Igor Morozov (baritone)
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Igor Morozov (baritone)
Igor Morozov (born 1948) is a Russian-Ukrainian opera singer ( baritone) (in Russian: ) Igor Morozov was born in Dnipropetrovsk in Ukraine and started singing while still a child with professional orchestras. These concerts were broadcast by radio across the Soviet Union. At the age of 16, he left his hometown to study at the Tchaikovsky Conservatory in Moscow. There, his first teacher was the bass Mark Reizen, and his second the Georgian baritone and People's Artist of the Georgian SSR, David Gamrekeli. Immediately after having finished his studies, young Morozov received a contract as a leading baritone to the Kirov Opera (today's Mariinsky Theatre) and changed two years later to the leading opera house of the Soviet Union: the Bolshoi Theatre in Moscow. Here he sang the great parts of Russian and Italian repertoire such as the title role in ''Eugene Onegin'', Lionel in '' The Maid of Orleans'' (with Makvala Kasrashvili in the title role), Yeletzki in '' The Queen of Spa ...
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Igor Morosow, Ukrainisch-russischer Bariton
Igor may refer to: People * Igor (given name), an East Slavic given name and a list of people with the name * Mighty Igor (1931–2002), former American professional wrestler * Igor Volkoff, a professional wrestler from NWA All-Star Wrestling * Igorrr, (born 1984) a French musician Fictional characters * Igor (character), a stock character * Igor Karkaroff, character in the ''Harry Potter'' series * Igor, the eagle in ''Count Duckula'' * Igor, the first enemy character in fighting game ''Human Killing Machine'' * Igor, a baboon with shape-shifting powers in Marvel comics (see List of fictional monkeys) * Igor, a reoccurring character in the Persona (series), ''Persona'' series * Igor, a character in ''Young Frankenstein'' * Igor Nevsky, an assassin in Air Force One (film), ''Air Force One'' (film) Arts, entertainment, and media * Igor (album), ''Igor'' (album), a 2019 album by Tyler, The Creator * Igor (film), ''Igor'' (film), a 2008 American animated film * ''Igor: Objective U ...
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The Snow Maiden
''The Snow Maiden'' (subtitle: A Spring Fairy Tale) ( rus, Снегурочка–весенняя сказка, Snegúrochka–vesénnyaya skázka, italic=yes ) is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky (which had premiered in 1873 with incidental music by Tchaikovsky). The first performance of Rimsky-Korsakov's opera took place at the Mariinsky Theatre, Saint Petersburg on 29 January 1882 ( OS; 10 February NS) conducted by Eduard Nápravník. By 1898 it was revised in the edition known today. It remained the composer's own favorite work. Analysis The story deals with the opposition of eternal forces of nature and involves the interactions of mythological characters (Frost, Spring, Wood-Sprite), real people (Kupava, Mizgir'), and those in-between, i.e., half-mythical, half-real (Snow Maiden, Lel’, Berendey). The comp ...
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Vladimir Atlantov
Vladimir Andreyevich Atlantov (russian: Владимир Андреевич Атлантов; born 19 February 1939), is a Soviet and Russian operatic tenor. Born in Leningrad, Atlantov is the son of bass Andrey Petrovich (1906–1971) who sang in both the Kirov and Maly opera theaters of Leningrad. His mother, Maria Aleksandrovna Yelizarova, was a lyric soprano who performed in the same opera theaters, taught, and later was a vocal consultant in the Kirov theater. She had been awarded the title of the Honored Artist of the RSFSR. His wife, the soprano Tamara Milashkina, is also an opera singer. She had been awarded the title the People's Artist of the USSR as well as the State Award of the Russian SSR. They have a daughter, Lada (b. 1963). Atlantov grew up in the wings of the opera theater. At the age of six, he joined the Glinka choir school and in 1957 he was accepted in the Leningrad Conservatory. In 1962, while still a student, he was hired as an intern in the Kirov thea ...
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Galina Kalinina
Galina, Halyna, or Halina (russian: Галина; from Greek ''γαλήνη'' "Serenity") is an East Slavic feminine given name, also popular in Bulgaria and Slovenia during the period of Soviet influence. Galina is the standard transliteration from Russian. It is generally transliterated as Halyna from Ukrainian ( uk, Галина) and as Halina from Belarusian ( be, Галіна). The latter form is also frequently found in Poland. Nicknames include Galya (or Halya), Galka (or Halka), Gala, Galochka, and Galechka. In ancient Greek mythology, Galene was one of the Nereid mermaids, known as the goddess of calm seas. Two Christian female martyrs of this name are recognized by the Orthodox church: the first died in 252 (feast day March 10), the other one, the more famous Galene of Corinth, in 290 (feast day April 16). Given name Notable bearers of this name include: * Galina Antyufeyeva, Transnistrian politician and the wife of Vladimir Antyufeyev. * Alina Astafei known be ...
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Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ...
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Leoncavallo
Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera ''Pagliacci'' (1892) that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today he remains largely known for ''Pagliacci'', one of the most popular and frequently performed works in the opera repertory. His other compositions include the song "Mattinata", popularized by Enrico Caruso, and the symphonic poem ''La Nuit de mai''. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. He later returned to Naples and was educated at the city's San Pietro a Majella Conservatory and later the University of Bologna studying literature un ...
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Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ...
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Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), ''Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musica ...
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Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ...
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Don Carlo
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Sa ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ...
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