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Irises Screen
is a pair of six-panel folding screens (''byōbu'') by the Japanese artist Ogata Kōrin of the Rinpa school. It depicts an abstracted view of water with drifts of Japanese irises (''Iris laevigata''). The work was probably made circa 1701–1705, in the period of luxurious display in the Edo period known as '' Genroku bunka'' (Genroku-era culture). The screens were held for over 200 years by the Nishi Honganji Buddhist temple in Kyoto. They are now held by the Nezu Museum, and they are a National Treasure of Japan. A similar pair of screens make by Ogata Kōrin about 5 to 12 years later depicting irises is held by the Metropolitan Museum of Art in New York City. All four Irises screens were displayed together for the first time in almost a century in 2012 at the ''"Korin: National Treasure Irises of the Nezu Museum and Eight-Bridge of The Metropolitan Museum of Art"'' exhibition at the Nezu Museum. Both screens are inspired by an episode in ''The Tales of Ise'' In turn, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folding Screen
A folding screen, also known as pingfeng (), is a type of free-standing furniture consisting of several frames or panels, which are often connected by hinges or by other means. They have practical and decorative uses, and can be made in a variety of designs with different kinds of materials. Folding screens originated from ancient China, eventually spreading to the rest of East Asia, and were popular amongst Europeans. History Origin Screens date back to China during the Eastern Zhou period (771–256 BCE). These were initially one-panel screens in contrast to folding screens. Folding screens were invented during the Han dynasty (206 BCE – 220 CE). Depictions of those folding screens have been found in Han-era tombs, such as one in Zhucheng, Shandong Province. A folding screen was often decorated with beautiful art; major themes included mythology, scenes of palace life, and nature. It is often associated with intrigue and romance in Chinese literature, for example, a you ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irises (painting)
''Irises'' is one of several paintings of irises by the Dutch artist Vincent van Gogh, and one of a series of paintings he made at the Saint Paul-de-Mausole asylum in Saint-Rémy-de-Provence, France, in the last year before his death in 1890. Van Gogh started painting ''Irises'' within a month of entering the asylum, in May 1889, working from nature in the hospital garden. There is a lack of the high tension which is seen in his later works. He called painting "the lightning conductor for my illness" because he felt that he could keep himself from going insane by continuing to paint. The painting was probably influenced by Japanese ''ukiyo-e'' woodblock prints like many of his works and those by other artists of the time. The similarities occur with strong outlines, unusual angles, including close-up views, and also flattish local color (not modeled according to the fall of light). The painting is full of softness and lightness. Irises is full of life without tragedy. He consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Treasures Of Japan
Some of the National Treasures of Japan A is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts." Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship. Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The other 80% are paintings; scrolls; sutras; works of calligraphy; sculptures of wood, bronze, lacquer or stone; crafts such as pottery and lacquerware carvings; metalworks; swords and textiles; and archaeological and historical artifacts. The items span the period of ancient to early modern Japan befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Paintings
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies ( Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japan ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byōbu
are Japanese folding screens made from several joined panels, bearing decorative painting and calligraphy, used to separate interiors and enclose private spaces, among other uses. History are thought to have originated in Han dynasty China and are thought to have been imported to Japan in the 7th or 8th century (Nara period). The oldest surviving produced in Japan, the , produced in the 8th century, is kept in the Shōsōin Treasure Repository. Nara-period retained their original form of a single, free-standing, legged panel. In the 8th century, multi-paneled made their appearance, and were used as furnishings in the imperial court, mainly in important ceremonies. The six-paneled were the most common in the Nara period, and were covered in silk and connected with leather or silk cords. The painting on each panel was framed by a silk brocade, and the panel was bound with a wood frame. By the Heian period (794–1185), particularly by the 9th century, were indispens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red And White Plum Blossoms
''Red and White Plum Blossoms'' ( ') is an early 18th-century painting on a pair of two-panel '' byōbu'' folding screens by Japanese artist Ogata Kōrin (1658–1716). The simple, stylized composition depicts a patterned flowing river with a white plum tree on the left and a red one on the right. The plum blossoms indicate the scene occurs in spring. The work is one of the best-known paintings in Japan, where it is a registered National Treasure. It resides in the MOA Museum of Art in the city of Atami in Shizuoka Prefecture. Description The simple, stylized composition of ''Red and White Plum Blossoms'' depicts a patterned flowing river with a white plum tree on the left and a red plum tree on the right. The plum blossoms indicate the scene occurs in spring. The work is undated, but believed to be from Ogata's later period, and probably one of his final works. Based on evidence such as the signature, technique, and composition, art historian dates the work to 1714 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the ''waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kokinsh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makurakotoba
are figures of speech used in Japanese poetry in association with certain words. The set phrase can be thought of as a "pillow" for the noun or verb it describes, although the actual etymology is not fully known. It can also describe associations and allusions to older poems (see ). Many have lost their original meaning but are still used. They are not to be confused with ("poem pillow"), which are a category of poetic words used to add greater mystery and depth to poems. are present in the , one of Japan's earliest chronicles. History and usage are most familiar to modern readers in the , and when they are included in later poetry, it is to make allusions to poems in the . The exact origin of remains contested to this day, though both the and the , two of Japan's earliest chronicles, utilise it as a literary technique. In terms of usage, are often used at the beginning of a poem. The is a similar figure of speech used in poetry, used to introduce a poem. In fact, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acrostic
An acrostic is a poem or other word composition in which the ''first'' letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. The term comes from the French from post-classical Latin , from Koine Greek , from Ancient Greek "highest, topmost" and "verse". As a form of constrained writing, an acrostic can be used as a mnemonic device to aid memory retrieval. When the ''last'' letter of each new line (or other recurring feature) forms a word it is called a telestich; the combination of an acrostic and a telestich in the same composition is called a double acrostic (e.g. the first-century Latin Sator Square). Acrostics are common in medieval literature, where they usually serve to highlight the name of the poet or his patron, or to make a prayer to a saint. They are most frequent in verse works but can also appear in prose. The Middle High German poet Rudolf von Ems for example opens all h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariwara No Narihira
was a Japanese courtier and ''waka'' poet of the early Heian period. He was named one of both the Six Poetic Geniuses and the Thirty-Six Poetic Geniuses, and one of his poems was included in the ''Ogura Hyakunin Isshu'' collection. He is also known as Zai Go-Chūjō, Zai Go, Zai Chūjō or Mukashi-Otoko. There are 87 poems attributed to Narihira in court anthologies, though some attributions are dubious. Narihira's poems are exceptionally ambiguous; the compilers of the 10th-century ''Kokin Wakashū'' thus treated them to relatively long headnotes. Narihira's many renowned love affairs have exerted a profound influence on later Japanese culture. Legends have held that he had affairs with the high priestess of the Ise Grand Shrine and the poet Ono no Komachi, and that he fathered Emperor Yōzei. His love affairs inspired ''The Tales of Ise'', and he has ever since been a model of the handsome, amorous nobleman. Biography Birth and ancestry Ariwara no Narihira was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nijō Family
is a Japanese aristocratic kin group. Papinot, Jacques Edmond Joseph. (1906). ''Dictionnaire d’histoire et de géographie du Japon''; Papinot, (2003)"Nijō," ''Nobiliare du Japon'', p. 42 retrieved 2013-7-7. The Nijō was a branch of the Fujiwara clan, founded by Kujō Michiie's son Nijō Yoshizane. The Nijō was one of the Five regent houses; from which, the Sesshō and Kampaku were chosen. History The family name Nijō derived from Yoshizane's residence in Kyoto, where is believed to locate between two roads, the south of "Nijō-Ōji" (二条大路) and the east of "Higashi no Tōin-Ōji" (東洞院大路). As of the Muromachi and Edo period, Nijō family had a relative close relationship comparing with other four regent houses, and the leaders of the Nijō were given names (henki, 偏諱) from that of incumbent shōguns'. Nijō Nariyuki, the last Sesshō and Kampaku, regent from the Fujiwara clan, also came from this family. In 1526, Tominokōji Sukenao (富小路資直, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azurite
Azurite is a soft, deep-blue copper mineral produced by weathering of copper ore deposits. During the early 19th century, it was also known as chessylite, after the Type locality (geology), type locality at Chessy, Rhône, Chessy-les-Mines near Lyon, France. The mineral, a basic carbonate with the chemical formula Cu3(CO3)2(OH)2, has been known since ancient times, and was mentioned in Pliny the Elder's ''Natural History (Pliny), Natural History'' under the Greek name (κυανός: "deep blue," root of English ''cyan'') and the Latin name ''caeruleum''. Since antiquity, azurite's exceptionally deep and clear blue has been associated with low-humidity desert and winter skies. The modern English name of the mineral reflects this association, since both ''azurite'' and ''Azure (color), azure'' are derived via Arabic language, Arabic from the Persian language, Persian (لاژورد), an area known for its deposits of another deep-blue stone, lapis lazuli ("stone of azure"). Minera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
