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Iron Path
''Iron Path'' is the only studio album by the free jazz band Last Exit. It was released in 1988 on Venture and Virgin Records. Reception In a review for Allmusic, John Dougan wrote: "Using the studio to their advantage, Last Exit explores sonic texture on 'Prayer' and 'The Fire Drum,' but never loses sight of the power and energy that makes their live recordings so memorable. If you were to have one Last Exit recording, this might well be the one." Writing for Trouser Press, Greg Kot stated: "Last Exit’s sole studio recording... introduces a less frantic direction, with more value placed on the space between notes. The compositions impose a thin veneer of structure... Some of the more textured pieces at times suggest King Crimson at its most venturesome." Robert Christgau commented: "There's a shape and specific gravity to these 10 sub-five-minute tracks that I attribute to Laswell, who's always specialized in getting legible music out of the avant fringe, and a life force I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Exit (free Jazz Band)
Last Exit was an American free jazz supergroup, composed of electric guitarist Sonny Sharrock, drummer/occasional vocalist Ronald Shannon Jackson, saxophonist Peter Brötzmann, and bass guitarist Bill Laswell. They were active from 1986 to the early 1990s, releasing primarily live albums recorded in Europe. Sharrock's death in 1994 caused the dissolution of the band, though touring had not occurred for several years before his demise. The band is unrelated to the 1970s British jazz fusion band of the same name. History The band was known for its uncompromising musical ferocity, fueled by the band members' confrontational attitudes. Greg Kot wrote that they brought a level of "volume and violence that makes most rock bands sound tame." Their music was largely improvised; John Dugan wrote "Granted, one person's free improvisation is another's tuneless chaos, but Last Exit, due primarily to the skill of its individuals, only infrequently fell off the precipice into the netherworld of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
And Justice For All (album)
''...And Justice for All'' is the fourth studio album by American heavy metal band Metallica, released on September 7, 1988, by Elektra Records. It was the first Metallica album to feature bassist Jason Newsted, following the death of their previous bassist Cliff Burton in 1986. Burton received posthumous co-writing credit on "To Live Is to Die" as Newsted followed bass lines Burton had recorded prior to his death. Metallica recorded the album with producer Flemming Rasmussen over four months in early 1988 at One on One Recording Studios in Los Angeles. It features aggressive complexity, fast tempos, and few verse-chorus structures. It contains lyrical themes of political and legal injustices, such as governmental corruption, censorship, and war. The cover, designed by Roger Gorman with illustration by Stephen Gorman and based on a concept by Metallica guitarist James Hetfield and drummer Lars Ulrich, depicts Lady Justice bound in ropes, being pulled by them to the point of bre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Bisi
Martin Bisi (born 1961) is an American producer and songwriter. He is known for recording important records by Sonic Youth, Swans, John Zorn, Material, Bill Laswell, Helmet, Unsane, The Dresden Dolls, Cop Shoot Cop, White Zombie, Boredoms, Angels of Light, J.G. Thirlwell, and Herbie Hancock's Grammy-winning song " Rockit". Early life Martin Bisi was born in 1961 to Argentinian parents and grew up in Manhattan. His mother was a concert pianist who specialized in Liszt and Chopin and toured extensively, and his father played tango-style piano as a hobby. As a child in the 1960s his parents sent him to a French school, gave him music lessons, and took him to performances by the New York Philharmonic and the opera, all of which he rebelled against. Career In 1981, he started ''B.C. Studio'' (initially named OAO, Operation All Out, Studio) with Bill Laswell and Brian Eno in the Gowanus section of Brooklyn, where he recorded much of the No Wave, avant garde, and hip-hop of the ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Bass VI
The Fender Bass VI, originally known as the Fender VI, is a six-string electric bass guitar made by Fender. Design concept and history The Fender VI was released in 1961 and followed the concept of the Danelectro six-string bass released in 1956, having six strings tuned E1 to E3, an octave below the Spanish guitar. The Bass VI was closely related to the Fender Jaguar, with which it shared styling and technical details, notably the Fender floating tremolo. The VI had an offset body similar but not identical to that of the Jazzmaster/Jaguar. It departed from the concept of the Fender Precision Bass in having six strings, a shorter scale and thinner strings, and a mechanical vibrato arm. The Bass VI never caught on to the extent that the four-string Precision Bass and its derivatives did. The model was discontinued in 1975. Reissue From 1995 through 1998, Fender Japan produced a vintage reissue featuring the 1963 model's Jaguar-style pickups and electronics. The Fender Cust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Saxophone
The bass saxophone is one of the lowest-pitched members of the saxophone family—larger and lower than the more common baritone saxophone. It was likely the first type of saxophone built by Adolphe Sax, as first observed by Berlioz in 1842. It is a transposing instrument pitched in B, an octave below the tenor saxophone and a perfect fourth below the baritone saxophone. A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music. Music for bass saxophone is written in treble clef, just as for the other saxophones, with the pitches sounding two octaves and a major second lower than written. As with most other members of the saxophone family, the lowest written note is the B below the staff—in the bass's case, sounding a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Sharrock
Warren Harding "Sonny" Sharrock (August 27, 1940 – May 25, 1994) was an American jazz guitarist. He was married to singer Linda Sharrock, with whom he recorded and performed. One of only a few prominent guitarists who participated in the first wave of free jazz during the 1960s, Sharrock was known for his heavily chorded attack, highly amplified bursts of feedback, and use of aggressive sustain to achieve saxophone-like lines on guitar. His early work also features creative use of a slide. Biography Early life and career He was born in Ossining, New York, United States. Sharrock began his musical career singing doo wop in his teen years. He collaborated with Pharoah Sanders and Alexander Solla in the late 1960s, appearing first on Sanders's 1966 album, ''Tauhid''. He made several appearances with flautist Herbie Mann, and an uncredited appearance on Miles Davis's ''A Tribute to Jack Johnson''. He wanted to play tenor saxophone from his youth after hearing John Coltrane on D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Shannon Jackson
Ronald Shannon Jackson (January 12, 1940 – October 19, 2013) was an American jazz drummer from Fort Worth, Texas. A pioneer of avant-garde jazz, free funk, and jazz fusion, he appeared on over 50 albums as a bandleader, sideman, arranger, and producer. Jackson and bassist Sirone are the only musicians to have performed and recorded with the three prime shapers of free jazz: pianist Cecil Taylor, and saxophonists Ornette Coleman and Albert Ayler. ''Musician, Player and Listener'' magazine writers David Breskin and Rafi Zabor called him "the most stately free-jazz drummer in the history of the idiom, a regal and thundering presence." Gary Giddins wrote "Jackson is an astounding drummer, as everyone agrees…he has emerged as a kind of all-purpose new-music connoisseur who brings a profound and unshakably individual approach to every playing situation." In 1979, he founded his own group, the Decoding Society, playing what has been dubbed free funk: a blend of funk rhythm and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Brötzmann
Peter Brötzmann (born 6 March 1941) is a German saxophonist and clarinetist. Biography Early life Brötzmann was born in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw American jazz musician Sidney Bechet while still in school at Wuppertal, and it made a lasting impression. He has not abandoned his art training. Brötzmann has designed most of his album covers. He taught himself to play clarinets, then saxophones; he is also known for playing the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. '' For Adolphe Sax'', Brötzmann's first recording, was released in 1967 and featured Kowald and drummer Sven-Åke Johansson. In 1968 ''Machine Gun'', an octet recording, was released. The album was self-produced under his BRO record label imprint and sold at concerts, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
