Indigo (Matt Bianco Album)
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Indigo (Matt Bianco Album)
''Indigo'' is the third album by British pop/jazz/soul/dance band Matt Bianco, released in July 1988. Overview This was Warner Brothers' attempt to launch Matt Bianco in the United States, hence the hiring of Emilio Estefan (Gloria Estefan's husband) as producer. He contributed to three of the tracks on the album, including the first single "Don't Blame It on That Girl". By reaching number 23 in the UK Albums Chart, ''Indigo'' became the highest-charting album for the group, and it also includes their highest-charting single, the double A-side "Don't Blame It on That Girl" / "Wap-Bam-Boogie", reaching number 11 in the UK Singles Chart. ''Indigo'' follows the path started with the previous album, the eponymous ''Matt Bianco'' from 1986, achieving even more success. The album was promoted by three more singles: "Good Times", "Nervous", and "Say It's Not Too Late", none of which had any commercial success, stalling in the lower parts of the charts―"Say It's Not Too Late" did not ...
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Matt Bianco
Matt Bianco are a British band that were formed in 1983. They are mainly known for their success in the mid-1980s and their jazz, Latin-flavoured music. The group's name suggests that Matt Bianco is a person, often assumed to be an alias for the main member and front man Mark Reilly. According to the group, however, Matt is in fact "a made up spy, a secret agent; we loved spy TV themes and film scores". Early years Matt Bianco was formed in 1983 by Mark Reilly (vocals), Danny White (keyboard), Kito Poncioni (bass) – all of whom had just left art pop group Blue Rondo A La Turk – and vocalist Basia Trzetrzelewska. The band called itself "Bronze" before settling on the name Matt Bianco in 1983. The group was pictured as a quartet for their first single (" Get Out of Your Lazy Bed"/"Big Rosie"), although Poncioni only played on the non-album B-side "Big Rosie". He dropped out of the group entirely before the recording of their first album ''Whose Side Are You On?'' (1984), al ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Stan Sulzmann
Stanley Ernest Sulzmann (born 30 November 1948) is an English jazz saxophonist. Biography He was born in London, England. Sulzmann began playing the saxophone at age of 13 and played in 1964 Bill Ashton's London Youth Jazz Orchestra, later the National Youth Jazz Orchestra. He studied at the Royal Academy of Music from 1969 to 1972. In the 1970s, he played with the Clarke-Boland Big Band (1971), Mike Gibbs (1971), John Taylor and Kenny Wheeler, Volker Kriegel, Eberhard Weber, Zbigniew Seifert (1973), Phil Woods (1978), Clark Terry (1978), and Gordon Beck. In the 1980s, he worked with Gil Evans (1983), Paul McCartney (1987), the European Jazz Ensemble (1983), the James Last Orchestra, the Hilversum Radio Orchestra, the Hamburg-based NDR Big Band, and the London Jazz Orchestra. Collaborations in the 1990s include with Allan Botschinsky, David Murray (jazz musician), David Murray (1997), Paul Clarvis (1998), and Bruno Castellucci (1998). Television audiences around the world h ...
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Derek Watkins (trumpeter)
Derek Roy Watkins (2 March 1945 – 22 March 2013) was an English jazz, pop, and classical trumpeter. Best known for his lead trumpet work on the soundtracks of ''James Bond'' films, Watkins recorded with British jazz bandleaders as well as the Royal Philharmonic Orchestra, the London Symphony Orchestra, and The Beatles. Dizzy Gillespie called him "Mr. Lead". Life and career Derek Watkins was born on 2 March 1945, in Reading, Berkshire England. His great-grandfather had been a brass player in Wales with the Salvation Army. His grandfather taught brass at Reading University and was a founding member of the Reading Spring Gardens Brass Band, which he conducted until he was succeeded by Watkins' father. Watkins learned to play the cornet when he was four years old. He played in the brass band and with his father's dance band at Reading's Majestic Ballroom until he became a professional musician at age 17. Beginning his professional career in London, Watkins was a member of Jack ...
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Jamie Talbot
James Robert Talbot (born 23 April 1960 in London) is an English jazz alto saxophonist. Talbot played with the London Schools Symphony Orchestra and then with the National Youth Jazz Orchestra. He attended the Royal College of Music during 1978–79, then recorded throughout the decades of the 1980s and 1990s with Clark Tracey, Stan Tracey, Jack Sharpe, John Dankworth, Colin Towns, Guy Barker, Richard Niles, Shorty Rogers, Michael Nyman, and Bud Shank. He also performed with singers Ella Fitzgerald, Frank Sinatra, George Michael, and Mel Tormé, as well as for the arrangers Nelson Riddle, Gil Evans, and Quincy Jones. He has worked extensively as a session musician in commercial studios. In addition to saxophone, Talbot also occasionally plays clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differ ...
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Jon Secada
Juan Francisco Secada Ramírez (born October 4, 1961), better known as Jon Secada, is a Cuban-born American singer. He has won two Grammy Awards and sold 15 million records, making him one of the best-selling Latin music artists. His music fuses funk, soul music, pop, and Latin percussion. Secada has written songs for Gloria Estefan, Ricky Martin, and Jennifer Lopez. He has toured with Luciano Pavarotti and recorded duets with Jim Brickman, Olivia Newton-John, and Frank Sinatra. Secada has performed several times at ''A Capitol Fourth'', an annual Independence Day concert from the United States Capitol televised by PBS. Early life Secada was born in 1961 in Havana, Cuba. Secada's father, José, was incarcerated for 3 years as a political prisoner to the communist Cuban government. In 1971, the Secadas received permission to emigrate and moved to Miami. His parents opened a coffee shop. Secada was raised in Hialeah, Florida. Education In 1979, Secada graduated from Hialea ...
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Ronnie Ross
Albert Ronald Ross (2 October 1933 – 12 December 1991) was a British jazz baritone saxophonist. Life Born in Calcutta, India, to Scottish parents, Ross moved to England in 1946 and was educated at the Perse School in Cambridge. He began playing tenor saxophone in the 1950s with Tony Kinsey, Ted Heath, and Don Rendell. During his tenure with Rendell, he switched to baritone saxophone. He played at the Newport Jazz Festival in 1958, and formed a group called the Jazz Makers with drummer Allan Ganley that same year. He toured the United States in 1959 and Europe later that year with the Modern Jazz Quartet. From 1961 to 1965 he played with Bill Le Sage, and later with Woody Herman, John Dankworth, Friedrich Gulda, and Clark Terry. Ross was a saxophone tutor for a young David Bowie, played baritone saxophone on The Beatles' ''White Album'' track, "Savoy Truffle", and four years later was the baritone sax soloist on the Lou Reed song " Walk on the Wild Side", which was c ...
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Sheila Ferguson
Sheila Diana Ferguson (born October 8, 1947) is an American singer, songwriter, actress, and author. She was the second longest-serving member of the 1970s American female soul music group The Three Degrees, singing lead vocals on most of the group's biggest hits, most notably "When Will I See You Again", which had international success topping the UK Singles Chart and peaking at #2 in the US. Following her departure from The Three Degrees in 1986, Ferguson went on to have her own solo singing career, touring internationally, making multiple TV appearances, and releasing a solo album titled ''A New Kind of Medicine''. She has forged a prolific stage and screen career in the UK, starring in numerous musicals, soul legend tours, and her own sitcom '' Land of Hope and Gloria''. She is also the best-selling author of ''Soul Food: Classic Cuisine from the Deep South''. After getting married in 1980, she had settled in England since then and her entertainment career has been all excl ...
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Paquito Hechavarría
Paquito Hechavarría (21 February 1939 – 27 September 2012) was a Cuban pianist. Hechavarría built his career in Cuba by playing in some of the most popular orchestras, including Conjunto Casino, Orquesta Riverside and Los Armónicos. However, he is primarily known for his later work with Miami Sound Machine, the band that catapulted Gloria Estefan to international stardom. He has collaborated with popular artists such as David Byrne, Santana and Christina Aguilera. Career Paquito Hechavarría was born on 21 February 1939 in Cárdenas, Matanzas, Cuba. He moved to Havana to study piano at the Conservatory. In the 1950s he began to play in important bands such as Orquesta Riverside, Conjunto Casino and Felipe Dulzaides y Los Armónicos. In 1960 he performed in Mongo Santamaría's ''Our Man in Havana'' and Walfredo de los Reyes' ''Cuban Jazz''. In 1962 Hechavarría moved to Miami. Two years later he recorded a jazz album with percussionist Nelson "Flaco" Padrón, who was also a ...
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Ed Calle
Ed Calle (born ''Eduardo J. Calle'') is a musician from Miami, Florida. He was born in Caracas, Venezuela. Calle plays the saxophones, flutes, clarinets, EWI, and keyboards, engineers projects, and performs vocals. He also composes and arranges music. Calle has served as Chairperson of Arts & Philosophy at Miami Dade College North Campus and is currently Tenured Full Professor of Music Business and Production at Miami Dade College. During his career he was three times nominated for Latin Grammy Award. First in 2005 for ''Ed Calle Plays Santana'', in 2007 for ''In the Zone'', and in 2014 for "Palo! Live". Calle was nominated for a Grammy Award in 2015 for "Palo! Live". Calle He has participated in multiple recording projects, which stand out: Tita Vivar - Tiempos De Regocijo Héctor Alejandro Cid Pérez - El Glorioso Evangelio (in the song "Gracias Señor") Political Activity In January 2017, Calle posted on Twitter calling to impeach President Barack Obama and referring t ...
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Guy Barker
Guy Jeffrey Barker, (born 26 December 1957) is an English jazz trumpeter and composer. Early life Barker was born in Chiswick, London, the son of an actress and a stuntman. He started playing the trumpet at the age of twelve, and within a year had joined the National Youth Jazz Orchestra. At the age of 15 he was playing with the Crouch End Allstars along with Wally Fawkes and Bob Nadkarni. Later life and career After lessons from Clark Terry in 1975, Barker went on in the 1980s to play with John Dankworth, Gil Evans (with whose orchestra he toured and recorded in 1983), Lena Horne, and Bobby Watson. Barker was a member of Clark Tracey's quintet from 1984 to 1992. As a sideman he has played with Ornette Coleman, Carla Bley, Georgie Fame, James Carter, Mike Westbrook, Frank Sinatra, Colin Towns, Natalie Merchant, ABC, The The, Haircut One Hundred, Erasure, Chris Botti, Wham!, Kajagoogoo, The Housemartins, Matt Bianco, Alphaville, The Style Council, Swing Out Sister, The Mood ...
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picture info

Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ...
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