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Inrō
An is a traditional Japanese case for holding small objects, suspended from the (sash) worn around the waist when wearing a kimono. They are often highly decorated with various materials such as lacquer and various techniques such as , and are more decorative than other Japanese lacquerware. Because traditional Japanese dress lacked pockets, objects were often carried by hanging them from the in containers known as (a hanging object attached to a sash). Most were created for specialized contents, such as tobacco, pipes, writing brush and ink, but the type known as is suitable for carrying small things, and was created in the Sengoku period (1467–1615) as a portable identity seal and medicine container for travel. In the middle of the Edo period (1603–1868), became popular as men's accessories, and wealthy merchants of the and samurai classes collected often beautifully decorated with lacquer. As the technique developed from the late Edo period to the Meiji period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ojime
An is a bead used in Japanese (carrying cases). It is typically under an inch in length. Each is carved into a particular shape and image, similar to the , though smaller. It is used to fasten the cord of the so that it does not unstack while carried. The history of beads dates back to the Edo period (1603–1868). beads, , and or cases would be items worn on a traditional kimono, typically hanging from the belt. Images File:An Antique Japanese Meiji Era Signed Gilt Bronze Pearl Inlaid Ojime Bead.jpg, A Meiji gilt bronze pearl-inlaid File:Ojime from the Honolulu Academy of Arts.jpg, at the Honolulu Museum of Art The Honolulu Museum of Art (formerly the Honolulu Academy of Arts) is an art museum in Honolulu, Hawaii. The museum is the largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The museum has one of the largest single col ... See also * * * References External links Japanese art Fashion accessories Japanese words and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Lacquerware
is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in '' urushi-e'', prints, and on a wide variety of objects from Buddha statues to ''bento'' boxes for food. The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called in which metal powder is sprinkled to attach to lacquer. The invention of various techniques in Japanese history expanded artistic expression, and various tools and works of art such as are highly decorative.Masayuki Murata. ''明治工芸入門'' p.24. Me no Me, 2017 A number of terms are used in Japanese to refer to lacquerware. ''Shikki'' (漆器) means "lacquer ware" in the most literal sense, while ''nurimono'' (塗物) means "coated things", and ''urushi-nuri'' (漆塗) means "lacquer coating." The terms related to lacquer or lacquerware such as "Japanning", "Urushiol" and "''maque''" which means lacquer in Mexican Spanish, are derived from Japanese lacquerwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netsuke
A is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an box, later developed into ornately sculpted objects of craftsmanship. History Traditionally, Japanese clothing – first the and its later evolution, the kimono – did not have pockets. Though the sleeves of the kimono could be used to store small items, the men who wore kimono needed a larger and stronger container in which to store personal belongings, such as pipes, tobacco, money and seals, resulting in the development of containers known as , which were hung by cords from the robes' sashes (). These containers may have been pouches or small woven baskets, but the most popular were crafted boxes () held shut by , sliding beads on cords. Whatever the form of the container, the fastener that secured the cord at the top of the sash was a carved, button-like toggle called a . , like and , evolved over time from being strictly utilitarian into object ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maki-e
is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term ''maki-e'' is a compound word of ''maki'' meaning "sprinkling" and ''e'' meaning "picture" or "design". The term can also be used to refer to lacquerware made with this decorative technique. The term first appeared in the Heian period.Maki-e. This technique is the most used technique in Japanese lacquer decoration. The is often combined with other techniques such as in which a nacreous layer of shellfish is embedded or pasted in lacquer, in which metal or ivory is embedded in lacquer, and in which gold leaf or gold powder is embe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lacquer
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity. Asian lacquerware, which may be called "true lacquer", are objects coated with the treated, dyed and dried sap of ''Toxicodendron vernicifluum'' or related trees, applied in several coats to a base that is usually wood. This dries to a very hard and smooth surface layer which is durable, waterproof, and attractive in feel and look. Asian lacquer is sometimes painted with pictures, inlaid with shell and other materials, or carved, as well as dusted with gold and given other further decorative treatments. In modern techniques, lacquer means a range of clear or pigmented coatings that dry by solvent evaporation to produce a hard, durable finish. The finish can be of any sheen level from ultra matte to high gloss, and it can be further polished as required. Lacquer finishes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obi (sash)
An is a belt of varying size and shape worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the developed over time into a belt with a number of different varieties, with a number of different sizes and proportions, lengths, and methods of tying. The , which once did not differ significantly in appearance between men and women, also developed into a greater variety of styles for women than for men. Despite the kimono having been at one point and continuing to appear to be held shut by the , many modern are too wide and stiff to function in this way, with a series of ties known as , worn underneath the , used to keep the kimono closed instead. are categorised by their design, formality, material, and use, and can be made of a number of types of fabric, with heavy brocade weaves worn for formal occasions, and some lightweight silk worn for informal occasions. are also made from m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raden
is a Japanese termRaden. for one of the decorative techniques used in traditional crafts and woodwork. It refers to a method of inserting a board-like material, which is a cut out part of the mother of pearl inside the , into the carved surface of lacquer or wood, or a craft made by using this method. The for means 'shell' and means 'inlaid' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitsune No Yomeiri
The Kitsune no Yomeiri (, "The Fox's Wedding") is a term or metaphor for certain natural phenomena, or a folk belief regarding a supernatural event, in Honshu, Shikoku, and Kyushu. The term "kitsune no yomeiri" can refer to several things: atmospheric ghost lights, in which it appears as if paper lanterns from a wedding procession are floating through the dark; sunshowers; or various other phenomena that may resemble wedding processions and are referenced in classical Japanese ''kaidan'', essays, and legends. The ''kitsune no yomeiri'' is always closely related to foxes, or ''kitsune,'' who often play tricks on humans in Japanese legend; various Shinto rituals and festive rites relating to the ''kitsune no yomeiri'' have been developed in various parts of Japan. As atmospheric ghost lights A topography book of the Echigo Province (now Niigata Prefecture), from the Hōreki period, the "Echigo Nayose" (越後名寄), includes the following statement about the appearance of the "kitsun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benkei
, popularly known as simply Benkei, was a Japanese warrior monk (''sōhei'') who lived in the latter years of the Heian Period (794–1185) .html" ;"title="/sup>">/sup>. Benkei led a varied life, first becoming a monk, then a mountain ascetic, and then a rogue warrior. He later came to respect and serve the famous warrior Minamoto no Yoshitsune, also known as Ushiwakamaru. He is commonly depicted as a man of great strength and loyalty, and a popular subject of Japanese folklore, showcased in many ancient and modern literature and productions. Early life Stories about Benkei's birth vary considerably. One tells how his father was the head of a temple shrine who had raped his mother, the daughter of a blacksmith. Another sees him as the offspring of a temple god. Many give him the attributes of a demon, a monster child with wild hair and long teeth. In his youth, Benkei may have been called —"demon/ogre child", and there are many famous ukiyo-e works themed on Oniwakamaru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyōji
A ''gyōji'' () is a referee in professional sumo wrestling in Japan. ''Gyōji'' usually enter the sumo world as teenagers and remain employees of the Sumo Association until they retire aged 65. There are currently a little over 40 active ''gyōji'' with an average of one in each sumo stable, though some stables have more than one and some have no ''gyōji''. History Originally there were no official referees in sumo: if there were any close matches the emperor would determine the winner. It was not until the early 16th century, with the help of Oda Nobunaga, that ''gyōji'' started to make an appearance. Responsibilities The ''gyōji's'' principal and most obvious task is to referee bouts between two sumo wrestlers. After the ''yobidashi'' has called them into the ring, the ''gyōji'' will also call out each wrestler's name. It is the ''gyōjis responsibility to watch over the wrestlers as they go through the initial prebout staring contests, and then coordinate the initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
