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Ippu-Do
was a Japanese synthpop trio of the early 1980s led by singer/songwriter Masami Tsuchiya. History Ippu-Do debuted in 1979 with ''Normal'', made up of Tsuchiya on vocals and guitar, Akira Mitake on keyboards, and Shoji Fujii on drums. Between 1980 and 1981 they released two follow-ups, ''Real'' and ''Radio Fantasy'', the latter of which would be their first release outside Japan. The group thereafter went on hiatus, with Tsuchiya playing guitar with the band Japan on their final tour in 1982, and beginning a solo career. The group briefly reappeared in 1983 as a duo of Tsuchiya and Mitake, recording the studio album ''Night Mirage'', and the live ''Live And Zen'', supported on both releases by drummer Steve Jansen and keyboardist Richard Barbieri of Japan Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masami Tsuchiya
is a Japanese singer-songwriter and musician, coming to prominence in the late 1970s as the lead vocalist and guitarist in the group Ippu-Do. His subsequent output includes solo work and collaborations. Tsuchiya's career in music started with a brief stint aged 17 in 1969 as a roadie and stand-in guitarist with The Golden Cups. However, it was discovered that he had lied about his age when his family tracked him down so he was forced to leave the band. In 1972 Tsuchiya was recruited by Nobu Saito to work as a session guitarist, going on to record and tour with Lily and the Bye Bye Session band (one of the other members was Ryuichi Sakamoto) and became a regular member of Junko Ohashi and Minoya Central Station, leaving in 1978 with the formation of Ippu-Do. Since 1982 Tsuchiya has worked with artists as diverse as English new wave rockers Japan and Bill Nelson, Japanese electronica composer Ryuichi Sakamoto, Duran Duran side-project Arcadia, and Japanese rock band Buck-Tick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Records
Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America Sony Corporation of America (SONAM, also known as SCA), is the American arm of the Japanese conglomerate Sony Group Corporation SONAM, headquartered in New York City, manages the company's US-based businesses. Sony's principal U.S. business ..., the North American division of Japanese Conglomerate (company), conglomerate Sony. The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop music, pop, Rhythm and blues, R&B, rock music, rock, and hip hop music, hip hop. History Beginnings Epic Records was launched in 1953 by the Columbia Records unit of CBS, for the purpose of marketing jazz, pop music, pop, and European classical music, classical music that did not fit the theme of its more mainstream Columbia Records label. Initial classical music r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony Records
Sony Records was a record label founded by R&B duo Ike & Tina Turner in 1963. It was not affiliated with Sony Group Corporation. Ike Turner produced singles by members of the Kings of Rhythm and the Ikettes on Sony Records. Records on the label were distributed by CIRCA distributing firm. CIRCA (Consolidated International Record Company of America) was formed in 1962 to operate as a releasing company for independent labels by working with various distributors around the US. Discography See also * Sonja Records * Innis Records * Teena Records *Prann Records * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References American record labels Rhythm and blues record labels Pop record labels Ike Turner Ike & Tina Turner Record labels e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan (band)
Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian (vocals, guitar, keyboards), Steve Jansen (drums) and Mick Karn (bass guitar), joined by Richard Barbieri (keyboards) and Rob Dean (lead guitar) the following year. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate electronic music and foreign influences. The band achieved success in the late 1970s and early 1980s, releasing nine UK top 40 hits, including the 1982 top 5 hit single " Ghosts", and scoring a UK top 5 with the live album ''Oil on Canvas'' (1983). The band split in December 1982, just as they were beginning to experience commercial success in the UK and abroad. Its members went on to pursue other musical projects, though they reformed briefly in the early 1990s under the name Rain Tree Crow, releasing an album in 1991. History The band began as a group of friends in the early 1970s. Brothers (birth surname Batt) David S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Jansen
''yes'Steve is a masculine given name, usually a short form (hypocorism) of Steven or Stephen Notable people with the name include: steve jops * Steve Abbott (other), several people * Steve Adams (other), several people * Steve Alaimo (born 1939), American singer, record & TV producer, label owner * Steve Albini (born 1961), American musician, record producer, audio engineer, and music journalist * Steve Allen (1921–2000), American television personality, musician, composer, comedian and writer * Steve Armitage (born 1944), British-born Canadian sports reporter * Steve Armstrong (born 1965), American professional wrestler * Steve Antin (born 1958), American actor * Steve Augarde (born 1950),arab author, artist, and eater * Steve Augeri (born 1959), American singer * Steve August (born 1954), American football player * Stone Cold Steve Austin (born 1964), American professional wrestler * Steve Aylett (born 1967), English author of sati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Barbieri
Richard Barbieri (born 30 November 1957) is an English musician, composer and sound designer. Originally a member of new wave band Japan (and their brief 1989–1991 reincarnation as Rain Tree Crow), more recently he is known as the keyboard player in the progressive rock band Porcupine Tree, which he joined in 1993. Aside from the founder Steven Wilson, he is the longest tenured member of Porcupine Tree. Biography Japan (1974–1982) Although initially perceived as a 'hyped' band, Japan went on to record five studio albums culminating in '' Tin Drum'' which stayed in the UK charts for a year. The painstaking approach to synthesiser programming by Richard Barbieri and David Sylvian and the original rhythmic patterns of Steve Jansen and Mick Karn produced a sound that remains original to this day. They were the one of the most successful chart bands in Europe and Asia in 1982 despite the increasingly experimental nature of their music. The band split up at the height of thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Jones (musician)
Percy Jones (born 3 December 1947) is a Welsh bass guitarist known as a member of the jazz fusion ensemble Brand X, from 1974-1980, and 1992-1999. Jones, who was born near Llandrindod Wells, has also done extensive work as a session musician, and has been active with other groups. He played with a New York City trio called Stone Tiger (featuring guitarist Bill Frisell and drummers Mike Clark and Dougie Bowne during different periods) in 1982/83 Jones was also the driving force behind Tunnels, an improvisation collective which released four albums including Progressivity and Live From The Knitting Factory. Residing in New York, he currently is a member of MJ12, an instrumental group based in NYC. Jones was also a member of the jazz fusion group Soft Machine, the poetry rock group The Liverpool Scene (featuring poet Adrian Henri), and has contributed to recordings by Kate Bush, David Sylvian, Brian Eno, Steve Hackett, Paranoise, Suzanne Vega, Richard Barbieri and Fovea Hex, among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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