|
Italian Riff
The "Tarantella Napoletana" is the tarantella associated with Naples. It is familiar to North American viewers of popular media as a quintessentially Italian musical riff or melody. \relative c'' Examples of its use include Gioachino Rossini's "La Danza" from ''Soirées Musicales'' (1830–1835). The tarantella was adapted into the 1950 song "Lucky, Lucky, Lucky Me" written by Buddy Arnold and Milton Berle, and performed by Evelyn Knight and the Ray Charles Band. See also *Arabian riff, "The Streets of Cairo", "The Poor Little Country Maid", "the snake charmer song" * Jarabe Tapatío, the "Mexican hat dance" *Oriental riff The Oriental riff, also known as the East Asian riff and the Chinaman lick, is a musical riff or phrase that has often been used in Western culture as a trope to represent the idea of China, Japan, South Korea, North Korea, Taiwan, or a generic ..., stereotypical pentatonic riff References Ethnic and racial stereotypes Musical analysis Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United States Air Force Band
The United States Air Force Band is a U.S. military band consisting of 184 active-duty members of the United States Air Force. It is the Air Force's premier musical organization and is based at Bolling Air Force Base, Washington, D.C.. Within the band there are six performing ensembles: #The Concert Band #Singing Sergeants # Airmen of Note #Air Force Strings #Ceremonial Brass #Max Impact Collectively, these musical groups perform a wide spectrum of styles, including classical, jazz, popular, patriotic and ceremonial music. The mission of the Band is to deliver musical products that inspire emotions, create positive impressions and communicate information according to Air Force objectives for the defense of the United States of America. The Band is part of the United States Air Force Bands Program, which consists of 8 active-duty stateside bands 2 overseas active-duty band locations and 5 Air National Guard bands. Formation and early history The United States Air Force Ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Charles (musician, Born 1918)
Ray Charles (born Charles Raymond Offenberg; September 13, 1918April 6, 2015) was an American musician, singer, songwriter, vocal arranger and conductor who was best known as organizer and leader of the Ray Charles Singers who were featured on Perry Como's records and television shows for 35 years and were also known for a series of 30 choral record albums produced in the 1950s and 1960s for the Essex, MGM, Decca and Command labels. As a vocalist, Charles, along with Julia Rinker Miller, sang the theme song to the television series ''Three's Company'' ("Come and Knock on Our Door"). As a songwriter, Charles was best known for the choral anthem "Fifty Nifty United States" in which he set the names of the states to music in alphabetical order. It was originally written for ''The Perry Como Show''. He is also known for "Letters, We Get Letters", also originally written for Como's show and later used on the ''Late Show with David Letterman''. In his later years, he continued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Terminology
A variety of musical terms are likely to be encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Analysis
Musical analysis is the study of musical structure in either compositions or performances. According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Bent, "its emergence as an approach and method can be traced back to the 1750s. However it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards." The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, "to explain by means of nalysisis to decompose, to mutilate the spirit of a work". Analyses Some analysts, such as Donald Tovey (whose '' Essays in Musical Analysis'' are among the most accessible musical analyses) have presented their analyses in prose. Others, such as Hans Keller (who devised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnic And Racial Stereotypes
An ethnic group or an ethnicity is a grouping of people who identify with each other on the basis of shared attributes that distinguish them from other groups. Those attributes can include common sets of traditions, ancestry, language, history, society, culture, nation, religion, or social treatment within their residing area. The term ethnicity is often times used interchangeably with the term nation, particularly in cases of ethnic nationalism, and is separate from the related concept of races. Ethnicity may be construed as an inherited or as a societally imposed construct. Ethnic membership tends to be defined by a shared cultural heritage, ancestry, origin myth, history, homeland, language, or dialect, symbolic systems such as religion, mythology and ritual, cuisine, dressing style, art, or physical appearance. Ethnic groups may share a narrow or broad spectrum of genetic ancestry, depending on group identification, with many groups having mixed genetic ancestry. Ethnic gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oriental Riff
The Oriental riff, also known as the East Asian riff and the Chinaman lick, is a musical riff or phrase that has often been used in Western culture as a trope to represent the idea of China, Japan, South Korea, North Korea, Taiwan, or a generic East Asian theme. It has also been used to represent generic Southeast Asian themes like those from Thailand, Cambodia, Myanmar, Vietnam, Malaysia, and the Philippines. The riff is sometimes accompanied by the sound of a gong. History The Oriental riff is a Western creation. The first known example of a precursor, showing similar rhythm if not yet melody, is the "Aladdin Quick Step", composed around 1847 and used in an ''Aladdin'' stage show named ''The Grand Chinese Spectacle of Aladdin or The Wonderful Lamp''. Later related tunes included "Mama's China Twins (Oriental Lullaby)" from 1900. In the 1930s, a couple of cartoons used a version of the tune specifically to accompany animated stereotypes of East Asians. The notes used in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarabe Tapatío
''Jarabe tapatío'', often referred to as the Mexican hat dance, is the national dance of Mexico. It originated as a courtship dance in Guadalajara, Jalisco, during the 19th century, although its elements can be traced back to the Spanish ''zambra'' and ''jarabe gitano'', which were popular during the times of the viceroyalty. Female dancers traditionally wear a '' china poblana'' outfit, while the male dancers dress as ''charros''. The standard music of the ''jarabe tapatío'' was composed by Jesús González Rubio in the 19th century. However, its more common instrumental arrangement dates from the 1920s. Sometimes it is confused with La Raspa, another Mexican dance. Nowadays, its music is most commonly performed by either mariachi groups or string ensembles. History The word ''jarabe'' (from Arabic ''xarab''), originally meaning "herb mixture", denotes the combination of various Mexican musics ('' sones'') and dances ('' zapateados''). ''Tapatío'', the popular demonym o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabian Riff
"Arabian riff", also known as "The Streets of Cairo", "The Poor Little Country Maid", and "the snake charmer song", is a well-known melody, published in various forms in the nineteenth century. Alternate titles for children's songs using this melody include "The Girls in France" and "The Southern Part of France". This song is often associated with the hoochie coochie belly dance. History There is a clear resemblance between the riff and the French song ''Colin prend sa hotte'' (published by in 1719), whose first five notes are identical. ''Colin prend sa hotte'' appears to derive from the lost ''Kradoudja'', an Algerian folk song of the seventeenth century. A version of the riff was published in 1845 by Franz Hünten as ''Melodie Arabe''. The melody was described as an "Arabian Song" in the '' La grande méthode complète de cornet à piston et de saxhorn par Arban'', first published in the 1850s. Sol Bloom, a showman (and later a U.S. congressman), published the song as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evelyn Knight (singer)
Evelyn Knight (born Evelyn Davis, December 31, 1917, Reedville, Virginia – September 28, 2007, San Jose, California) was an American singer of the 1940s and 1950s. Damon Runyon, in one of his newspaper columns, described Knight as "a lissome blonde lassie with a gentle little voice and a face mother would not mind having brought home to her." Early years Knight's father was "head of a geodetic survey for the government". She sang soprano in the young people's choir in a church in her hometown of Reedville, Virginia. After her father's death, Knight and her mother moved to Arlington County, Virginia, in 1926. When she was 16, she sang in Washington nightclubs billed as Honey Davis. At the age of 18, she married Andrew B. Knight, a war photographer for the ''Washington Post'', and became professionally known as Evelyn Knight. Recording During a seven-year span in the late 1940s and 1950, Knight had two No. 1 hit records and 13 that made the Top 40. Her debut recording was " Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarantella
() is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and ''pizzica'' in Salento. Tarantella is popular in Southern Italy and Argentina. The term may appear as in a linguistically masculine construction. History In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milton Berle
Milton Berle (born Mendel Berlinger; ; July 12, 1908 – March 27, 2002) was an American actor and comedian. His career as an entertainer spanned over 80 years, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's ''Texaco Star Theatre'' (1948–1953), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during the first Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV. Early life Milton Berle was born into a Jewish family in a five-story walkup at 68 W. 118th Street in the Harlem neighborhood of Manhattan. His given name was Mendel Berlinger, but he chose Milton Berle as his professional name when he was 16. His father, Moses Berlinger (1872–1938), was a paint and varnish salesman. His mother, Sarah (Sadie) Glantz Berlinger (1877–1954), changed her name to Sandra Berle when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Arnold
Arnold Buddy Grishaver (April 30, 1926 – November 9, 2003), known professionally as Buddy Arnold, was an American jazz saxophonist. Career Arnold took up the sax at age nine and turned pro while still in his teens. At 16 years old, Arnold performed at the Apollo Theater with the Georgie Auld Orchestra with singer Billy Eckstine. At age 18 he joined the Army and led an Army Dance Band from 1944 to 1946. Following this he played with Joe Marsala, Will Osborne (singer), Herbie Fields, Buddy Rich. His first recordings were in 1949 with Gene Williams and the Junior Thornhill Band with Claude Thornhill before leaving to study music and economics at Columbia University. In 1951 he began playing again, touring with Buddy DeFranco, then worked with Jerry Wald, Tex Beneke, Elliot Lawrence, Stan Kenton, and Neal Hefti. His debut album as a leader, ''Wailing'', was released by Paramount in 1956. He did further work for the label with Phil Sunkel. Arnold's career was sporadic after the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> Ethnic And Racial Stereotypes")
.jpg "Click for more on -> Jarabe Tapatío")
