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Isabel Bayrakdarian
Isabel Bayrakdarian ( arm, Իզապէլ Պայրագտարեան; born February 1, 1974) is a Lebanese-born Canadian operatic soprano of Armenian descent who now resides and works in the United States. Early life Born in Zahlé, Lebanon, into an Armenian family, she moved to Canada as a teenager. Bayrakdarian graduated in 1997 from the University of Toronto with an honours Bachelor of Applied Science in Biomedical Engineering. She attended the Music Academy of the West in the summer of 1998, where she was the first winner of the Marilyn Horne Foundation Vocal Competition. Career Bayrakdarian is noted as much for her stage presence as for her musicality, and she has followed a unique career path. Since winning first prize at the 2000 Operalia International Opera Competition founded by Plácido Domingo, she has launched an international opera career, appearing at the Metropolitan Opera, Royal Opera House, La Scala, Paris Opera, Lyric Opera of Chicago, Salzburg Festival, Dresden S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zahlé
Zahlé ( ar, زَحْلة) is the capital and the largest city of Beqaa Governorate, Lebanon. With around 150,000 inhabitants, it is the third-largest city in Lebanon after Beirut and Tripoli and the fourth largest taking the whole urban area (the Jounieh urban area is larger). Zahlé is located east of the capital Beirut, close to the Beirut-Damascus road, and lies at the junction of the Lebanon mountains and the Beqaa plateau, at a mean elevation of 1,000 m. Zahlé is known as the "Bride of the Beqaa" and "the Neighbor of the Gorge" for its geographical location and attractiveness, but also as "the City of Wine and Poetry". It is famous throughout Lebanon and the region for its pleasant climate, numerous riverside restaurants and quality arak. Its inhabitants are predominantly Melkite Greek Catholic and are known in Arabic as ''Zahlawi''. Etymology The occasional landslides that take place on deforested hills around the town are probably at the origin of the name. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flavio
''Flavio, re de' Longobardi'' ("Flavio, King of the Lombards", HWV 16) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Nicola Francesco Haym, after Matteo Noris's ''Flavio Cuniberto''. It was Handel's fourth full-length opera for the Royal Academy of Music. Handel had originally entitled the opera after the character of Emilia in the opera. Dean, Winton, "A Handel Tragicomedy" (August 1969). ''The Musical Times'', 110 (1518): pp. 819–822. ''Flavio'' is unusually concise for an opera by Handel of this period. It is also notable as a skillful blend of tragedy and comedy, both in the text and the music, and for being one of Handel's few operas to feature leading roles for all major voice categories of his day – soprano, contralto, castrato, tenor and bass. Performance history Handel completed the score only seven days before the premiere, at the King's Theatre in the Haymarket on 14 May 1723. There were eight performances in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serse
''Serse'' (; English title: ''Xerxes''; HWV 40) is an opera seria in three acts by George Frideric Handel. It was first performed in London on 15 April 1738. The Italian libretto was adapted by an unknown hand from that by Silvio Stampiglia (1664–1725) for an earlier opera of the same name by Giovanni Bononcini in 1694. Stampiglia's libretto was itself based on one by Nicolò Minato (ca.1627–1698) that was set by Francesco Cavalli in 1654. The opera is set in Persia (modern-day Iran) about 470 BC and is very loosely based upon Xerxes I of Persia. Serse, originally sung by a mezzo-soprano castrato, is now usually performed by a female mezzo-soprano or countertenor. The opening aria, "Ombra mai fu", sung by Xerxes to a plane tree (''Platanus orientalis''), is set to one of Handel's best-known melodies, and is often known as Handel's "Largo" (despite being marked "larghetto" in the score). Composition history In late 1737 the King's Theatre, London, commissioned Handel to w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Opera Company
The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs in its own opera house, the Four Seasons Centre for the Performing Arts. For forty years until April 2006, the COC had performed at the O'Keefe Centre (now known as Meridian Hall). History Nicholas Goldschmidt and Herman Geiger-Torel founded the organization in 1950 as the Royal Conservatory Opera Company. Geiger-Torel became the COC's artistic director in 1956 and its general director in 1960. The company was renamed the Canadian Opera Association in 1960, and the Canadian Opera Company in 1977. Geiger-Torel retired from the general directorship in 1976. Lotfi Mansouri was the COC's general director from 1976 to 1988. In 1983, the COC introduced surtitles (supertitles) to their productions, the first company to use them in an opera house. Productions included Joan Sutherland's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Fe Opera
Santa Fe Opera (SFO) is an American opera company, located north of Santa Fe, New Mexico. After creating the ''Opera Association of New Mexico'' in 1956, its founding director, John Crosby (conductor), John Crosby, oversaw the building of the first opera house on a newly acquired former guest ranch of . The company has presented operas each summer festival season since July 1957, and is internationally known for introducing new operas as well as for its productions of the List of important operas, standard operatic repertoire. Since its inception, Santa Fe Opera has staged 43 American premieres and 15 world premieres, as of 2017. General history John Crosby, who was a New York-based conductor, founded the company in 1956, initially with the financial support of his parents, who helped in the acquisition of the land and the building of the first opera house. One goal was to give American singers the opportunity to learn and perform new roles while having ample time for rehearsa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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