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International Standard (dance)
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet, tap dancing, and square dancing, which have their own elaborate terminology. See also: * Glossary of ballet terms * Glossary of dance moves Abbreviations *3T – Three Ts *CBL – Cross-body lead *CBM – Contra body movement *CBMP – Contra body movement position *COG – Center of gravity *CPB – Center point of balance *CPP – Counter promenade position *DC – Diagonally to center *DW – Diagonally to wall *IDSF – International DanceSport Federation *IDTA – International Dance Teachers Association *ISTD – Imperial Society of Teachers of Dancing *J&J – Jack and Jill *LOD – Line of dance *MPM – Measures per minute *NFR – No foot rise *O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Dances
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists: * List of dance style categories * List of ethnic, regional, and folk dances by origin * List of national dances Categories listed on these specialized (categorized) lists should also be included in this general index. A * Abayı * Abbots Bromley Horn Dance * Acharuli (Georgian folk dance) * Acro dance * Adana * Adowa dance * Affranchi (Haiti) * Agbadza * Agir Karadagi1 * Ai Georgis * Alanta dance * Alkayida * Allemande * An Dro * Angaliastos * Angama (from Japan's Yaeyama Islands) * Angelica * Antikristos * Antipatitis * 'Aparima * Apu Inka * Arab dance * Aragonaise * Arcan * Ardah (Arab tribal war dance) * Argentine Tango ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Dance Teachers Association
The International Dance Teachers Association (IDTA) is a dance teaching and examination board based in Brighton, England. Operating internationally, the IDTA currently has over 7,000 members in 55 countries. The IDTA is recognised by the national qualifications regulators in England and Wales, Ofqual and the Council for Dance Education and Training, and is also affiliated to the British Dance Council, the Central Council of Physical Recreation and the Theatre Dance Council International. The IDTA works in partnership with the Royal Academy of Dance. The IDTA publishes a print and online magazine for members titled ''Dance International'' four times a year. History The International Dance Teachers Association was formed in 1967 as the result of a merger between the Dance Teachers' Association (DTA), and the International Dancing Masters Association (IDMA). Both of these organisations were formed from the merging of older dance teaching associations, with the earliest being estab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Style
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet, tap dancing, and square dancing, which have their own elaborate terminology. See also: * Glossary of ballet terms * Glossary of dance moves Abbreviations *3T – Three Ts *CBL – Cross-body lead *CBM – Contra body movement *CBMP – Contra body movement position *COG – Center of gravity *CPB – Center point of balance *CPP – Counter promenade position *DC – Diagonally to center *DW – Diagonally to wall *IDSF – International DanceSport Federation *IDTA – International Dance Teachers Association *ISTD – Imperial Society of Teachers of Dancing *J&J – Jack and Jill *LOD – Line of dance *MPM – Measures per minute *NFR – No foot rise *OP ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha), is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps (correctly, on the fourth count of each measure) that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Direction Of Movement
In ballroom dancing (and in some other types of partner dance), directions of progressive movement, in particular directions of steps, can be indicated either in relation to the room or in relation to the body position. Directions of turns, although there are only two of them, may also be indicated in several ways. Directions of progressive movement Basic directions of movement with respect to the room Dancers can align their bodies and move in any of these directions: * line of dance (LOD) * against LOD * center (C) * wall (W) * diagonal center (DC) * diagonal wall (DW) * diagonal center against LOD (DC against LOD) * diagonal wall against LOD (DW against LOD) These directions may be taken either ''facing'' if the dancer's feet are pointing in the direction of the movement, or ''backing'' if the dancer's feet are oriented in the opposite direction and the dancer is moving backwards with respect to their body. For example, "backing DC against LOD" means that a dancer is movin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promenade Position
The promenade position (abbreviated as PP in dance diagrams) is a dance position in ballroom and other dances. It is described differently in various dance categories. Connection The promenade position is a "V" shaped dance position with the man's right hip and the woman's left hip in contact at the point of the "V", and with the man's left side and the woman's right side slightly open. The direction of travel is toward the openside. The man and woman stand in front of each other in body contact, slightly offset to the left, with the middle of the woman's front connected to the man's right front. The connection begins at the upper thighs and should continue all of the way up to the middle of the torso. The man's left hand holds the woman’s right hand, palm to palm in an upper-hand clasp, with fingers and thumbs closed around partner's hand. The man's right hand must rest on the woman’s back, loosely cupped with fingers and thumb together (not spread apart). The man's hand co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Position
In partner dancing, open position refers to positions in which partners are connected primarily at the hands as opposed to closer body contact, as in closed position. The connection is through the hands, wrists, and fingers, and relies heavily on frame and the compression and tension of both partners' arms. We Many forms of dancing use the open position. Modern Jive, East Coast Swing, West Coast Swing, Lindy Hop, and Latin are primary examples, but an open position is used in waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ..., country, and other styles at times. Partner dance technique {{dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outside Partner Step
A–K Apple Jacks A step on the spot, with twisting foot and the weight on the heel, likthis Ball change Ball change is a movement where the dancer shifts the weight from the ball of one foot to the other and back. This is mostly used in jazz and jive (dance), jive. Basic (step / figure / movement / or pattern) A Basic (dance move), basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different #Handhold, handholds and #Dance position, dance positions to enjoy it socially. Box step The box step is a dance figure named so because the steps rest in the four corners of a square. It is used, e.g., in Glossary of partner dance terms#American Style, American Style ballroom dances: Rhumba, rumba, waltz, bronze-level Foxtrot (dance), foxtrot. The leader begins with the left foot and proceeds as follows. :''First ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Foot Rise
No (and variant writings) may refer to one of these articles: English language * ''Yes'' and ''no'' (responses) * A determiner in noun phrases Alphanumeric symbols * No (kana), a letter/syllable in Japanese script * No symbol, displayed 🚫 * Numero sign, a typographic symbol for the word 'number', also represented as "No." or similar variants Geography * Norway (ISO 3166-1 country code NO) ** Norwegian language (ISO 639-1 code "no"), a North Germanic language that is also the official language of Norway ** .no, the internet ccTLD for Norway * Lake No, in South Sudan * No, Denmark, village in Denmark * Nō, Niigata, a former town in Japan * No Creek (other) * Acronym for the U.S. city of New Orleans, Louisiana or its professional sports teams ** New Orleans Saints of the National Football League ** New Orleans Pelicans of the National Basketball Association Arts and entertainment Film and television * ''Dr. No'' (film), a 1962 ''James Bond'' film ** Julius N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Measures Per Minute
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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