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I Due Timidi
''I due timidi'' (in English, ''The Two Timid Ones'') is a one-act radio opera (also described as a ''commedia lirica'') composed in 1950 by Nino Rota with libretto by the film writer Suso Cecchi d'Amico. Performance history It was originally written as a radio production for RAI, Radio Audizioni Italiane and first performed, on air, on 15 November 1950. The first staged production was in London at the Scala Theatre (London Opera Club) on 17 March 1952. It was also given at the Teatro Petruzzelli in Bari on 18 January 1971, and at the Teatro Donizetti in Bergamo on 23 October 1972. It was revived by the Wiener Kammeroper opera company in Vienna in 2007. and again by the Santa Fe Opera as part of their "One-Hour Opera" program in the spring of 2008. Roles Recordings Rota: ''I due timidi'', ''La notte di un nevrastenico'', Orchestra Filarmonia Veneta 'G F Malipiero', Chorus of the Teatro Sociale di Rovigo Conductor: Flavio Emilio Scogna Principal singers: Paolo Drigo, Shin Young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Opera
Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. Radio operas were generally shorter than staged operas and some occupied less than fifteen minutes. Plots were usually more straightforward than those of stage operas.Lionel Salter: ''Radio'' in Sadie, vol. 3, pp. 1212-1214. The earliest radio operas were broadcast in the 1920s and followed earlier broadcasts of plays with incidental music. The first radio opera seems to have been '' The Red Pen'', composed by Geoffrey Toye to a libretto by A. P. Herbert. It was originally aired by the British Broadcasting Corporation on March 24, 1925."Broadcasting", ''The Times'', 20 March 1925, p. 6 Germany followed with Gustav Kneip's Christmas opera for children, ''Christkinds Erdenreise'' (The Christ-child's journey on Earth), 24 December 1929, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graziella Sciutti
Graziella Sciutti (17 April 1927 – 9 April 2001) was an Italian soprano opera singer and later vocal teacher and opera producer. Career Sciutti was born in Turin, Italy. Her parents were musical, her father being an organist; her mother was French.Hughes JT. The Art of Graziella Sciutti. International Classical Record Collector, Spring 1997, p37-44. She studied privately with Ginevra Marinuzzi, then in Rome at the Accademia di Santa Cecilia under Rachele Margliano-Mori with the intention of making a career on the concert platform. From 1948 she participated in broadcasts on Italian Radio, her first being ''L'oca del Cairo''. Sciutti's concert debut was in 1949 in Venice, with 18th-century Italian songs.Obituary in 'The Independent' https://www.independent.co.uk/news/obituaries/graziella-sciutti-729192.html Her stage debut at Aix-en-Provence in 1951 singing Elisetta in ''Il matrimonio segreto'' and the woman in '' The Telephone'' and realized that she "was a person who cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Operas
Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. Radio operas were generally shorter than staged operas and some occupied less than fifteen minutes. Plots were usually more straightforward than those of stage operas.Lionel Salter: ''Radio'' in Sadie, vol. 3, pp. 1212-1214. The earliest radio operas were broadcast in the 1920s and followed earlier broadcasts of plays with incidental music. The first radio opera seems to have been '' The Red Pen'', composed by Geoffrey Toye to a libretto by A. P. Herbert. It was originally aired by the British Broadcasting Corporation on March 24, 1925."Broadcasting", ''The Times'', 20 March 1925, p. 6 Germany followed with Gustav Kneip's Christmas opera for children, ''Christkinds Erdenreise'' (The Christ-child's journey on Earth), 24 December 1929, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1950 Operas
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 '' Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Nino Rota
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Notte Di Un Nevrastenico
''La notte di un nevrastenico'' is a 1959 one-act opera by Nino Rota for Milan, to a libretto by Riccardo Bacchelli.Franco Sciannameo - ''Nino Rota's The Godfather Trilogy: A Film Score Guide '' 2010 155 1461664241 ... the 1959 one-act opera by Riccardo Bacchelli and Nino Rota entitled La Notte di un nevrastenico (A Neurasthenic Man's Night) References {{DEFAULTSORT:Notte di un nevrastenico Italian-language operas Operas by Nino Rota 1959 operas Operas One-act operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnese Dubbini
Agnese is a given name and a variant of Agnes. Its name day is 21 January in Italy. People with the name Agnese include: *Agnese Allegrini (born 1982), Italian badminton player *Agnese Bonfantini (born 1999), Italian football player *Agnese Koklača (born 1990), Latvian luger *Agnese del Maino (c. 1401–1465), Milanese noblewoman and the mistress of Filippo Maria Visconti *Agnese di Montefeltro (1470–1523), daughter of Federico da Montefeltro, duke of Urbino * Agnese Maffeis (born 1965), Italian discus thrower and shot putter *Agnese Nano (born 1965), Italian film, TV and theater actress *Agnese Ozoliņa (born 1979), Latvian swimmer * Agnese Pastare (born 1988), Latvian race walker * Agnese Possamai (born 1953), Italian middle distance runner *Agnese Rakovska, Latvian singer, member of the band Triana Park *Agnese Visconti (1363–1391), daughter of Bernabò Visconti Fictional characters * Agnese Mondella, one of the main characters in Alessandro Manzoni's novel '' The Betrothe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
