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In Den Gärten Pharaos
''In den Gärten Pharaos'' ("In the Gardens of the Pharaoh") is the second album by German band Popol Vuh, released in 1971 by record label Pilz. Content On ''In den Gärten Pharaos'', Florian Fricke made more extensive use of the Moog synthesizer and experimental electronic sounds. On side A is the title track "In den Gärten Pharaos", an ancient, contemplative meditation with the sound of rippling water, Moog synthesizer, Fender Rhodes, and African percussion. The Moog creates an exotic and alien sound while the African percussion and the water effects are interwoven throughout bringing the listener back to earth. The track was recorded at Trixi Studio in Munich. The second song "Vuh" is dominated by one massive organ chord creating an epic wall of sound. "Vuh" uses the wide range of the organ, both the low drones and the high crescendos. Turkish percussion and layers of cymbals increase the intensity of the music. The song was then played and recorded on a medieval cathed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popol Vuh (band)
Popol Vuh were a German musical collective founded by keyboardist Florian Fricke in 1969 together with Frank Fiedler (sound design, fine cut), Holger Trülzsch (percussion), and Bettina Fricke (tablas and production).Popol Vuh Biography, Booklet to CD issue of "Popol Vuh Revisted & Remixed, 1970–1999", SPV recordings, 2011 Other important members during the next two decades included Djong Yun, Renate Knaup, Conny Veit, Daniel Fichelscher, Klaus Wiese, and Robert Eliscu. The band took its name from the Mayan manuscript containing the mythology of highland Guatemala's K'iche' people. Popol Vuh began as an electronic music project, but under Fricke's leadership they soon abandoned synthesizers for organic instrumentation and world music influences. They developed a productive working partnership with director Werner Herzog, contributing scores to films such as ''Aguirre, The Wrath of God'' (1972), ''Nosferatu the Vampyre'' (1979), and ''Fitzcarraldo'' (1982). The group are associ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popol Vuh (band) Albums
''Popol Vuh'' (also ''Popul Vuh'' or ''Pop Vuj'') is a text recounting the mythology and history of the Kʼicheʼ people of Guatemala, one of the Maya peoples who also inhabit the Mexican states of Chiapas, Campeche, Yucatan and Quintana Roo, as well as areas of Belize, Honduras and El Salvador. The ''Popol Vuh'' is a foundational sacred narrative of the Kʼicheʼ people from long before the Spanish conquest of the Maya. It includes the Mayan creation myth, the exploits of the Hero Twins Hunahpú and Xbalanqué, and a chronicle of the Kʼicheʼ people. The name "Popol Vuh" translates as "Book of the Community" or "Book of Counsel" (literally "Book that pertains to the mat", since a woven mat was used as a royal throne in ancient Kʼicheʼ society and symbolised the unity of the community). It was originally preserved through oral tradition until approximately 1550, when it was recorded in writing. The documentation of the ''Popol Vuh'' is credited to the 18th-century Spanish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fact (UK Magazine)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, Trevor J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Sound Forever (magazine)
''Perfect Sound Forever'' (est. 1995) is one of the longest-running online-only music magazines. Along with Michael Goldberg's ''Addicted to Noise'' (est. 1994), it is one of the first publications to post recurring, feature-length music journalism online. PSF's origins trace back to New York freelance writer Jason Gross, who began a now-defunct website called Furious Green Thoughts (from the noted Noam Chomsky quote). The site was first hosted by the pre-Earthlink ISP Pipeline, and included articles covering politics, music and fiction. In 1995, Furious Green Thoughts was splintered into three sections, with the main title covering political (usually far-left) stories, "Assorted Realities" covering fiction and "Perfect Sound Forever" covering music. Laboring as a staff of one, Gross eventually folded Furious Green Thoughts and Assorted Realities, simplifying the zine's name to ''Perfect Sound Forever'' by the mid-1990s. PSF also moved from monthly to bi-monthly publication, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Head Heritage
Julian David Cope (born 21 October 1957) is an English musician and author. He was the singer and songwriter in Liverpool post-punk band the Teardrop Explodes and has followed a solo career since 1983 in addition to working on musical side projects such as Queen Elizabeth, Brain Donor and Black Sheep. Cope is also an author on Neolithic culture, publishing ''The Modern Antiquarian'' in 1998, and a political and cultural activist with a public interest in occultism and paganism. He has written two volumes of autobiography, ''Head-On'' (1994) and ''Repossessed'' (1999); two volumes of archaeology, ''The Modern Antiquarian'' (1998) and ''The Megalithic European'' (2004); and three volumes of musicology, ''Krautrocksampler'' (1995), ''Japrocksampler'' (2007); and ''Copendium: A Guide to the Musical Underground'' (2012). Early life Cope's family resided in Tamworth, Staffordshire, but he was born in Deri, Glamorgan, Wales, where his mother's parents lived, while she was stayin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moog Synthesizer
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. (later known as Moog Music) produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today. The Moog synthesizer consists of separate modules which create and shape sounds, which are connected via patch cords. Modules include voltage-controlled oscillators, amplifiers, filters, envelope generators, noise generators, ring modulators, triggers, and mixers. The synthesizer can be played using controllers including keyboards, joysticks, pedals, and ribbon controllers, or controlled with sequencers. Its oscillators can produce waveforms of different timbres, which can be modulated and filtered to shape their sounds (subtractive synthesis). By 1963, Robert Moog had been designing and selling theremins for several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florian Fricke
Florian Fricke (23 February 1944 – 29 December 2001) was a German musician who started his professional career with electronic music using the Moog synthesizer within the krautrock group Popol Vuh. His music and that of the band however soon evolved in a completely different direction, and he almost completely abandoned synthesizers in favor of the acoustic piano. History Born in Lindau am Bodensee, Germany on 23 February 1944, Fricke started playing piano as a child. He studied piano, composition and directing at the Conservatories in Freiburg and Munich. It was in Munich that, at 18, he dedicated himself to new kinds of music like free jazz. He also filmed some short amateur films. (He would later become a movie and music critic for the German magazine '' Der Spiegel'' and the Swiss paper '' Neue Zürcher Zeitung''). It was also in Munich that he met Gerhard Augustin, who for many years would be his producer. In 1967 he met German film director Werner Herzog and the two for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hosianna Mantra
''Hosianna Mantra'' is the third album by German band Popol Vuh. It was originally released in 1972 on the German record label Pilz. The album saw the band blend elements of Western classical music, Asian music, and space rock. For the release, bandleader Florian Fricke abandoned electronic synthesizers and instead employed acoustic instruments such as piano, oboe, and tambura. Prominently featured are Korean vocalist Djong Yun and electric guitarist Conny Veit. Release In 2004 SPV re-released the album with one bonus track, "Maria (Ave Maria)", originally released on a 1972 solo single by Korean vocalist Djong Yun. Critical reception ''Hosianna Mantra'' has garnered acclaim from English-language publications in recent years. Writing for ''The Sydney Morning Herald'', Chris Johnston praised it as "bold, beautiful, and lying at the outer reaches even of krautrock, the German indie music of the 1970s." Wilson Neate of AllMusic remarked that the album has a "timeless, healin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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