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Illustrationen
Illustration (Illustrations) op. 331 is a waltz by Johann Strauss II composed in 1869. It was appropriately titled for the annual ball of the Vienna Journalists' and Authors' Association ('Concordia') that was held in the Sofienbad Saal on 26 January the same year. Accordingly, the waltz was intended to instill the dancing mood for the many luminaries who graced the event like then Mayor of Vienna Cajetan Freiherr von Felder, the Director of Police, the Privy Councillor von Strobach and many other distinguished guests of the banking, diplomatic and political fields. Strauss' work belonged to the period of finest creativity with 'The Blue Danube' waltz op. 314 success behind him and with the Wein, Weib und Gesang waltz and the operetta Die Fledermaus still to come. Strauss' waltz begins with attention-seeking chords on the strings which transcends into a quiet passage which gradually becomes louder and ushers in the first waltz section. The first waltz section comprises a he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Mayors Of Vienna
This is a list of mayors and governors of Vienna since 1282. Vienna is the capital city of Austria. Since 1920, it has also been an Austrian state, with its mayor also doubling as the ''Landeshauptmann'' (governor or minister-president) of the state of Vienna. Duchy and Archduchy of Austria * Konrad Poll 1282 * Heinrich Hansgraf 1285 * Konrad von Eslarn 1287 * Konrad Poll 1288–1305 * Heinrich Chrannest 1305–1307 * Dietrich von Kahlenberg 1307 * Heinrich von d. Neisse 1308 * Niklas von Eslarn 1309 * Niklas von Eslarn 1309–1313 * Heinrich von d. Neisse 1310 * Niklas Poll 1313–1315 * Hermann von St. Pölten 1316 * Niklas von Eslarn 1316–1317 * Hermann von St. Pölten 1318 * Otto Wülfleinstorfer 1319–1323 * Stephan Chriegler 1323 * Niklas Poll 1324–1327 * Stephan Chriegler 1327–1328 * Heinrich Lang 1329–1330 * Dietrich Urbetsch 1332–1333 * Hermann Snaezl 1333–1334 * Dietrich Urbetsch 1335–1337 * Konrad von Eslarn 1337–1338 * Berthold Poll 1338–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cajetan Freiherr Von Felder
Baron Cajetan von Felder (german: link=no, Cajetan Freiherr von Felder; 19 September 1814 – 30 November 1894) was an Austrian lawyer, entomologist and liberal politician. He served as mayor of Vienna from 1868 to 1878. Life and career Felder was born in Wieden, today the fourth district of Vienna. An orphan from 1826, he attended the ''Gymnasium'' of Seitenstetten Abbey, as well as schools in Brno and Vienna, and began to study law at the University of Vienna in 1834. He completed his legal internship in Brno and articled clerk in Vienna, obtaining his doctorate in 1841. Since 1835 he had made intensive travels throughout Western and Southern Europe, mostly on foot, and studied foreign languages. From 1843 he also worked as an assistant at the Theresianum academy and as a court interpreter in Vienna, before passing the Austrian bar examination in 1848, only a few days before the outbreak of the March Revolution. In October 1848 Felder was elected to the newly establ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wein, Weib Und Gesang
''Wein, Weib und Gesang'' (''Wine, Woman, and Song''), Op. 333, is a Viennese waltz by Johann Strauss II. It is a choral waltz in its original form, although it is seldom heard in this version today. It was commissioned for the Vienna Men's Choral Association's so-called Fools' Evening on 2 February 1869 with a dedication to the Association's honorary chorus-master Johann Herbeck. Its fanciful title was drawn from an old adage: "Who loves not wine, women and song remains a fool his whole life long." The waltz's admirers include the famous opera composer Richard Wagner and Strauss' good friend Johannes Brahms. There is an arrangement for piano, harmonium and string quartet by Alban Berg. The waltz's primary home key is in E-flat major, with its introduction interpolating with B-flat major as well as B major B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attention-seeking
Attention seeking behavior is to act in a way that is likely to elicit attention. Attention seeking behavior is defined in the DSM-5 as "engaging in behavior designed to attract notice and to make oneself the focus of others’ attention and admiration". This definition does not ascribe a motivation to the behavior and assumes a human actor, although the term "attention seeking" sometimes also assumes a motive of seeking validation. People are thought to engage in both positive and negative attention seeking behavior independent of the actual benefit or harm to health. Motivations for attention seeking are considered to be driven by self-consciousness and thus an externalization of personality rather than internal and self-motivated behavior. This type of influence on behavior can result in a potential loss of a person's sense of agency, personality disorder and the behavior associated with these conditions. Enjoying the attention of others is socially acceptable in some situatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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