Invitation To The Dance (1941 Film)
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Invitation To The Dance (1941 Film)
Invitation to the Dance can refer to: * ''Invitation to the Dance'' (album), a 2001 album by the group 40 Below Summer * ''Invitation to the Dance'' (film), a 1956 film starring and directed by Gene Kelly * "Invitation to the Dance" (Weber), a piece for piano written in 1819 by Carl Maria von Weber, and arranged for orchestra by Hector Berlioz {{disambig ...
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Invitation To The Dance (album)
''Invitation to the Dance'' is the second album by nu metal band 40 Below Summer. The album was released on October 16, 2001 via London-Sire Records. It is the band's first record to be put out on a major label. Two months after its release, the label went out of business, and the album was re-issued through Warner Music. Background Formed in 1998, 40 Below Summer had made a name for themselves by performing heavily across their native New Jersey and New York (state), New York. In late 2000, the band's self-released CD ''Side Show Freaks'' found its way to No Name Management (known for acts such as Slipknot (band), Slipknot and Mudvayne). After partnering with No Name, numerous record label showcases on both coasts followed, with up to fifteen prominent labels showing interest in the band. They eventually signed with Warner Music Group's London-Sire Records, London-Sire. In March 2001, 40 Below Summer travelled to Los Angeles to commence recording their major label debut with fam ...
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Invitation To The Dance (film)
''Invitation to the Dance'' is a 1956 dance anthology film consisting of three distinct stories, all starring and directed by Gene Kelly. It was the first film Kelly directed on his own, after co-directing three films with Stanley Donen. The film is unusual in that it has no spoken dialogue, with the characters performing their roles entirely through dance and mime. Kelly appears in all three stories, which feature leading dancers of the era including Tommy Rall, Igor Youskevitch, Tamara Toumanova and Carol Haney. The film's shooting was completed in 1954, but its release was delayed until 1956 because of doubts at Metro-Goldwyn-Mayer. The movie performed poorly at the box office, and is generally regarded as an artistic as well as commercial failure. The film takes its name from a piano composition of the same name by Carl Maria von Weber, portions of which are played during the opening credits. Plot "Circus" The first segment, set to original music composed for the fil ...
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