It Might As Well Be Swing
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It Might As Well Be Swing
''It Might as Well Be Swing'' is a 1964 studio album by Frank Sinatra, accompanied by Count Basie and his orchestra. It was Sinatra's first studio recording arranged by Quincy Jones. The recording of "Fly Me to the Moon" which appears on this album has become one of Sinatra's most popular. This was Sinatra and Basie's second collaboration after 1962's '' Sinatra-Basie''. Sinatra's cover version of "Hello Dolly" on the album features a new second verse improvised by Sinatra, which pays tribute to Louis Armstrong, who had topped the Billboard charts with his own version of the song earlier in 1964. ''It Might as Well Be Swing'' is a reference to the title of the well known jazz standard "It Might as Well Be Spring". Track listing Personnel * Frank Sinatra - vocals * Count Basie - piano * Quincy Jones - arranger, conductor ;The Count Basie Orchestra: * Al Porcino, Don Rader, Wallace Davenport, Al Aarons, George Cohn and Harry "Sweets" Edison - trumpets *Henry Coker, Grover Mi ...
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Frank Sinatra
Francis Albert Sinatra (; December 12, 1915 – May 14, 1998) was an American singer and actor. Nicknamed the "Honorific nicknames in popular music, Chairman of the Board" and later called "Ol' Blue Eyes", Sinatra was one of the most popular entertainers of the 1940s, 1950s, and 1960s. He is among the List of best-selling music artists, world's best-selling music artists with an estimated 150 million record sales. Born to Italian immigrants in Hoboken, New Jersey, Sinatra was greatly influenced by the intimate, easy-listening vocal style of Bing Crosby and began his musical career in the swing era with bandleaders Harry James and Tommy Dorsey. He found success as a solo artist after signing with Columbia Records in 1943, becoming the idol of the "Bobby soxer (music), bobby soxers". Sinatra released his debut album, ''The Voice of Frank Sinatra'', in 1946. When his film career stalled in the early 1950s, Sinatra turned to Las Vegas, where he became one of its best-known concert ...
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Count Basie Orchestra
The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the Big Band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart. Originally including such musicians as Buck Clayton and Lester Young in the line-up, the band in the 1950s and 1960s made use of the work of such arrangers as Neal Hefti and featured musicians such as Thad Jones and Eddie "Lockjaw" Davis. Its recordings of this era included collaborations with singers such as Frank Sinatra and Ella Fitzgerald. History Early years Count Basie arrived in Kansas City, Missouri in 1927, playing on the Theater Owners Bookers Association (TOBA) circuit. After playing with Walter Page's Blue Devils, in 1929 he joined rival band leader Bennie Moten's band. Upon ...
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More (Theme From Mondo Cane)
"Ti Guarderò Nel Cuore" ("I will look into your heart"), later released under the international title "More", is a pop song adapted from a film score written by Riz Ortolani and Nino Oliviero for the 1962 Italian documentary film ''Mondo Cane''. Ortolani and Oliviero originally composed the melody as an orchestral arrangement that served as the film's theme music. Italian lyrics were provided by Marcello Ciorciolini, which were adapted into English by Norman Newell. It has since become a pop standard. The film ''Mondo Cane'' is a documentary, and uses a variety of music to accompany various segments. Some melodies are used repeatedly, in different styles, each named for the part of the movie where the music is used. Of the 15 music tracks on the soundtrack album, one melody is presented 6 times, another melody 2 times. The melody which became known as "More" is presented 4 times, named "Life Savers Girls", "The Last Flight/L'Ultimo Volo", "Models In Blue/Modelle in Blu", "Repabha ...
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Frank Loesser
Frank Henry Loesser (; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway musicals ''Guys and Dolls'' and ''How to Succeed in Business Without Really Trying'', among others. He won a Tony Award for ''Guys and Dolls'' and shared the Pulitzer Prize for Drama for ''How to Succeed''. He also wrote songs for over 60 Hollywood films and Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once for Baby, It's Cold Outside. Early years Frank Henry Loesser was born to a Jewish family in New York City to Henry Loesser, a pianist,Frank Loesser biography
pbs.org, accessed December 5, 2008
and Julia Ehrlich. He grew up in a house on West 107th Street in M ...
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I Believe In You (Frank Loesser Song)
"I Believe in You" is a 1961 song written by Frank Loesser for his musical ''How to Succeed in Business Without Really Trying'', where it was introduced by Robert Morse. The protagonist of the musical, J. Pierrepont Finch, sings the song to himself in the mirror while shaving. In the movie version, Rosemary (played by Michele Lee) also sings it to Pierrepont (again played by Morse). Notable recordings * Anita O'Day – included in her album '' Time for 2'' (1962) * Peggy Lee – '' Sugar 'n' Spice'' (1962) * Jack Jones – for his album ''She Loves Me'' (1963). * Sarah Vaughan – ''The Explosive Side of Sarah Vaughan'' (1963) * Nancy Wilson – ''Broadway – My Way'' (1964) * Frank Sinatra and Count Basie – ''It Might As Well Be Swing'' (1964) * Shirley Bassey – ''Shirley Stops the Shows'' (1965) * Ron Collier Tentet - ''Ron Collier Tentet'' (1965) *Bobby Darin – ''In a Broadway Bag (Mame)'' (1966) * Dionne Warwick – ''On Stage and in the Movies'' (1967) * Steve Lawrence ...
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Charles Trenet
Louis Charles Augustin Georges Trenet (; 18 May 1913 – 19 February 2001) was a renowned French singer-songwriter who composed both the music and the lyrics to nearly a thousand songs over a career that lasted more than 60 years. These include "Boum!" (1938), " La Mer" (1946) and "Nationale 7" (1955). Trenet is also noted for his work with musicians Michel Emer and Léo Chauliac, with whom he recorded "Y'a d'la joie" (1938) for the first and "La Romance de Paris" (1941) and "Douce France" (1947) for the latter. He was awarded an Honorary Molière Award in 2000. History Trenet's best-known songs include "Boum!", " La Mer", "Y'a d'la joie", " Que reste-t-il de nos amours?", "Ménilmontant" and "Douce France". His catalogue of songs is enormous, numbering close to a thousand. Some of his songs had unconventional subject matter, with whimsical imagery bordering on the surreal. "Y'a d'la joie" evokes joy through a series of disconnected images, including that of a subway car s ...
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Léo Chauliac
Léo Chauliac, real name Léon Chauliac (6 February 1913 – 27 October 1977), was a French jazz pianist, composer and conductor. A jazz pianist in the 1930s, Léo Chauliac was the accompanist of Charles Trenet from 1941 to 1943, a singer for whom he composed many popular songs. He rubbed shoulders and played with the greatest musicians of the time: Hubert Rostaing, Aimé Barelli, Alix Combelle and Henri Crolla. For a while, as conductor of the orchestra of the famous restaurant ''Maxim's'', he will be the companion for some records by André Claveau and Jacqueline Danno. But it was above all with Jean-Claude Pascal that he wove a long musical career in the 1960s, orchestrating among other things ''Nous les amoureux'', winner of the 1961 Eurovision Song Contest. Career Born in 1913 in Marseille, Chauliac began his piano studies at the Conservatoire de Marseille where he won a first prize after two years. Then, he came to Paris where he worked with José Iturbi and especially his ...
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Que Reste-t-il De Nos Amours ?
"Que reste-t-il de nos amours ?" (, ''What Remains of Our Loves?'') is a French popular song, with music by Léo Chauliac and Charles Trenet and lyrics by Charles Trenet. A version of the song with English lyrics entitled "I Wish You Love" is recognizable by the opening line "I wish you bluebirds, in the spring". History This song was first recorded by the French female singer Lucienne Boyer in 1942 (78 rpm, Columbia Records: BF 68). Second recorded by the French crooner Roland Gerbeau in February 1943 (78 rpm, Polydor Records: 524.830). Charles Trenet recorded his own version in July 1943 (78 rpm Columbia Records: DF 3116). "I Wish You Love" The song is best known to English-speaking audiences as "I Wish You Love", with new lyrics by American composer and lyricist, Albert Askew Beach (1924-1997): "I Wish You Love" was introduced in 1957 by Keely Smith as the title cut of her solo debut album, '' I Wish You Love'', and was one of Smith's signature songs. Smith's debut alb ...
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Bart Howard
Bart Howard (born Howard Joseph Gustafson, June 1, 1915 – February 21, 2004) was an American composer and songwriter, most notably of the jazz standard "Fly Me to the Moon", which has been performed by Kaye Ballard, Judy Garland, Frank Sinatra, Tony Bennett, Ella Fitzgerald, Nancy Wilson, Della Reese, Bobby Womack, Diana Krall, June Christy, Brenda Lee, Astrud Gilberto, Nat King Cole, Peggy Lee, and Sia, among others. It is played frequently by jazz and popular musicians around the world. Howard wrote the song for his partner of 58 years, Thomas Fowler. Biography Howard was born in Burlington, Iowa. He began his career as an accompanist at the age of 16 and played for Mabel Mercer, Johnny Mathis and Eartha Kitt, among others. "Fly Me to the Moon" was first sung in 1954 by Felicia Sanders at the Blue Angel nightclub in Manhattan, where the composer became M.C. and accompanist in 1951. The song received wide exposure when Peggy Lee sang it on ''The Ed Sullivan Show'' several year ...
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It Might As Well Be Spring
"It Might as Well Be Spring" is a song from the 1945 film ''State Fair''. which features the only original film score by the songwriting team of Richard Rodgers and Oscar Hammerstein II. "It Might as Well Be Spring" won the Academy Award for Best Original Song for that year. Composition/ As a showtune The song is sung early in the film by Margy the teenage daughter of the State Fair-bound Frake family, who is feeling the symptoms of spring fever. Oscar Hammerstein, the lyricist for the Rodgers & Hammerstein team, mentioned to Richard Rodgers that although state fairs were held in summer or autumn, for Margy – flushed by the stirrings of womanhood – "it might as well be spring". Rodgers immediately advised Hammerstein that the latter had just named the song. An early version of the composition exists with an alternate melody. Music historian Todd Purdum described the alternate version in 2018: Rodgers envisioned "It Might as Well Be Spring" as a cheery uptempo number, it bei ...
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Billboard Charts
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in '' Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow ...
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Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ...
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