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Isolation (John Lennon Song)
"Isolation" is a 1970 song appearing on John Lennon's first official solo album release, ''John Lennon/Plastic Ono Band''. It ends side one of the album, and is the fifth track. In the Philippines Apple Records released "Isolation" as the b-side to "Mother", the single off ''John Lennon/Plastic Ono Band'', in contrast to most countries where the b-side was Yoko Ono's "Why." It was also released on an EP in Mexico along with "Mother," " Look at Me" and "My Mummy's Dead." Lyrics and music At the time, Lennon began to feel disillusioned with fame and where his life was heading, with the break-up of the Beatles, the attacks he and Yoko Ono were facing at the time, as well as acute insecurity and self-doubt brought on through his extensive drug use." "Isolation" reveals Lennon's feelings of vulnerability, despite his fame and fortune. Beatles biographer John Blaney sees this as continuing the theme of the album, as Lennon strips away another layer of myth that hides the true reality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother (John Lennon Song)
"Mother" is a song by English musician John Lennon, first released on his 1970 album '' John Lennon/Plastic Ono Band''. An edited version of the song was issued as a single in the United States on Apple Records, on 28 December 1970. The single edit runs 1:41 shorter than the album due to removing the tolling bells that start the song and a quicker fade-out. The B-side features "Why" by Yoko Ono. The song peaked in the United States at number 19 on the '' Cashbox'' Top 100 and number 43 on the ''Billboard'' Hot 100. Conception The lyrics of "Mother" address both of Lennon's parents, each of whom abandoned him in his childhood. His father, Alf, left the family when John was an infant. His mother, Julia, did not live with her son, although they had a good relationship; she was hit and killed in a car accident on 15 July 1958 by an off-duty policeman named Eric Clague, when Lennon was 17. In one of his last concerts, Lennon stated that the song was not just about his parents, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five consecutive Musical note, notes in a diatonic scale. The perfect fifth (often abbreviated P5) spans seven semitones, while the Tritone, diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the Harmonic series (music), harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant (music), dominant note is a perfect fifth above the tonic (music), tonic note. The perfect fifth is more consonance and dissonance, consonant, or stable, than any other interval except the unison and the octave. It occurs above the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lennon Anthology
''John Lennon Anthology'' is a four-CD box set of home demos, studio outtakes and other previously unreleased material recorded by John Lennon over the course of his solo career from "Give Peace a Chance" in 1969 up until the 1980 sessions for ''Double Fantasy'' and '' Milk and Honey''. The anthology was divided by its compiler and co-producer, Yoko Ono, into four discs representing four eras in Lennon's solo career: "Ascot", "New York City", "The Lost Weekend" and "Dakota". ''John Lennon Anthology'' reached number 62 in the United Kingdom and number 99 in the United States, where it went gold. A one-disc distillation of the highlights of the box set was released as ''Wonsaponatime''. Many of the tracks were edited down from their versions on ''John Lennon Anthology''. ''Wonsaponatime'' failed to reach the US charts but peaked at number 76 in the UK. Track listing All songs were written by John Lennon, except where noted. ;Disc 1 (Ascot) #"Working Class Hero" – 4:19 #"God" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ringo Starr
Sir Richard Starkey (born 7 July 1940), known professionally as Ringo Starr, is an English musician, singer, songwriter and actor who achieved international fame as the drummer for the Beatles. Starr occasionally sang lead vocals with the group, usually for one song on each album, including " Yellow Submarine" and "With a Little Help from My Friends". He also wrote and sang the Beatles songs "Don't Pass Me By" and "Octopus's Garden", and is credited as a co-writer of four others. Starr was afflicted by life-threatening illnesses during childhood, with periods of prolonged hospitalisation. He briefly held a position with British Rail before securing an apprenticeship as a machinist at a Liverpool school equipment manufacturer. Soon afterwards, Starr became interested in the UK skiffle craze and developed a fervent admiration for the genre. In 1957, he co-founded his first band, the Eddie Clayton Skiffle Group, which earned several prestigious local bookings before the fad s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereo
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeaker A loudspeaker (commonly referred to as a speaker or speaker driver) is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A ''speaker system'', also often simply referred to as a "speaker" or " ...s (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural recording, Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Chord
In music theory, a major chord is a chord that has a root, a major third, and a perfect fifth. When a chord comprises only these three notes, it is called a major triad. For example, the major triad built on C, called a C major triad, has pitches C–E–G: In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation . A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third, and the interval between the middle and top notes is a minor third. By contrast, a minor triad has a minor third interval on the bottom and major third interval on top. They both contain fifths, because a major third (four semitones) plus a minor third (three semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called ''tertian.'' In Western classical music from 1600 to 1820 and in W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D (musical Note)
D basicmusictheory.com is a musical note a above C, and is known as Re within the fixed-Do solfege system. Its enharmonic equivalents are C (C-double sharp) and E (E-double flat). When calculated in equal temperament with a reference of A above middle C as 440 H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C (musical Note)
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant Seventh Chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, usually built on the fifth degree of the major scale, and composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad together with a minor seventh, denoted by the letter name of the chord root and a superscript "7". An example is the dominant seventh chord built on G, written as G7, having pitches G–B–D–F: : Dominant seventh chords contain a strong dissonance – a tritone between the chord's third and seventh. Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G7 (shown above). In this chord, F is a minor seventh above G. In Roman numeral analysis, G7 would be represented as V7 in the key of C major. Similarly, this chord also occurs on the seventh degree of any natural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F (musical Note)
F is a musical note, the fourth above C or fifth below C. It is the fourth note and the sixth semitone of the solfège. It is also known as fa in fixed-do solfège. It has enharmonic equivalents of E (E-sharp) and G (G-double flat), amongst others. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle F (F4) is approximately 349.228 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on F * F major: F G A B C D E F * F natural minor: F G A B C D E F * F harmonic minor: F G A B C D E F * F melodic minor ascending: F G A B C D E F * F melodic minor descending: F E D C B A G F Diatonic scales * F Ionian: F G A B C D E F * F Dorian: F G A B C D E F * F Phrygian: F G A B C D E F * F Lydian: F G A B C D E F * F Mixolydian: F G A B C D E F * F Aeolian: F G A B C D E F * F Locrian: F G A B C D E F Jazz melodic minor * F ascending melodic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F♯ (musical Note)
F (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to ''sol bémol'' or G (G-flat). However, in some temperaments, it is not the same as G. G is a major third below B, whereas F is a major third above D (a minor third below A). Another enharmonic note is E (E-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the F above middle C (or F4) is approximately 369.994 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on F * F major: F G A B C D E F * F natural minor: F G A B C D E F * F harmonic minor: F G A B C D E F * F melodic minor ascending: F G A B C D E F * F melodic minor descending: F E D C B A G F Diatonic scales * F Ionian: F G A B C D E F * F Dorian: F G A B C D E F * F Phrygian: F G A B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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