Indramalati
''Indramalati'' is the second Assamese language film, directed by the great Assamese poet Jyotiprasad Agarwala. It was released in 1939. Background Director Jyotiprasad faced a major financial crisis after his first film '' Joymoti'' (1935) failed commercially. He spent more than Rs 50,000 and was in debt in the late 1930s; he was fortunate to gather together just Rs 15,000 to make his dream of making a second film come true. Desperately seeking to compensate the loss he incurred in the making of '' Joymoti'', he began shooting ''Indramalati'' in late 1937. This time, however, he did not use his Chitraban Studio for the outdoor shoot. Instead, he chose the ‘Talbari’ of his family, at Harigaon, two kilometres from Tezpur Mission Chariali. Within seven days, Jyotiprasad completed the outdoor shooting for the picture and often the camera was kept at a fixed point as the sets and artistes kept changing the angles. The film used over 15,000 feet of reel. On release in 1939 it w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Bhupen Hazarika
Bhupen Hazarika () (8 September 1926 – 5 November 2011) was an Indian playback singer, lyricist, musician, poet, actor, filmmaker and politician from Assam, widely known as ''Sudha Kontho'' (meaning cuckoo, literally "nectar-throated"). His songs were written and sung mainly in the Assamese language by himself, are marked by humanity and universal brotherhood and have been translated and sung in many languages, most notably in Bengali and Hindi. His songs, based on the themes of communal amity, universal justice and empathy, are especially popular among the people of Assam, West Bengal and Bangladesh. He is also acknowledged to have introduced the culture and folk music of Assam and Northeast India to Hindi cinema at the national level. He received the National Film Award for Best Music Direction in 1975, the Sangeet Natak Akademi Award (1987), Padma Shri (1977), and Padma Bhushan (2001), Dada Saheb Phalke Award (1992), the highest award for cinema in India and Sangeet Natak ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Phani Sarma
Phani Sarma (1910–1970) was an Indian theatre actor, playwright, film actor and director. Beginning as a stage actor, he appeared in the first film ever made in Assamese cinema, '' Joymati'', in 1935. Sarma was conferred with the title "Natasurya" for his contribution towards Assamese drama. He acted in and directed ''Siraj'' in 1948 and ''Piyoli Phukan'' in 1955. Film career In 1933 Phani Sarma starred in the first Assamese film, '' Joymati,'' directed by Jyoti Prasad Agarwala. Sarma went on the star in Agarwalla's second picture ''Indramalati''. In 1955 he directed and starred in ''Piyoli Phukan'', also playing the film's protagonist Pioli Phukan. His last film was '' Ito Sito Bahuto'' in 1963 where he appeared as an actor rather than taking the director's helm. Playwright work Inspired by his own experiences as an actor and the death of his son whilst stage acting, Phani Sarma wrote the social drama ''Kiya'', a tale of an artist entertained other people with very litt ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jyotiprasad Agarwala
Jyoti Prasad Agarwala (2 July 1903 – 17 January 1951) was a noted Indian playwright, songwriter, poet, writer and film maker from Assam. He was considered as Assamese cultural icon, deeply revered for his creative vision and output and is popularly called the ''Rupkonwar'' of Assamese culture. In fact, he is regarded as the founder of Assamese cinema for '' Joymoti'' (1935). His death anniversary (17 January) is observed as ''Silpi divas'' (Artists' Day) his honor. Biography Jyoti Prasad Agarwala was born on 02 July 1903 to an Agrawal family, to Paramananda Agarwala and Kiranmoyee Devi at Tamulbari Tea Estate. His uncles were renowned Assamese poets Chandra Kumar Agarwala and Ananda Chandra Agarwala. His forefather, Nabrangram Agarwala, had come to Assam in 1811 from the Marwar region in Rajasthan. After completing his studies in various schools in Assam and Calcutta, he matriculated in 1921. He went to Edinburgh in 1926 to study economics, but returned in 1930 before com ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Joymoti (1935 Film)
''Joymoti'' or ''Joimoti'' ( as, জয়মতী), released on 10 March 1935, was the first Assamese film made. Based on Lakshminath Bezbaroa's play about the 17th-century Ahom princess Soti Joymoti, the film was produced and directed by the noted Assamese poet, author, and film-maker Jyoti Prasad Agarwala, and starred Aideu Handique and acclaimed stage actor and playwright Phani Sarma. The film, shot between 1933 and 1935, was released by Chitralekha Movietone in 1935 and marked the beginning of Assamese cinema. ''Joymoti'' was screened at the 50th International Conference of the Society For Cinema and Media Studies (SCMC) of Northwestern University in Evanston, Illinois, United States in March 2011. Other screenings include: * India-Bangladesh Joint Celebration of 100 Years of Indian Cinema, Dhaka (2012) * UCLA's Centre for India and South Asia Studies, Los Angeles (April 2010) * Osian-Cinefan's 10th Film Festival of Asian and Arabic Cinema, New Delhi (2008) * Filmbüro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jyotiprasad Agarwalla
Jyoti Prasad Agarwala (2 July 1903 – 17 January 1951) was a noted Indian playwright, songwriter, poet, writer and film maker from Assam. He was considered as Assamese cultural icon, deeply revered for his creative vision and output and is popularly called the ''Rupkonwar'' of Assamese culture. In fact, he is regarded as the founder of Assamese cinema for '' Joymoti'' (1935). His death anniversary (17 January) is observed as ''Silpi divas'' (Artists' Day) his honor. Biography Jyoti Prasad Agarwala was born on 02 July 1903 to an Agrawal family, to Paramananda Agarwala and Kiranmoyee Devi at Tamulbari Tea Estate. His uncles were renowned Assamese poets Chandra Kumar Agarwala and Ananda Chandra Agarwala. His forefather, Nabrangram Agarwala, had come to Assam in 1811 from the Marwar region in Rajasthan. After completing his studies in various schools in Assam and Calcutta, he matriculated in 1921. He went to Edinburgh in 1926 to study economics, but returned in 1930 before com ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Assamese People
The Assamese people are a socio- ethnic linguistic identity that has been described at various times as nationalistic or micro-nationalistic. This group is often associated with the Assamese language, the easternmost Indo-Aryan language, and most Assamese people live in the Indian state of Assam, especially in the Brahmaputra valley. The use of the term precedes the name of the language or the people. It has also been used retrospectively to the people of Assam before the term "Assamese" came into use. They are an ethnically diverse group formed after centuries of assimilation of Austroasiatic, Tibeto-Burman, Indo-Aryan and Tai populations, and constitute a tribal-caste continuum—though not all Assamese people are Hindus and ethnic Assamese Muslims numbering around 42 lakh constitute a significant part of this identity The total population of Assamese speakers in Assam is nearly 15.09 million which makes up 48.38% of the population of state according to the ''Language c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Assamese Language
Assamese (), also Asamiya ( ), is an Indo-Aryan language spoken mainly in the north-east Indian state of Assam, where it is an official language, and it serves as a ''lingua franca'' of the wider region. The easternmost Indo-Iranian language, it has over 23 million speakers. Nefamese, an Assamese-based pidgin, is used in Arunachal Pradesh, and Nagamese, an Assamese-based Creole language, is widely used in Nagaland. The Kamtapuri language of Rangpur division of Bangladesh and the Cooch Behar and Jalpaiguri districts of India are linguistically closer to Assamese, though the speakers identify with the Bengali culture and the literary language. In the past, it was the court language of the Ahom kingdom from the 17th century. Along with other Eastern Indo-Aryan languages, Assamese evolved at least before the 7th century CE from the middle Indo-Aryan Magadhi Prakrit. Its sister languages include Angika, Bengali, Bishnupriya Manipuri, Chakma, Chittagonian, Hajong, Rajbangsi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kolkata
Kolkata (, or , ; also known as Calcutta , the official name until 2001) is the capital of the Indian state of West Bengal, on the eastern bank of the Hooghly River west of the border with Bangladesh. It is the primary business, commercial, and financial hub of Eastern India and the main port of communication for North-East India. According to the 2011 Indian census, Kolkata is the seventh-most populous city in India, with a population of 45 lakh (4.5 million) residents within the city limits, and a population of over 1.41 crore (14.1 million) residents in the Kolkata Metropolitan Area. It is the third-most populous metropolitan area in India. In 2021, the Kolkata metropolitan area crossed 1.5 crore (15 million) registered voters. The Port of Kolkata is India's oldest operating port and its sole major riverine port. Kolkata is regarded as the cultural capital of India. Kolkata is the second largest Bengali-speaking city after Dhaka ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Narkeldanga
Narkeldanga is a neighbourhood in North Kolkata in Kolkata district in the Indian state of West Bengal. History The East India Company obtained from the Mughal emperor Farrukhsiyar, in 1717, the right to rent from 38 villages surrounding their settlement. Of these 5 lay across the Hooghly in what is now Howrah district. The remaining 33 villages were on the Calcutta side. After the fall of Siraj-ud-daulah, the last independent Nawab of Bengal, it purchased these villages in 1758 from Mir Jafar and reorganised them. These villages were known en-bloc as ''Dihi Panchannagram'' and Narkeldanga was one of them. It was considered to be a suburb beyond the limits of the Maratha Ditch. Geography Police district Narkeldanga police station is part of the Eastern Suburban division of Kolkata Police. It is located at 6/1, Dr.M.N.Chatterjee Sarani, Kolkata-700 009. Ultadanga Women police station covers all police districts under the jurisdiction of the Eastern Suburban division i.e. Bel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Chitralekha Movietone
Chitralekha may refer to: * Chitralekha (deity) Chitralekha () is a friend of Uṣā, and the daughter of a minister of Banasura, who ruled from his capital of Śoṇitapura. She employs her magical powers to unite Uṣā with her lover, Aniruddha. Legend The daughter of Banasura, Uṣā ..., a Hindu deity * ''Chitralekha'' (novel), a 1934 Hindi historical novel by Bhagwati Charan Verma * ''Chitralekha'' (weekly), a Gujarati magazine * ''Chitralekha'' (1941 film), a film based on the above novel * ''Chitralekha'' (1964 film), another film based on the same novel, starring Meena Kumari and Ashok Kumar {{disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Screenwriter
A screenplay writer (also called screenwriter, scriptwriter, scribe or scenarist) is a writer who practices the craft of screenwriting, writing screenplays on which mass media, such as films, television programs and video games, are based. Terminology In the silent era, writers now considered screenwriters were denoted by terms such as photoplaywright, photoplay writer, photoplay dramatist and screen playwright.Steven Maras. ''Screenwriting: History, Theory and Practice.'' Wallflower Press, 2009. pp. 82–85. Screenwriting historian Steven Maras notes that these early writers were often understood as being the authors of the films as shown and argues that they cannot be precisely equated with present-day screenwriters because they were responsible for a technical product, a brief "scenario", "treatment", or "synopsis" that is a written synopsis of what is to be filmed. Profession Screenwriting is a freelance profession. No education is required to be a professional scree ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |