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Immer Heiterer
Immer heiterer ('More and More Cheerful') op. 235 is a waltz written by Johann Strauss II in 1860 for the Vienna Carnival Fasching. The waltz was marked as ''"im ländlerstil"'' which meant that it was to be performed in the same style as the ländler. The work was first performed at the genial 'Strauss Ball' in the famous 'Sperl' ballroom in Vienna's Leopoldstadt and was popular when first performed although its 'twin' work, which is the compelling Accelerationen op. 234 won much acclaim. The most significant section of the waltz can be heard in the coda Coda or CODA may refer to: Arts, entertainment, and media Films * Movie coda, a post-credits scene * ''Coda'' (1987 film), an Australian horror film about a serial killer, made for television *''Coda'', a 2017 American experimental film from Na ... (tail-piece) where Strauss called for the members of the orchestra to give a chorus of laughter in spirit of the work. References Waltzes by Johann Strauss II ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasching
A variety of customs and traditions are associated with Carnival celebrations in the German-speaking countries of Germany, Switzerland and Austria. They can vary considerably from country to country, but also from one small region to another. This is reflected in the various names given to these festivities occurring before Lent. Names In parts of eastern and southern Germany, as well as in Austria, the carnival is called ''Fasching''. In Franconia and Baden-Württemberg as well as some other parts of Germany, the carnival is called ''Fas(t)nacht'', ''Fassenacht'' or ''Fasnet''; in Switzerland, ''Fasnacht''. While Germany's carnival traditions are mostly celebrated in the predominantly Roman Catholic southern and western parts of the country, the Protestant north traditionally knows a festival under the Low Saxon names ''Fastelavend'' , ''Fastelabend'' and ''Fastlaam'' (also spelled ''Fastlom'', ). This name has been imported to Denmark as ''Fastelavn'' and is related to ''Vast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ländler
The Ländler () is a folk dance in time which was popular in Austria, Bavaria, German Switzerland, and Slovenia at the end of the 18th century. It is a partner dance which strongly features hopping and stamping. It might be purely instrumental or have a vocal part, sometimes featuring yodeling. When dance halls became popular in Europe in the 19th century, the Ländler was made quicker and more elegant, and the men shed the hobnail boots which they wore to dance it. Along with a number of other folk dances from Germany and Bohemia, it is thought to have influenced the development of the waltz. A number of classical composers wrote or included Ländler in their music, including Ludwig van Beethoven, Franz Schubert and Anton Bruckner. In several of his symphonies, Gustav Mahler replaced the menuet with a Ländler. The Carinthian folk tune quoted in Alban Berg's ''Violin Concerto'' is a Ländler, and another features in Act II of his opera ''Wozzeck''. The "German Dances" o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopoldstadt
Leopoldstadt (; bar, Leopoidstod, "Leopold-Town") is the 2nd municipal district of Vienna (german: 2. Bezirk) in Austria. there are 103,233 inhabitants over . It is situated in the heart of the city and, together with Brigittenau (20th district), forms a large island surrounded by the Danube Canal and, to the north, the Danube. It is named after Leopold I, Holy Roman Emperor. Due to its relatively high percentage of Jewish inhabitants before the Holocaust (38.5 percent in 1923), Leopoldstadt gained the nickname ('Matzo Island'). This context was a significant aspect for the district twinning with the New York City borough Brooklyn in 2007. Landmarks Places of interest include the ''Wiener Prater'' (from Latin ''pratum'' "meadow"), former imperial hunting grounds to which the public was denied access until 1766. The area of the ''Prater'' closest to the city centre contains a large amusement park, known as the ''Volksprater'' ("People's Prater") or ''Wurstelprater'' (after th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accelerationen
Accelerationen (''Accelerations''), op. 234, is a waltz composed by Johann Strauss II in 1860 for the Engineering Students' Ball at the Sofienbad-Saal in Vienna. It is one of his best-known waltzes, famous especially for its rapidly accelerating opening waltz theme. Accelerations is featured in Erich Wolfgang Korngold Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and compo ...'s ''The Tales of Strauss'', Op. 21 as well as many of Strauss's other well-known waltzes. References 1860 compositions Waltzes by Johann Strauss II {{classical-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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