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Intermezzo In D Minor (Bruckner)
The Intermezzo in D minor ( WAB 113) is an 1879 composition by the Austrian composer Anton Bruckner. Although it was intended to replace the scherzo of the String Quintet, that piece was instead performed in its original form; the Intermezzo was not publicly premiered until after the composer's death. History Bruckner completed his String Quintet in 1879 for a group headed by Joseph Hellmesberger Sr. However, Hellmesberger found the work's "curious, elfin scherzo" to be too challenging for the group to perform. In response, Bruckner wrote an eight-minute Intermezzo, which was completed in Vienna on 21 December 1879.C. van Zwol, pp. 683–684U. Harten, pp. 216–217 The Intermezzo (WAB 113) was in the same key (D minor) as the original scherzo and used the same trio section, but its tempo was slower and it was less technically challenging. The Intermezzo was originally intended as a less difficult alternative to the scherzo of the Quintet. Nevertheless, in 1885, Hellmesberger dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leipzig String Quartet
The Leipzig String Quartet (in german: Leipziger Streichquartett) is a German string quartet established in 1988. The ensemble was also part of the 'Ensemble Avangarde' with the pianist Steffen Schleiermacher from Leipzig. History The Quartet was founded in 1988 as the "New Leipzig String Quartet". It kept this name until 1995. Three of the members were at the time at the first desks in the Leipzig Gewandhaus Orchestra until 1993, when they finally decided to devote themselves exclusively to chamber music. They studied with Gerhard Bosse in Leipzig, former member and concertmaster of the Gewandhaus Quartet (1955–1977), with the Amadeus Quartet in London and Cologne, with violist Hatto Beyerle in Hanover and with Walter Levin, founding member and concertmaster of the LaSalle Quartet. Since November 1991, the quartet has been developing its own concert series, "Pro Quatuor" in Leipzig. As part of the 'Ensemble Avangarde', the quartet is the co-founder of the 'musica nova' ensem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melos Quartet
The Melos Quartet was a much-recorded, Stuttgart-based string quartet active from 1965 until 2005, when its first violin died. It also went by the name Melos Quartett Stuttgart, partly to distinguish itself from the equally prominent chamber group the Melos Ensemble, Melos Ensemble of London. Origins and activities Melos Quartett Stuttgart was founded in October 1965 by four young members of well-known German chamber orchestras. The name Melos, an ancient Greek word for singing, and the root of the word ''melody'', was suggested by the combination of the names Melcher and Voss, to indicate their purpose as distinct individuals seeking musical harmony together. Leader Melcher of Hamburg studied with Erich Röhn and with both Pina Carmirelli and Arrigo Pelliccia of the Boccherini Quintet in Rome. He won the International Chamber Music Competition in Venice in 1962 and became concertmaster of the Hamburg Symphony Orchestra the next year. The Voss brothers are Rhinelanders. They studie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine Arts Quartet
The Fine Arts Quartet is a chamber music ensemble founded in Chicago, United States in 1946 by Leonard Sorkin and George Sopkin. The Quartet has recorded over 200 works and has toured internationally for 77 years, making it one of the longest enduring major string quartets. In its history, the Quartet has had two leaders: Leonard Sorkin, from 1946 to 1981, and Ralph Evans, from 1982 to the present. Its current members are violinists Ralph Evans and Efim Boico (who have been playing together in the Quartet since 1983), violist Gil Sharon, and cellist Niklas Schmidt. History Although the Fine Arts Quartet was founded in 1946, the group's members had begun working together as early as 1939 while playing in the Chicago Symphony Orchestra. The Quartet's first performance took place in 1940 with Leonard Sorkin, Ben Senescu, Sheppard Lehnhoff, and George Sopkin. Military service in World War II intervened, however, and it was not until 1946, now with the new second violinist Joseph S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reprise
In music, a reprise ( , ; from the verb 'to resume') is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs. A partial or abbreviated reprise is known as a petite reprise ( , ). In Baroque music this usually occurs at the very end of a piece, repeating the final phrase with added ornamentation. Song reprises Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based. One example could be "Time", the fourth song from Pink Floyd's 1973 album ''The Dark Side of the Moon'', which contains a reprise of " Breathe", the second song of the same album. Another example could be "Solo", the fifth song from Frank Ocean's 2017 album ''Blonde'', and then "Solo (Reprise)", the tenth song of the same album. Music theater In musical thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arizona Daily Star
The ''Arizona Daily Star'' is the major morning daily newspaper that serves Tucson and surrounding districts of southern Arizona in the United States. History L. C. Hughes was the Arizona Territory governor and founder of the ''Arizona Star'', in 1877. The first issue was published on March 29, 1877. The newspaper became the ''Arizona Daily Star'' in June 1879. The paper was purchased by Pulitzer in 1971; Lee Enterprises bought Pulitzer in 2005. Awards In 1981, ''Star'' reporters Clark Hallas and Robert B. Lowe won the Pulitzer Prize for Local Investigative Specialized Reporting for their stories about recruiting violations by University of Arizona football Football is a family of team sports that involve, to varying degrees, kicking a ball to score a goal. Unqualified, the word ''football'' normally means the form of football that is the most popular where the word is used. Sports commonly c ... coach, Tony Mason. References External links * * ''Arizona Daily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ländler
The Ländler () is a folk dance in time which was popular in Austria, Bavaria, German Switzerland, and Slovenia at the end of the 18th century. It is a partner dance which strongly features hopping and stamping. It might be purely instrumental or have a vocal part, sometimes featuring yodeling. When dance halls became popular in Europe in the 19th century, the Ländler was made quicker and more elegant, and the men shed the hobnail boots which they wore to dance it. Along with a number of other folk dances from Germany and Bohemia, it is thought to have influenced the development of the waltz. A number of classical composers wrote or included Ländler in their music, including Ludwig van Beethoven, Franz Schubert and Anton Bruckner. In several of his symphonies, Gustav Mahler replaced the menuet with a Ländler. The Carinthian folk tune quoted in Alban Berg's ''Violin Concerto'' is a Ländler, and another features in Act II of his opera ''Wozzeck''. The "German Dances" o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism In Music
Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". "Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's ''Impression, Sunrise''. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to make the observer focus their attention on the overall impression.J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca, ''A History of Western Music'', eighth edition (New York: W. W. Norton & Company, 2010). . The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Capo
Da capo (, also , ) is an Italian musical term that means "from the beginning" (literally, "from the head"). It is often abbreviated as D.C. The term is a directive to repeat the previous part of music, often used to save space, and thus is an easier way of saying to repeat the music from the beginning. In small pieces, this might be the same thing as a repeat. But in larger works, D.C. might occur after one or more repeats of small sections, indicating a return to the very beginning. The resulting structure of the piece is generally in ternary form. Sometimes, the composer describes the part to be repeated, for example: ''Menuet da capo''. In opera, where an aria of this structure is called a ''da capo aria'', the repeated section is often adorned with grace notes. The word ''Fine'' (Ital. 'end') is generally placed above the stave at the point where the movement ceases after a 'Da capo' repetition. Its place is occasionally taken by a pause (see fermata)."Grove, George; Ful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repetition (music)
Repetition is important in music, where sounds or sequences are often repeated. It may be called restatement, such as the restatement of a theme. While it plays a role in all music, with noise and musical tones lying along a spectrum from irregular to periodic sounds,(Moravcsik, 114)(Rajagopal, ) it is especially prominent in specific styles. Repetition A literal repetition of a musical passage is often indicated by the use of a repeat sign, or the instructions da capo or dal segno. Theodor W. Adorno criticized repetition and popular music as being psychotic and infantile. In contrast, Richard Middleton (1990) argues that "while repetition is a feature of ''all'' music, of any sort, a high level of repetition may be a specific mark of 'the popular'" and that this allows an, "enabling" of "an inclusive rather than exclusive audience"(Middleton 1990, p. 139). "There is no universal norm or convention" for the amount or type of repetition, "all music contains repetit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
