition of Takashi Murakami work. The museums collection, which includes Jasper Johns, Andy Warhol, Cindy Sherman, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Cultural Center
The Chicago Cultural Center, opened in 1897, is a Chicago Landmark building operated by Chicago's Department of Cultural Affairs and Special Events that houses the city's official reception venue where the Mayor of Chicago has welcomed presidents and royalty, diplomats and community leaders. It is located in the Loop, across Michigan Avenue from Millennium Park. Originally the central library building, it was converted in 1977 to an arts and culture center at the instigation of Commissioner of Cultural Affairs Lois Weisberg. The city's central library is now housed across the Loop in the spacious, postmodern Harold Washington Library Center opened in 1991. As the nation's first free municipal cultural center, the Chicago Cultural Center is one of the city's most popular attractions and is considered one of the most comprehensive arts showcases in the United States. Each year, the Chicago Cultural Center features more than 1,000 programs and exhibitions covering a wide ran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Institute Of Chicago
The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's ''A Sunday on La Grande Jatte'', Pablo Picasso's '' The Old Guitarist'', Edward Hopper's ''Nighthawks'', and Grant Wood's ''American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and one of the largest art history and architecture libraries in the country—the Ryerson and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyde Park Art Center
The Hyde Park Art Center (HPAC) is a visual arts organization and the oldest alternative exhibition space in the city of Chicago. Since 2006, HPAC has been located just north of Hyde Park Boulevard, at 5020 S.Cornell Avenue, in the Kenwood neighborhood of Chicago, Illinois. History Beginnings The Hyde Park Art Center, established in June, 1939, was originally called the Fifth Ward Art Center of Chicago, Illinois. In 1940, the name was changed to the Hyde Park Art Center. Its founders, who included future Senator Paul Douglas, consisted primarily of artists and volunteers committed to creating a neighborhood space for the visual arts. The Art Center's first home was a defunct saloon next door to then-alderman Douglas’ constituent office at 1466 E. 57th Street. Post WWII During and after World War II, HPAC was housed in a variety of locations, including a dance studio and an apartment building. It was forced to move often because of rent increases and gentrification, but continu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Contemporary Art, Los Angeles
The Museum of Contemporary Art, Los Angeles (MOCA) is a contemporary art museum with two locations in greater Los Angeles, California. The main branch is located on Grand Avenue in Downtown Los Angeles, near the Walt Disney Concert Hall. MOCA's original space, initially intended as a "temporary" exhibit space while the main facility was built, is now known as the Geffen Contemporary, in the Little Tokyo district of downtown Los Angeles. Between 2000 and 2019, it operated a satellite facility at the Pacific Design Center facility in West Hollywood.Deborah Vankin (January 16, 2019)MOCA will close its satellite location at the Pacific Design Center''Los Angeles Times''. The museum's exhibits consist primarily of American and European contemporary art created after 1940. Since the museum's inception, MOCA's programming has been defined by its multi-disciplinary approach to contemporary art. Founding In a 1979 political fund raising event at the Beverly Hills Hotel, Los Angeles Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relational Aesthetics
Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud. Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space." The artist can be more accurately viewed as the "catalyst" in relational art, rather than being at the centre. Etymology One of the first attempts to analyze and categorize art from the 1990s, the idea of relational art was developed by Nicolas Bourriaud in 1998 in his book ''Esthétique relationnelle'' (''Relational Aesthetics''). The term was first used in 1996, in the catalogue for the exhibition ''Traffic'' curated by Bourriaud at CAPC musée d'art contemporain de Bordeaux. ''Traffic'' included the artists that Bourriaud would continue to refer to throughout the 1990s, such as Henry Bond, Vaness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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