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In Freundschaft
''In Freundschaft'' (In friendship) is a composition by Karlheinz Stockhausen, number 46 in his catalogue of works. It is a serial composition for a solo instrument, first for clarinet, and later arranged by the composer for many other instruments, often in friendship to specific performers. ''In Freundschaft'' was first conceived in 1977 as a birthday present for clarinetist Suzanne Stephens, and was first performed at her birthday party in Aix-en-Provence on 28 July that year in a version for the flute. It was later reprised on other instruments as the composer adapted it to nearly every standard orchestral instrument at the request of performers. The work is an example of formula composition, with a basic motif first being presented and then varied in two contrasting, cyclical layers; interrupted by cadenzas. The work has been recorded multiple times, including under the supervision of its composer. Background The works by the prolific composer Karlheinz Stockhausen have be ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Salle Wagram
The Salle Wagram is a historic auditorium in the 17th arrondissement of Paris, France. It was built in 1865. It has been listed as an official historical monument by the French Ministry of Culture since March 2, 1981. First built in 1812 as the Bal Dourlans, the huge ballroom was designed by Adrien Alphonse Fleuret, and has been the setting for international congresses, political conferences, fashion exhibitions and dance competitions.Holoman, D. Kern. ''The Société des Concerts du Conservatoire, 1828–1967.'' Berkeley: University of California Press, 2004, p490. From the 1950s the hall was much used as a classical recording venue, including a Beethoven symphony cycle with the Paris Conservatoire Orchestra conducted by Carl Schuricht, Stravinsky ballets with the same orchestra under Pierre Monteux, the complete ''Carmen'' with Maria Callas and Nicolai Gedda, and in the 1990s for many Poulenc recordings with the French National Orchestra under Charles Dutoit.Philip Stuart. ''De ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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John Sampen
John Sampen (born 1949) is an American classical saxophonist. Sampen's degrees are from Northwestern University (B.M., 1971; M.M., 1972; and Doctor of Music, 1984). His teachers included Frederick Hemke, Larry Teal, and Donald Sinta. He has served as professor of saxophone at Bowling Green State University in Bowling Green, Ohio since 1977. His wife is the composer and pianist Marilyn Shrude. Sampen plays all types of the saxophone. He specializes in new music, and has commissioned over 60 new works for these instruments, from composers such as Samuel Adler, William Albright, Milton Babbitt, William Bolcom, John Cage, Michael Colgrass, John Harbison, Donald Martino, Ryo Noda, Pauline Oliveros, Bernard Rands, Gunther Schuller, Elliott Schwartz, Marilyn Shrude, Morton Subotnick, and Vladimir Ussachevsky. Partial discography *Sampen, John: ''The Electric Saxophone''. Works by Bunce, Cage, Furman, Mobberley, Shrude, Tower, and Ussachevsky. Brooklyn, New York: Capstone Records, CPS ...
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Wigmore Hall
Wigmore Hall is a concert hall located at 36 Wigmore Street, London. Originally called Bechstein Hall, it specialises in performances of chamber music, early music, vocal music and song recitals. It is widely regarded as one of the world's leading centres for this type of music and an essential port of call for many of the classical music world's leading stars. With near-perfect acoustic, the Hall quickly became celebrated across Europe and featured many of the great artists of the 20th century. Today, the Hall promotes 550 concerts a year and broadcasts a weekly concert on BBC Radio 3. The Hall also promotes an extensive education programme throughout London and beyond and has a huge digital broadcasting arm, which includes the Wigmore Hall Live Label and many live streams of concerts. Origins Originally named Bechstein Hall, it was built between 1899 and 1901 by C. Bechstein Pianofortefabrik, the German piano manufacturer, whose showroom was next door. The renowned British a ...
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Kim Walker (bassoonist)
Kim Walker is an American bassoonist. Career After 10 years at Indiana University, Walker became Dean of Music at Sydney Conservatorium of Music in 2004. Walker's career as a bassoonist is well documented with a catalogue of well over 23 solo recordings available. She continues to perform worldwide. On May 24, 2018 Walker was named the new director of the Texas Tech University School of Music Texas Tech University School of Music is the music school at Texas Tech University in Lubbock, Texas. Previously a department of the College of Arts & Sciences, the School of Music has been within the Talkington College of Visual & Performing Ar ... and assumed the role on July 1, replacing interim director Keith Dye. She resigned the role on July 8, 2020 and was replaced by Robin Germany. References External links Official Website {{DEFAULTSORT:Walker, Kim American classical bassoonists Interlochen Center for the Arts alumni Curtis Institute of Music alumni Indiana Un ...
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Eastman School Of Music
The Eastman School of Music is the music school of the University of Rochester, a private research university in Rochester, New York. It was established in 1921 by industrialist and philanthropist George Eastman. It offers Bachelor of Music (B.M.) degrees, Master of Arts (M.A.) degrees, Master of Music (M.M.) degrees, Doctor of Philosophy (Ph.D.) degrees, and Doctor of Musical Arts (D.M.A.) degrees in many musical fields. The school also awards a "Performer's Certificate" or "Artist's Diploma". In 2015, there were more than 900 students enrolled in the collegiate division of the Eastman School (approximately 500 undergraduate and 400 graduate students). Students came from almost every state of the United States, with approximately 25% foreign students. Each year approximately 2000 students apply (1000 undergraduates and 1000 graduates). The acceptance rate was 13% in 2011 and about 1,000 students (ranging in age from 16 years to over 80 years of age) are enrolled in the Eastman ...
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Harry Sparnaay
Harry Sparnaay (14 April 1944, Amsterdam – 12 December 2017, Lloret de Mar, Girona, Spain) was a noted Dutch bass clarinetist, composer, and teacher. Biography Harry Sparnaay studied at the Conservatory of Amsterdam with Ru Otto. After graduating with a performer's degree for clarinet, he specialized in bass clarinet and won the first prize at the International Gaudeamus Interpreters Competition, the first time ever a bass clarinettist had won this prestigious competition. He played solo at numerous important music festivals including Warsaw, New York, Los Angeles, Zagreb, the Holland Festival, several ISCM Festivals, Madrid, Paris and Athens. Other festivals at which Harry Sparnaay has performed include Witten, Aarhus, Como, Bolzano, Naples, Torino, Bourges, Middelburg, Graz, Salzburg, Huddersfield, Saarbrücken, Royan, Houston and many others. Sparnaay was a featured performer with many major orchestras and ensembles including the ASKO Ensemble, BBC Symphony Orchestra, Berl ...
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Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ...
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Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octa ...
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Basset Horn
The basset horn (sometimes hyphenated as basset-horn) is a member of the clarinet family of musical instruments. Construction and tone Like the clarinet, the instrument is a wind instrument with a single reed and a cylindrical bore. However, the basset horn is larger and has a bend or a kink between the mouthpiece and the upper joint (older instruments are typically curved or bent in the middle), and while the clarinet is typically a transposing instrument in B or A (meaning a written C sounds as a B or A), the basset horn is typically in F (less often in G). Finally, the basset horn has additional keys for an extended range down to written C, which sounds F at the bottom of the bass staff. In comparison, the alto clarinet typically extends down to written E♭, which sounds G♭, one semitone higher than the basset horn. The timbre of the basset horn is similar to the alto clarinet's, but darker. Basset horns in A, G, E, E, and D were also made; the first of these is clos ...
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