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Iranian Folk Music
Iranian folk music refers to the folk music transmitted through generations among the people of Iran, often consisting of tunes that exist in numerous variants. The variance of the folk music of Iran has often been stressed, in accordance to the cultural diversity of the country's ethnic and regional groups. Musical influences from Iran, such as the ancient folkloric chants for group dances and spells directed at natural elements and cataclysms, have also been observed in the Caucasus. Iran's folk, ceremonial, and popular songs might be considered "vernacular", in the sense that they are known and appreciated by a major part of the society, as opposed to the country's art music, which belongs for the most part to the intellectuals. Introduction Folkloric items, such as folk-tales, riddles, songs, and everyday-life narratives, were collected through the discovery and translation of the Avesta, that is a collection of ancient Iranian religious texts. In classical Iran, minstrel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tasnif
Tasnif ( fa, تصنيف) is one of the several forms of Persian music and can be considered as the Persian equivalent of the ballad. It is a composed song in a slow metre. As is true of other forms of musical composition, most tasnifs are of relatively recent origin and by known composers. A large number of tasnifs were composed during the first two decades of the twentieth century. Many of them are based on patriotic themes reflecting the spirit of the constitutional movement of that period. Tasnifs composed during the twenties and the thirties are more concerned with amorous topics and the poetry used is generally from the works of classical poets. In the post-World War II period, the poetic context has gradually become light and the music of the tasnif has been affected by western popular songs. This more 'modern' type of tasnif is generally called '' tarāne''. See also * Aref Qazvini * Morteza Neydavoud * Morq-e sahar "Morqe Sahar" ( fa, مرغ سحر) (translated as ''Dawn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central Asia
Central Asia, also known as Middle Asia, is a subregion, region of Asia that stretches from the Caspian Sea in the west to western China and Mongolia in the east, and from Afghanistan and Iran in the south to Russia in the north. It includes the former Soviet Union, Soviet republics of the Soviet Union, republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan, which are colloquially referred to as the "-stans" as the countries all have names ending with the Persian language, Persian suffix "-stan", meaning "land of". The current geographical location of Central Asia was formerly part of the historic region of Turkestan, Turkistan, also known as Turan. In the pre-Islamic and early Islamic eras ( and earlier) Central Asia was inhabited predominantly by Iranian peoples, populated by Eastern Iranian languages, Eastern Iranian-speaking Bactrians, Sogdians, Khwarezmian language, Chorasmians and the semi-nomadic Scythians and Dahae. After expansion by Turkic peop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahname
The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 "distichs" or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language, regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dohol
A dohol(Persian:دهل) is a large cylindrical drum with two skinheads. It is generally struck on one side with a wooden stick bowed at the end, and with a large thin stick on the other side, though it is also played with the bare hands. It is the principal accompaniment for the Sorna. A similar instrument, the Dhol, is used in traditional Egyptian, Pakistani and Indian music. The dohol is largely played in Kurdistan with the zurna. In Iran The dohol in Iran is mostly played in wedding ceremonies and other celebrations. The dohol is mostly played with a ''sorna''. In Afghanistan The dohol in Afghanistan is mostly played on special ceremonies such as wedding ceremonies. The "Surnay or Sorna" is mostly played with it. The Afghan dance Attan is traditionally performed with both the Dohol and Surnay. See also * Baluchi music * Caucasian Dhol *Davul *Dhol *Kurdish music *Afghan music The music of Afghanistan comprises many varieties of classical music, folk music, and modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zurna
The zurna (Armenian language, Armenian: զուռնա zuṙna; Classical Armenian, Old Armenian: սուռնայ suṙnay; Albanian language, Albanian: surle/surla; Persian language, Persian: karna/Kornay/surnay; Macedonian language, Macedonian: зурла/сурла zurla/surla; Bulgarian language, Bulgarian: ''зурна/зурла''; Serbian language, Serbian: зурла/zurla; Syriac language, Syriac Aramaic: ܙܘܪܢܐ/zurna; Tat language (Caucasus), Tat: zurna; Turkish language, Turkish: zurna; Kurdish Language, Kurdish: zirne; Greek language, Greek : ζουρνας; Azerbaijani language, Azeri: zurna) is a double reed wind instrument played in central Eurasia, Western Asia and parts of North Africa. It is usually accompanied by a davul (bass drum) in Music of Armenia, Armenian, Anatolian and Assyrian folk/pop music, Assyrian folk music. Characteristics and history The zurna, like the duduk and kaval, is a woodwind instrument used to play folk music. The zurna is made from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karnay
The karna or karnay (russian: карнай; Arabic, fa, کرنا ''karnā'', ''qarnā'', Hindi ''karnā'', Tajik ''карнай'' ''karnai'', also ''karnaj'', Uzbek ''karnay'', Kazakh ''керней kernei'') is a metal natural trumpet. The name is first mentioned in the biblical book of Daniel, used in the Middle Ages to the Persian military bands and in the Indian Mughal Empire to the representative orchestra naqqāra-khāna and which is still used by this name in ceremonial music in Central Asia and northern India. Since the middle of the 3rd millennium B.C., trumpets known in both Mesopotamia and Ancient Egypt were used in both regions as signaling instruments in ceremonies, warfare and work assignments. They could only produce one or two notes, but could send messages using patterns of rhythm. ''Karnā'' derives from Aramaic ''qarnāʾ'', Hebrew ''qeren'' and Akkadian ''qarnu''. In addition to the Arabic word ''būq'' for brass instruments in general (horns and trumpet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sorna
The sornā or sornāy ( fa, سُرنای، سُرنا, also ''surnā'', ''surnāy'' and also ''Zurna'') is an ancient Iranian woodwind instrument. Etymology The word ''sorna'' is a Pahlavi derivative of sūrnāy (literally "strong flute"), which is a compand of 'sūr-' (strong) and '-nāy' (flute).MacKenzie, D. N., ''A Concise Pahlavi Dictionary'', London (1971), p. 78 . Possibly it was called "strong flute" due to its double-reed-construction rather than usual '' nāy'', which was made of a single tube of cane. Also it is suggested that the first part of word of ''sorna'', is from ''sūr-'' again from Pahlavi and New-Persian, meaning the "banquet, meal and feast", thus the "banquet-flute". It is also suggested that "Sorna" is a cognate of "Horn", as "Sorna" simply means horn. This is a result of the Centum-Satem isogloss, and later Grimm's Law. Even in Persian there is another wind instrument whose name appears to be a cognate of both "Sorna" and "Horn", called " Karnā" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Theatre
Persian theater ( fa, تئاتر ایرانی) goes back to antiquity. The first initiation of theater and phenomena of acting can be traced in ceremonial theaters to glorify national heroes and legends and to humiliate the enemy, as in the classics "Soug Sivash" and "Mogh Koshi" (Megakhouni). Ancient Persian theatre and dance was significantly researched by the Greek historian Herodotus of Halikarnassos, who lived during the Persian rule in Greece. In his work ''Book IX (Calliope)'', he describes the history of Asian empires and also the Persian wars until 478 BC. Historical Persian theatre These are a few of the dramatic performing arts that became popularized in Iran in 7th century AD, long before the advent of cinema. A few examples include: * Naghali (storytelling) * Ghavali (minstrelsy) * Shahnameh-khaani (singing storytelling performance of the story of Shahnameh) * Rowzeh Khani (mourning performance) * Saye-bazi (shadow plays) * Mirnouroozi (comic play during Nowruz) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad Heydari
Mohammad Heidari ( fa, محمد حیدری; January 1937 – August 23, 2016) was a Persian santur player and songwriter. Career After the 1979 Iranian Revolution, Mohammad Heidari left the country for Italy and a few years later moved to Los Angeles, where he continued his activities as a soloist and songwriter. Some of his nostalgic songs such as "Zahr-e Jodai" and "Bahar Bahar" (both performed by Hayedeh Ma'soumeh Dadehbala ( fa, معصومه ددهبالا; 10 April 1942 – 20 January 1990), known professionally as Hayedeh ( fa, هایده), was an Iranian singer with a contralto vocal range. Known for her wide range of voice, her career span ...) became popular in the Persian community. Heyidari also has written the melody of other Persian hit songs such as ''Bia Benevisim'' and ''Sobhet Bekheir Azizam''. Death Mohammad Heyidari died from cancer in a hospital in Los Angeles on 23 August 2016, aged 79. References * Akbarzadeh, P. "Persian Musicians" (Vol. 2), Roshana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avaz (music)
''Avaz'', or ''Awaz'' (Persian: آواز) is an unmetered vocal section of a mode in Persian music. In the years 1965 and 1966, Mahmoud Karimi (maestro of Persian vocal music) performed the whole ''Avaz''s which were recorded and transcribed by Mohammad-Taghi Massoudieh. This version was published in 1997 in Tehran Tehran (; fa, تهران ) is the largest city in Tehran Province and the capital of Iran. With a population of around 9 million in the city and around 16 million in the larger metropolitan area of Greater Tehran, Tehran is the most popul .... References *Massoudeih, M. T. (1997). ''Radīf-i āvāzī-i mūsīqī-i sunnatī-i Īrān''. Persian Music Association, Tehran. . * External links * http://fis-iran.org/en/content/classical-persian-music-archives - Foundation of Iranian Studies Official Site Persian music Vocal music {{music stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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