Ipermestra (Hasse)
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Ipermestra (Hasse)
''Ipermestra'' is an opera by Johann Adolph Hasse. It was the first setting of the libretto by Metastasio, itself following in an already long tradition of operas based on Aeschylus' ''Suppliants''.Thalia Papadopoulou -Aeschylus: Suppliants - Page 2023 1472521501 2014 - 1724: Ipermestra. Geminiano Giacomelli. 1727: Ipermestra. Antonio Vivaldi. 1728: Ipermestra. Francesco Feo. 1736: Ipermestra. GiovanniBattista Ferrandini. 1741: Ipermestra. Rinaldo da Capua. 1744: Ipermestra. Johann Adolf Hasse. 1744: Ipermestra. Christoff Willibald Gluck. 1748: Ipermestra. Egidio Duni. 1748: Ipermestra. Ferdinando Bertoni. 1749: Ipermestra. Anonymous composer. 1751: Ipermestra. Niccolò Jommelli. 1751: Ipermestra. Pasquale Cafaro. 1752: Ipermestra. The opera has not received a modern recording, though Max Emanuel Cencic Max or MAX may refer to: Animals * Max (dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (English Springer Spaniel), the first pet dog to ...
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Johann Adolph Hasse - Ipermestra - German Titlepage Of The Libretto - Hubertusburg 1751
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name ''Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym *Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire *Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed for wa ...
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Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ...
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Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro h ...
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Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristotle ...
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The Suppliants (Aeschylus)
''The Suppliants'' ( grc, Ἱκέτιδες, ''Hiketides''; Latin: ''Supplices''), also called ''The Suppliant Maidens'', ''The Suppliant Women'', or ''Supplices'' is a play by Aeschylus. It was probably first performed "only a few years previous to the ''Oresteia'', which was brought out 458 BC." It seems to be the first play in a tetralogy, sometimes referred to as the ''Danaid Tetralogy'', which probably included the lost plays ''The Egyptians'' (also called ''Aigyptioi''), and ''The Daughters of Danaus'' (also called ''The Danaïdes'' or ''The Danaids''), and the satyr play ''Amymone''. The 1952 publication of Oxyrhynchus Papyrus 2256 fr. 3 confirmed the existence of a trilogy, probably produced in 463. See Garvie 163-97, Friis Johansen/Whittle 1.23-25 and Sommerstein 141-52 for discussions of the trilogy's date, constituent plays and a hypothetical reconstruction of the plot. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachroni ...
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Max Emanuel Cencic
Max or MAX may refer to: Animals * Max (dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (English Springer Spaniel), the first pet dog to win the PDSA Order of Merit (animal equivalent of OBE) * Max (gorilla) (1971–2004), a western lowland gorilla at the Johannesburg Zoo who was shot by a criminal in 1997 Brands and enterprises * Australian Max Beer * Max Hamburgers, a fast-food corporation * MAX Index, a Hungarian domestic government bond index * Max Fashion, an Indian clothing brand Computing * MAX (operating system), a Spanish-language Linux version * Max (software), a music programming language * Commodore MAX Machine * Multimedia Acceleration eXtensions, extensions for HP PA-RISC Films * ''Max'' (1994 film), a Canadian film by Charles Wilkinson * ''Max'' (2002 film), a film about Adolf Hitler * ''Max'' (2015 film), an American war drama film Games * '' Dancing Stage Max'', a 2005 game in the ''Dance Dance Revolution'' series * ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1744 Operas
Events January–March * January 6 – The Royal Navy ship ''Bacchus'' engages the Spanish Navy privateer ''Begona'', and sinks it; 90 of the 120 Spanish sailors die, but 30 of the crew are rescued. * January 24 – The Dagohoy rebellion in the Philippines begins, with the killing of Father Giuseppe Lamberti. * February – Violent storms frustrate a planned French invasion of Britain. * February 22– 23 – Battle of Toulon: The British fleet is defeated by a joint Franco-Spanish fleet. * March 1 (approximately) – The Great Comet of 1744, one of the brightest ever seen, reaches perihelion. * March 13 – The British ship ''Betty'' capsizes and sinks off of the Gold Coast (modern-day Ghana) near Anomabu. More than 200 people on board die, although there are a few survivors. * March 15 – France declares war on Great Britain. April–June * April – ''The Female Spectator'' (a monthly) is founded by Eliza Haywood in En ...
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Operas By Johann Adolf Hasse
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Italian ...
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