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Irene Eisinger
Irene Eisinger (8 December 1903 – 8 April 1994) was a German and British opera singer and film actress. Her career was closely linked to the foundation and the early years of the Glyndebourne Festival Opera. Life and career Irene Eisinger was born in Cosel, Silesia, Germany (now Koźle, now in the district of Kędzierzyn-Koźle, Poland). She was trained as a soubrette soprano and studied acting with Paula Mark-Neusser in Vienna and piano with G. Schönewald. Operas and films Her debuts – both in opera and film – took place in 1926. She played a minor role in Frederic Zelnik's silent movie ''Die Försterchristl'' and started singing leading roles in operas and operettas at the Stadttheater Basel in the north of Switzerland. In 1928 she was called to Berlin and within a short period became one of the favourite singers of conductor Otto Klemperer – first at the Kroll Opera House, later on at the prestigious Staatsoper Unter den Linden. Although best remembered for ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Erich Wolfgang Korngold
Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores., video, 9 min. When he was 11, his ballet ''Der Schneemann'' (The Snowman), became a sensation in Vienna, followed by his Second Piano Sonata, which he wrote at age 13, played throughout Europe by Artur Schnabel. His one-act operas ''Violanta'' and Der Ring des Polykrates (opera), ''Der Ring des Polykrates'' were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera ''Die tote Stadt'' (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera.Michael Kennedy (music critic), Kennedy, Michael. ''The Oxford Dictionary of Music'', Oxford Univ. Press (2013) p. 4 ...
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Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ...
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Lotte Lenya
Lotte Lenya (born Karoline Wilhelmine Charlotte Blamauer; 18 October 1898 – 27 November 1981) was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in '' The Roman Spring of Mrs. Stone'' (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie '' From Russia with Love'' (1963). Early career In 1922, Lenya was seen by her future husband, German-Jewish composer Kurt Weill, during an audition for his first stage score ''Zaubernacht'', but because of his position behind the piano, she did not see him. She was cast, but owing to her loyalty to her voice coach, she declined the role. She accepted the part of Jenny in the first performance of ''The Threepenny Opera'' (''Die Dreigrosche ...
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Die Bürgschaft (opera)
' (''The Pledge'') is an opera in three acts by Kurt Weill. Caspar Neher wrote the German libretto after the parable ''Der afrikanische Rechtspruch'' (''The African Verdict'') by Johann Gottfried Herder. Composed from August to October 1931, it was premiered on 10 March 1932 at the Städtische Oper in Berlin, Germany. Intent The opera dates from the years immediately prior to Weill's emigration to the United States. Representing "the summation of Weill's career as an opera composer in Europe," Stephen Hinton: "''Die Bürgschaft''", Grove Music Online, ed. L. Macy (Accessed 13 November 2007)>. it provides insight into the compositional path that Weill might have followed had he stayed in Europe. ''Die Bürgschaft'' is an opera of broad ambition and scope, far more somber in tone than Weill's prior works for the stage. The work is in part the result of Weill's growing distance from Brecht during work on ''Rise and Fall of the City of Mahagonny'', leading the composer to turn to stage ...
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Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill
Cjschuler.net. Retrieved on August 22, 2011.
''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.



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Mischa Spoliansky
Mischa Spoliansky (28 December 1898 – 28 June 1985) was a Russian-born composer who made his name writing cabaret and revue songs in the Weimar Republic of the 1920s and early 1930s, before he was forced to emigrate to London in 1933 when Hitler rose to power. He stayed in Britain for the rest of his life, re-inventing himself as a composer of film scores.David Kershaw. "Spoliansky, Mischa", in ''Grove Music Online'' (2001) Early life and education Spoliansky was born into a Jewish, musical family in Białystok, then part of the Belostok Oblast of the Russian Empire. His father was an opera singer and his sister would later become a pianist and his brother Alexander was a cellist. After the birth of Mischa the family moved to Warsaw, and later Kalisz. After the early death of his mother, the family moved to Vienna. Spoliansky's early musical education in piano, violin and cello began at the age of five and was continued in Dresden under Professor Mark Guensberg. He made his ...
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Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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The Forester's Daughter (1931 Film)
''The Forester's Daughter'' (german: Die Försterchristl) is a 1931 German operetta film directed by Frederic Zelnik and starring Irene Eisinger, Paul Richter and Oskar Karlweis. It is an adaptation of the operetta '' Die Försterchristl''. Zelnik had previously directed a 1926 silent film version '' The Bohemian Dancer''. The film's sets were designed by Heinz Fenchel and Jacek Rotmil. Cast * Irene Eisinger as Christl Lange, known as "Försterchristl" *Paul Richter as Emperor Joseph II *Oskar Karlweis as Wolfgang Amadeus Mozart * as Corporal Franzl Földessy * Tibor Halmay as Walperl * as head Forester Lange, Christl's father *Jelly Staffel as Everl, Mozarts beloved *Adele Sandrock as Court Lady *Max Ralph-Ostermann as the Emperor's First Adjutant (as Max-Ralf Ostermann) *Hanns Waschatko as the Emperor's Second Adjutant *Gretel Berndt as Fräulein von Földessy * Louis V. Arco as Austrian officer *Ernst Wurmser as chef cook at the Vienna Hofburg *Heinrich Gotho as a notary *Al ...
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Die Lustigen Weiber Von Wien
''The Merry Wives of Vienna'' (german: Die lustigen Weiber von Wien) is a 1931 German musical comedy film directed by Géza von Bolváry and starring Willi Forst, Lee Parry, and Paul Hörbiger. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by Andrej Andrejew and Gabriel Pellon. It is an operetta film set in pre-First World War Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST .... Cast References Bibliography * External links * 1931 films 1931 musical comedy films German musical comedy films 1930s German-language films Films directed by Géza von Bolváry Films set in Vienna Films set in the 1900s German black-and-white films Films based on operettas Operetta films 1930s historical comedy films German historical c ...
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Willi Forst
Willi Forst, born Wilhelm Anton Frohs (7 April 1903 – 11 August 1980) was an Austrian actor, screenwriter, film director, film producer and singer. As a debonair actor he was a darling of the German-speaking film audiences, as a director, one of the most significant makers of the Viennese period musical melodramas and comedies of the 1930s known as ''Wiener Filme''. From the mid-1930s he also recorded many records, largely of sentimental Viennese songs, for the Odeon Records label owned by Carl Lindström AG. Biography His first major role was opposite Marlene Dietrich in the silent film '' Café Elektric'' in 1927. However, he was best known for his characters in light musicals, which rapidly made him a star. He developed the genre of the Viennese Film with writer Walter Reisch in the 1930s, beginning with the Franz Schubert melodrama '' Leise flehen meine Lieder'' (1933) which became an iconic role for the actor Hans Jaray and ''Maskerade'' (1934), which launched his fame as ...
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Two Hearts In Waltz Time
2 (two) is a number, numeral and digit. It is the natural number following 1 and preceding 3. It is the smallest and only even prime number. Because it forms the basis of a duality, it has religious and spiritual significance in many cultures. Evolution Arabic digit The digit used in the modern Western world to represent the number 2 traces its roots back to the Indic Brahmic script, where "2" was written as two horizontal lines. The modern Chinese and Japanese languages (and Korean Hanja) still use this method. The Gupta script rotated the two lines 45 degrees, making them diagonal. The top line was sometimes also shortened and had its bottom end curve towards the center of the bottom line. In the Nagari script, the top line was written more like a curve connecting to the bottom line. In the Arabic Ghubar writing, the bottom line was completely vertical, and the digit looked like a dotless closing question mark. Restoring the bottom line to its original horizontal ...
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