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Il Re
''Il re'' (''The king'') is a novella or opera in one act and three scenes by composer Umberto Giordano to an Italian libretto by Giovacchino Forzano. The opera premiered at La Scala in Milan on 12 January 1929.Julian Budden: "Il re", ''Grove Music Online'' ed. L. Macy (Accessed March 04, 2009)(subscription access)/ref> The opera is a short comedy, only lasting about 1 hour in performance, about a young woman, Rosalina, betrothed to Colombello. One day she sees the King in all his majesty and falls in love with him, breaking the engagement with Colombello. But after meeting the king privately in his chamber, and seeing him with no crown or clothes, she loses her interest in him and returns to Colombello. Performance history Unusual for a 20th-century opera, ''Il re'' was written specifically as a vehicle for Toti Dal Monte, a coloratura soprano of the old school. Dal Monte performed the work a number of times during her career but after her retirement, the opera quickly fell into o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto Giordano
Umberto Menotti Maria Giordano (28 August 186712 November 1948) was an Italian composer, mainly of operas. He was born in Foggia in Apulia, southern Italy, and studied under Paolo Serrao at the Conservatoire of Naples. His first opera, ''Marina'', was written for a competition promoted by the music publishers Casa Sonzogno for the best one-act opera, remembered today because it marked the beginning of Italian ''verismo''. The winner was Mascagni's ''Cavalleria rusticana''. Giordano, the youngest contestant, was placed sixth among seventy-three entries with his ''Marina'', a work which generated enough interest for Sonzogno to commission the staging of an opera based on it in the 1891–92 season. The result was ''Mala vita'', a gritty ''verismo'' opera about a labourer who vows to reform a prostitute if he is cured of his tuberculosis. This work caused something of a scandal when performed at the Teatro Argentina, Rome, in February 1892. It played successfully in Vienna, Pragu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1929 Operas
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic (record Label)
Dynamic is an Italian independent record label located in Genoa. Founded in 1978, it specialises in classical music and opera, especially rarely performed works and has produced several world premiere recordings. The Dynamic catalogue contains over 400 titles, with about 25 new titles added each year and is distributed in 32 countries. History Dynamic was founded in 1978 by Pietro Mosetti Casaretto and his wife Marisa. Mosetti Casaretto, a surgeon and amateur violinist, took over a small label founded by the musicologist Edward Neill. In the beginning, Dynamic was a small family business. Mosetti Casaretto and his wife recorded in local churches, oratories and villas. The first recordings were issued on vinyl, the very first one being Paganini's ''Barucabà Variations'' played by Salvatore Accardo. In 1985 the company moved to its current site in the Villa Quartana on the Righi hill overlooking Genoa, where it set up a recording hall that could house a small chamber orchestra. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrizia Ciofi
Patrizia Ciofi (born 7 June 1967) is an Italian operatic coloratura soprano. Career Born in Casole d'Elsa, Ciofi studied at the Istituto Musicale Pietro Mascagni in Livorno. She subsequently took part in master classes at the Accademia Musicale Chigiana, Siena, with Carlo Bergonzi and Shirley Verrett. She made her debut in Gino Negri's ''Giovanni Sebastiano'' at the Teatro Comunale, Florence in 1989. She began her collaboration with the Festival della Valle d'Itria, featuring in ''La sonnambula'' (1994), Cherubini's ''Médée'' (1995), Piccinni's '' L'americano'' (1996), French version of ''Lucia di Lammermoor'' (1997), Giordano's '' Mese mariano'' and ''Il re'' (1998), Traetta's ''Ippolito ed Aricia'' (1999), Rossini's ''Otello'' and Meyerbeer's ''Robert le diable'' (2000). She made her La Scala debut in 1997 with ''La traviata'', conducted by Riccardo Muti, and returned for ''L'elisir d'amore'' in 1998 and 2001. She has sung in most of the major Italian opera houses as well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festival Della Valle D'Itria
The ''Festival della Valle d'Itria'' is a summer opera festival held in the south eastern Italian town of Martina Franca in the Apulia region. The Festival was founded in 1975 and performances are given in July and August each summer on a specially constructed stage in the outdoor courtyard of the Palazzo Ducale.''The Rough Guide to Italy'' Robert Andrews, Martin Dunford - 2011- Page 821 1848367171 "Southern Italy's top performing-arts festival, the Festival della Valle d'Itria (T080.480.5100, www.festivaldellavalleditria.it), takes place in Martina Franca in late July / early August every year. On a par with the Maggio Musicale in Florence (see" The primary aim of the festival is to present obscure, neglected or rarely performed works, and often works in the standard operatic repertoire are given in their original versions (such as Verdi's original 1857 version of ''Simon Boccanegra''). Notable revivals include: *33rd Festival 2007 Marcella by Umberto Giordano *34th Festival 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Petruzzelli
The Teatro Petruzzelli is the largest theatre of the city of Bari and the fourth Italian theatre by size. History Origin and golden age The history of the Teatro Petruzzelli of Bari begins when Onofrio and Antonio Petruzzelli, traders and ship builders from Bari, presented the designs for the theatre drawn up by their brother-in-law, the engineer Angelo Bari Cicciomessere (then Messeni) to the city of Bari. The proposal for building the Petruzzelli was accepted and, on 29 January 1896, a contract was signed between the family and the city administration. Two years later, in October 1898, work began and it ended in 1903. The interior of the theatre was painted by Raffaele Armenise. On completion the Teatro Petruzzelli overtook the Teatro Comunale of Corato as the largest theatre of Apulia. The theatre was inaugurated on Saturday, 14 February 1903 with Meyerbeer's ''Les Huguenots''. In the 1980s, the theatre hosted two major operatic debuts, that of ''Iphigénie en Tauride'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mese Mariano
''Mese mariano'' (''May devotions to the Blessed Virgin Mary, Mary's Month'') is an opera in one act by Umberto Giordano. Its Italian libretto by Salvatore Di Giacomo was adapted from his play O Mese Mariano'', which was in turn adapted from his novella, ''Senza vederlo'' (''Without Seeing Him''). It premiered at the Teatro Massimo in Palermo on 17 March 1910. The opera is described as a ''bozzetto lirico'' (lyric sketch) and has a running time of 35 minutes. It tells the story of a woman who visits an orphanage to see her child. Racked with guilt at having abandoned him, she is unaware that he had died the night before. Composition history The play which forms the basis for the libretto was immensely popular in its day. Written in Neapolitan language, it was first performed at the Teatro San Fernando in Naples on 20 January 1900. Giordano, who had seen the play in Milan, was deeply touched by it and asked Di Giacomo to adapt it for an opera. Di Giacomo accepted and agreed to make s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercedes Capsir
Mercedes Capsir (; 20 July 1895 – 13 March 1969) was a Catalan opera singer, a high coloratura soprano, particularly associated with light Italian roles, such as Lucia and Gilda. Life and career Mercedes Capsir was born in Barcelona, in the same house where another Spanish soprano, Maria Barrientos, had been born 12 years earlier. She studied (piano, composition, voice) at the Conservatori Superior de Música del Liceu, before making her debut in Genora, in 1913, as Gilda in ''Rigoletto'', a role she will remain closely associated with throughout her career. In 1916, she made her debut at the Liceu in Barcelona, the Teatro Real in Madrid, the Teatro Nacional de São Carlos in Lisbon, the Teatro Colón in Buenos Aires, as well as at the Paris Opera in 1917. Gilda was her debut role at all these opera houses. Her Italian debut took place in Bologna, as Rosina in ''Il barbiere di Siviglia'', followed by Elvira in ''I puritani'', in Venice, opposite Giacomo Lauri-Volpi, she al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvatore Baccaloni
Salvatore Baccaloni (14 April 190031 December 1969) was an Italian operatic bass, buffo artist, and actor. Life and career Baccaloni was born in Rome. After attending the Sistine Chapel choir school from age seven, he studied voice with the celebrated baritone Giuseppe Kaschmann (Josip Kašman, 1847–1925) and cast aside his initial ambitions to become an architect. He made his professional debut as Bartolo in ''The Barber of Seville'', at Rome's Teatro Adriano, in 1922. He sang for the first time at La Scala, Milan, in 1926, in Ildebrando Pizzetti's ''Debora e Jaele''. Initially, he performed the standard bass parts there, such as Raimondo in ''Lucia di Lammermoor'' and Sparafucile in ''Rigoletto''. However, on the advice of La Scala's principal conductor, Arturo Toscanini, he decided to specialise in comic roles. He thus went on to make an indelible impression as Leporello in '' Don Giovanni'', Dulcamara in '' L'elisir d'amore'', the title character in ''Don Pasquale'', Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Nessi
Giuseppe Nessi (25 September 1887 – 16 December 1961) was an Italian operatic tenor. Life Nessi was born in Bergamo, near Milan in Italy. He made his debut in Saluzzo in 1910, in the role of Alfredo in '' La Traviata''.Harold Rosenthal/R, "Nessi Giuseppe", in Sadie, Stanley (ed.), ''The New Grove Dictionary of Opera'', Oxford University Press, 1997, III, p. 575. However, on the advice of renowned Italian conductor Tullio Serafin, the majority of his career was focussed on character tenor roles.Rosenthal, Harold; & Warrack, John (1964). ''Concise Oxford Dictionary of Opera''. London: Oxford University Press, p. 279 He was La Scala's leading comprimario tenor between 1921 and 1959, and also performed at the Royal Opera House, Covent Garden, and at the Salzburg Festival under Arturo Toscanini. He created, among others, the roles of Pong in ''Turandot'', the Priest in ''Il re'', Donna Pasqua in ''Il campiello'', and an archer in '' Francesca da Rimini''; in Zandonai's opera he wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
