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Intensity (Art Pepper Album)
''Intensity'' is a 1960 jazz album by saxophonist Art Pepper playing with Dolo Coker, Jimmy Bond, and Frank Butler. The album was released in 1963. Reception The sleeve notes (by Lester Koenig) quote Richard Hadlock, jazz editor of the San Francisco ''Examiner'', who writes: :"As this and his last Contemporary release ''Smack Up!'', demonstrate, Art was well on his way toward a new kind of playing freedom in 1960. He had, partly through the examples of John Coltrane and Ornette Coleman, begun to set aside his few remaining inhibitions and reach out for still more direct contact with his emotions... A musician friend told me recently that sometimes Pepper's playing 'sounds like a man crying — it just tears you up.' I agree." AllMusic reviewer Scott Yanow awarded the album 4.5 stars and called it an "interesting and largely enjoyable set". Yanow also echoed Hadlock's comments, writing that "Pepper was just starting to show the influence of John Coltrane and Ornette Colem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Pepper
Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American alto saxophonist and very occasional tenor saxophonist and clarinetist. Active in West Coast jazz, Pepper came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's great altoist" at the time of his death. Early life Art Pepper was born in Gardena, California, United States.Dupuis, Robert. "Art Pepper." ''Contemporary Musicians: Profiles of the People in Music.'' Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gone With The Wind (song)
"Gone with the Wind" is a popular song. The music was written by Allie Wrubel, the lyrics by Herb Magidson. The song was published in 1937. A version recorded by Horace Heidt and his Brigadiers was a No. 1 song in 1937. Inspiration Whether the title of this song was related in any way to the 1936 Margaret Mitchell novel '' Gone with the Wind'' is difficult to determine. The timing of the song's release suggests something more than coincidence, given that the book received enormous publicity in 1937, dominating the bestseller lists and winning a Pulitzer Prize. Still, the lyrics of the song have no obvious connection to the subject matter of the novel. This song should not be confused with any of the well-known music featured in the 1939 film adaptation of the book. Recordings *Lennie Hayton & His Orchestra; Vocal Chorus by Paul Barry – Decca 1341-A (62320) (1937) * Horace Heidt & his Brigaders; Vocal Chorus by Larry Cotton – Brunswick 7913 (B 21260) (1937) *Dick Jurgens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Ago (And Far Away)
"Long Ago (and Far Away)" is a popular song with music by Jerome Kern, and lyrics about nostalgia by Ira Gershwin from the 1944 Technicolor film musical ''Cover Girl'' starring Rita Hayworth and Gene Kelly and released by Columbia Pictures. The song was nominated for the Academy Award for Best Original Song in 1944 but lost out to “Swinging on a Star”, from ''Going My Way''. The song was published in 1944 and sold over 600,000 copies in sheet music in a year. In 2004 it finished #92 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. In the film it is sung by Rita Hayworth (dubbed by Martha Mears) to Gene Kelly, and later briefly reprised by Jinx Falkenburg. Charting versions were recorded almost simultaneously by Dick Haymes and Helen Forrest, Bing Crosby, Jo Stafford, and Perry Como. The Dick Haymes-Helen Forrest recording was released by Decca Records as catalog number 23317. The record first reached the Billboard magazine charts on April 27, 1944 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Rain Or Come Shine
"Come Rain or Come Shine" is a popular music song, with music by Harold Arlen and lyrics by Johnny Mercer. It was written for the Broadway musical '' St. Louis Woman'', which opened on March 30, 1946, and closed after 113 performances. Chart performance It "became a modest hit during the show's run, making the pop charts with a Margaret Whiting (Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three." Other recordings The song has subsequently been recorded by a host of artists, including: *In 1955, Billie Holiday included it on her ''Music for Torching'' LP. *In 1956, Judy Garland included it on her '' Judy'' LP, as well her 1961 live album, ''Judy at Carnegie Hall''. *In 1956, Fran Warren included it on her album ''Mood Indigo''. *In 1958, Art Blakey & The Jazz Messengers recorded it for their album released in 1959, ''Moanin’''. *In 1959, Connie Francis included it on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Love You (Cole Porter Song)
"I Love You" is a song written by Cole Porter in 1944 for his stage musical ''Mexican Hayride''. ''The New York Times'' reviewed the show, saying, among other things: "Of Mr. Porter's score, the best number bears the title almost startling in its forthrightness, "I Love You," and is the property of Mr. Evans" (Wilbur Evans). However, the rather generic lyrics of the song were due to a challenge given by Porter. His friend Monty Woolley contended that Porter's talent lay in the off-beat and the esoteric, maintaining that he could never take a cliché title like "I Love You" and write lyrics that included the banal sentiment: "It's spring again, and birds on the wing again" and be successful. Porter accepted the challenge with the result that the song eventually topped the hit parade. Porter remarked that the "superior melody overcame the ordinary lyric". In 1945, Ira B. Arnstein sued Cole Porter for plagiarizing his work and filed a suit in the Federal Court. He had for twenty year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
