Integrated Amplifier
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Integrated Amplifier
An integrated amplifier (pre/main amp) is an electronic device containing an audio preamplifier and power amplifier in one unit, as opposed to separating the two. Most modern audio amplifiers are integrated and have several inputs for devices such as CD players, DVD players, and auxiliary sources. Integrated amplifiers commonly had dedicated inputs for turntables, AM/ FM tuner, and tape recorders (cassette or reel-to-reel) back when those devices were more common. Except for the turntable, all of the inputs are line level, thus they are interchangeable. The turntable also uses RIAA equalization. See also *Audiophile *High-end audio * High fidelity *Fidelity Fidelity is the quality of faithfulness or loyalty. Its original meaning regarded duty in a broader sense than the related concept of ''fealty''. Both derive from the Latin word ''fidēlis'', meaning "faithful or loyal". In the City of London fin ... * Valve audio amplifiers Sources # Queen's University ENPH333 Notes- P ...
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Preamplifier
A preamplifier, also known as a preamp, is an electronic amplifier that converts a weak electrical signal into an output signal strong enough to be noise-tolerant and strong enough for further processing, or for sending to a power amplifier and a loudspeaker. Without this, the final signal would be noisy or distorted. They are typically used to amplify signals from analog sensors such as microphones and pickups. Because of this, the preamplifier is often placed close to the sensor to reduce the effects of noise and interference. Description An ideal preamp will be linear (have a constant gain through its operating range), have high input impedance (requiring only a minimal amount of current to sense the input signal) and a low output impedance (when current is drawn from the output there is minimal change in the output voltage). It is used to boost the signal strength to drive the cable to the main instrument without significantly degrading the signal-to-noise ratio (SNR). Th ...
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Reel-to-reel Audio Tape Recording
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the ''supply reel'' (or ''feed reel'') containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty ''takeup reel''. Reel-to-reel systems use tape that is wide, which normally moves at . All standard tape speeds are derived as a binary submultiple of 30 inches per second. Reel-to-reel preceded the development of the compact cassette with tape wide moving at . By writing the same audio signal across more tape, reel-to-reel systems give much greater fidelity at the cost of much larger tapes. In spite of the relative inconvenience and generally more expensive media, reel-to-reel systems developed in the early 1940s remained popular ...
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Fidelity
Fidelity is the quality of faithfulness or loyalty. Its original meaning regarded duty in a broader sense than the related concept of ''fealty''. Both derive from the Latin word ''fidēlis'', meaning "faithful or loyal". In the City of London financial markets it has traditionally been used in the sense encompassed in the motto "My word is my bond". Audio and electronics In audio, "fidelity" denotes how accurately a copy reproduces its source. In the 1950s, the terms " high fidelity" or "hi-fi" were popularized for equipment and recordings which exhibited more accurate sound reproduction. For example, a worn gramophone record will have a lower fidelity than one in good condition, and a recording made by a low budget record company in the early 20th century is likely to have significantly less audio fidelity than a good modern recording. Similarly in electronics, fidelity refers to the correspondence of the output signal to the input signal, rather than sound quality, as in t ...
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High-end Audio
High-end audio is a class of consumer home audio equipment marketed to audiophiles on the basis of high price or quality, and esoteric or novel sound reproduction technologies. The term can refer simply to the price, to the build quality of the components, or to the subjective or objective quality of sound reproduction. Definition The distinction between the terms ''high end'' and '' high fidelity'' is not well defined. According to one industry commentator, high-end could be defined as, "Gear below which's price and performance one could not go without compromising the music and the sound."Szabady, Paul (January 2008)"The Rega P3-24 Turntable" ''Stereo Times''Archivedfrom the original on 21 November 2013 Harry Pearson, founder of ''The Absolute Sound'' magazine, is widely acknowledged to have coined the term ''high-end audio''. Costs High-end audio equipment can be extremely expensive. It is sometimes referred to as ''cost-no-object'' equipment. Audiophile equipment can en ...
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Audiophile
An audiophile is a person who is enthusiastic about high-fidelity sound reproduction. An audiophile seeks to reproduce the sound of a piece of recorded music or a live musical performance, typically inside closed headphones, In-ear monitors, open headphones in a quiet listening space, or a room with good acoustics. Audiophile values may be applied at all stages of music reproduction: the initial audio recording, the production process, and the playback, which is usually in a home setting. In general, the values of an audiophile are seen to be antithetical to the growing popularity of more convenient but lower quality music, especially lossy digital file types like MP3, lower definition streaming services, and inexpensive headphones. The term ''high-end audio'' refers to playback equipment used by audiophiles, which may be bought at specialist shops and websites. High-end components include turntables, digital-to-analog converters, equalization devices, preamplifiers and amplifie ...
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RIAA Equalization
RIAA equalization is a specification for the recording and playback of phonograph records, established by the Recording Industry Association of America (RIAA). The purposes of the equalization are to permit greater recording times (by decreasing the mean width of each groove), to improve sound quality, and to reduce the groove damage that would otherwise arise during playback. The RIAA equalization curve was intended to operate as a ''de facto'' global industry standard for records since 1954, but when the change actually took place is difficult to determine. Before then, especially from 1940, each record company applied its own equalization; over 100 combinations of turnover and rolloff frequencies were in use, the main ones being Columbia-78, Decca-U.S., European (various), Victor-78 (various), Associated, BBC, NAB, Orthacoustic, World, Columbia LP, FFRR-78 and microgroove, and AES. The obvious consequence was that different reproduction results were obtained if the recordi ...
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Line Level
Line level is the specified strength of an audio signal used to transmit analog audio between components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles. Line level sits between other levels of audio signals. There are weaker signals such as those from microphones (microphone level or mic level) and instrument pickups (instrument level), and stronger signals, such as those used to drive headphones and loudspeakers (speaker level). The "strength" of these various signals does not necessarily refer to the output voltage of the source device; it also depends on its output impedance and output power capability. Consumer electronic devices concerned with audio (for example sound cards) often have a connector labeled ''line in'' and/or ''line out''. ''Line out'' provides an audio signal output and ''line in'' receives a signal input. The line in/out connections on consumer-oriented audio equipment are typically unbalanced, with a (0.14 inch, ...
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Cassette Deck
A cassette deck is a type of tape machine for playing and recording audio cassettes that does not have a built-in power amplifier or speakers, and serves primarily as a transport. It can be a part of an automotive entertainment system, a part of a portable mini system or a part of a home component system. In the latter case it is also called a component cassette deck or just a component deck. A "tape recorder" is a more generic term to identify a device that usually has a self-contained power amplifier and either has a built-in speaker or comes packaged with one. History Origins The first consumer tape recorder to employ a tape reel permanently housed in a small removable cartridge was the RCA tape cartridge, which appeared in 1958 as a predecessor to the cassette format. At that time, reel to reel recorders and players were commonly used by enthusiasts, but required large individual reels and tapes which had to be threaded by hand, making them less-accessible to the casual ...
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Power Amplifier
An audio power amplifier (or power amp) is an electronic amplifier that amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address and home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers. The preceding stages in such a chain are low power audio amplifiers which perform tasks like pre-amplification of the signal (this is particularly associated with record turntable signals, microphone signals and electric instrument signals from pickups, such as the electric guitar and electric bass), equalization (e.g., adjusting the bass and treble), tone controls, mixing different input signals or adding electr ...
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Tape Recorders
An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage. The use of magnetic tape for sound recording originated around 1930 in Germany as paper tape with oxide lacquered to it. Prior to the development of magnetic tape, magnetic wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the other recording and broadcast standards of the time. This German invention was the start of a long string of innovations that have led to present-day magnetic ta ...
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Tuner (radio)
A tuner is a subsystem that receives radio frequency (RF) transmissions, such as FM broadcasting, and converts the selected carrier frequency and its associated bandwidth into a fixed frequency that is suitable for further processing, usually because a lower frequency is used on the output. Broadcast FM/ AM transmissions usually feed this intermediate frequency (IF) directly into a demodulator that converts the radio signal into audio-frequency signals that can be fed into an amplifier to drive a loudspeaker. More complex transmissions like PAL/NTSC (TV), DAB (digital radio), DVB-T/ DVB-S/ DVB-C (digital TV) etc. use a wider frequency bandwidth, often with several subcarriers. These are transmitted inside the receiver as an intermediate frequency (IF). Subcarriers are then processed like real radio transmissions, but the whole bandwidth is sampled with an analog-to-digital converter (A/D) at a rate faster than the Nyquist rate (that is, at least twice the IF frequency). A t ...
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