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Indie-rock
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chillwave
Chillwave (originally considered synonymous with glo-fi and hypnagogic pop) is a music microgenre that emerged in the late 2000s. It loosely emulates 1980s electropop while engaging with notions of memory and nostalgia. Common features include a faded or dreamy retro pop sound, escapist lyrics (frequent topics include the beach or summer), psychedelic or lo-fi aesthetics, mellow vocals, slow-to-moderate tempos, effects processing (especially reverb), and vintage synthesizers. Chillwave was one of the first music genres to develop primarily through the Internet. The term was coined in 2009 by the satirical blog Hipster Runoff to lampoon microgenres and indie acts whose sounds resembled incidental music from 1980s VHS tapes. Prior to this, the music would have been labelled as shoegaze, dream pop, ambient, or indietronica. Leading acts included Neon Indian, Washed Out, and Toro y Moi, who gained attention during 2009's "Summer of Chillwave." Many artists exploited the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Indie Rock
Australian indie rock is part of the overall flow of Australian rock history but has a distinct history somewhat separate from mainstream rock in Australia, largely from the end of the punk rock era onwards. History Beginnings Rock and roll in Australia got started in the late 1950s and 1960s, influenced by the sounds coming from the United States and UK. Early on, the surf rock sound dominated, though in the mid-1960s, the beat genre from the UK had become established. Numerous garage bands formed in the cities and suburbs, and a vibrant musical culture began. Isolated from the diversity of genres in the northern hemisphere, Australian mainstream record labels tried to replicate the success of trends imported from overseas and produce radio friendly singles by successful artists such as John Farnham and The Easybeats. In the meantime, Russell Morris enjoyed a surprise hit with singles such as "The Real Thing" http://www.poparchives.com.au/963/russell-morris/the-real-thing,. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative R&B
Alternative R&B (also referred to as alt-R&B, indie R&B, hipster R&B, dark R&B, emo R&B and left-field R&B) is a term used by music journalists to describe a stylistic alternative to contemporary R&B that began in the mid 2000s and came to prominence with musical artists such as Frank Ocean, The Weeknd, SZA, Khalid, and others. It is considered to be "more progressive and diverse" than its mainstream counterpart. Etymology "Alternative R&B" was once used by the music industry during the late 1990s to market neo soul artists, such as D'Angelo, Erykah Badu, and Maxwell. There has been a variety of discussion about the differing genre terms, with several critics describing the music under the broad category of "alternative R&B" or "indie R&B". The term "hipster R&B" has been commonly used, as has the term "PBR&B"—a combination of "PBR" (the abbreviation for Pabst Blue Ribbon, a beer most recently associated with the hipster subculture) and R&B. The first use of "PBR&B" was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dunedin Sound
The Dunedin sound was a style of indie pop music created in the southern New Zealand university city of Dunedin in the early 1980s. Characteristics According to Matthew Bannister, Dunedin sound "was typically marked by the use of droning or jangling guitars, indistinct vocals and often copious quantities of reverberation." Many Dunedin sound bands drew inspiration from punk rock, as well as pop, rock, and psychedelic music of the 1960s. Influences The Dunedin sound can be traced back to the emergence of punk rock as a musical influence in New Zealand in the late 1970s. Isolated from the country's main punk scene in Auckland (which had been influenced by bands such as England's Buzzcocks), Dunedin's punk groups, such as The Enemy (which became Toy Love) and The Same (which later developed into The Chills), developed a sound more heavily influenced by artists like The Velvet Underground and The Stooges. This was complemented by jangly, psychedelic-influenced guitar work remini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Rave
New rave (also typeset as nu-rave, nu rave or neu rave) is a genre of music described by ''The Guardian'' as "an in-yer-face, DIY disco riposte to the sensitive indie rock touted by bands like Bloc Party." It is most commonly applied to a British-based music scene between 2005 and late 2008 of fast-paced electronica-influenced indie music that celebrated the late 1980s Madchester and rave scenes through the use of neon colours and using the term 'raving' to refer to going nightclubbing. Use of term The British music magazine ''NME'' is largely responsible for popularising the term throughout 2006 and 2007, until claiming in mid-2008 reviews that "New Rave is over". The genre has connotations of being a "new" version of music heard at raves, as well as being a play on the term "new wave". Aesthetics The aesthetics of the new rave scene are similar to those of the original rave scene, being mostly centred on psychedelic visual effects. Glowsticks, neon and other lights are common, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburger Schule
The ''Hamburger Schule'' (German for 'Hamburg School') is a music movement current in Germany during the 1980s and early 1990s. With some active bands and artists it is still present. It took up traditions of Neue Deutsche Welle and combined them with elements of indie rock, punk, grunge, experimental pop, and intellectual lyrics. It established new grounds for the use of German language in pop music. Introduction As the name indicates, the movement was initially carried by Hamburg based bands like , Kolossale Jugend, Ostzonensuppenwürfelmachenkrebs, Die Erde, Blumfeld, Selig, Tocotronic, Die Sterne, , and Die Goldenen Zitronen. Their music didn't necessarily sound similar, but was characterised by lyrics in German language (not a given in Germany) that gave voice to social criticism and were based on post-modern theory. Consequently, it was lauded by the leftist trade press (especially ''Spex'' magazine). The artists themselves didn't initially perceive these similarities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music In Leeds
The Music in Leeds ecompasses a variety of styles and genres, including rock, pop and electronic. While groups like Soft Cell, the Kaiser Chiefs, the Wedding Present, Utah Saints and the Bridewell Taxis have gained success in the mainstream, Gang of Four, the Sisters of Mercy, Chumbawamba and the Mission have helped to define genres like punk rock, gothic rock and post-punk. In a 2018 article for the Independent, Leeds was described as "one of the best UK cities for live music", due to both major venues like the O2 Academy Leeds and First Direct Arena and grassroots venues like the Brudenell Social Club, Wharf Chambers and the Hyde Park Book Club. The city also plays host to festivals like Leeds Festival, Slam Dunk Festival, Live at Leeds and Damnation Festival. Electronic music and the clubbing scene Chapeltown's large Afro-Caribbean population gave way to a dub scene in the 1980s. Foundational groups, Ital Rockers and Iration Steppas, began performing at Shebeen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Sheffield
Sheffield has a growing cultural reputation. 7.2% of Sheffield's working population are employed in the creative industries, well above the national average of 4%. The music scene has produced many music acts during the last 25 years. It is also home to the largest theatre complex outside London. The council has attempted to build upon these foundations with the creation of the Cultural Industries Quarter. Sheffield made the shortlist for the first city to be designated UK City of Culture, but in July 2010 it was announced that Derry had been selected. Popular music Sheffield has been the home of several well-known bands and musicians, with an unusually large number of synthpop and other electronic outfits hailing from there. These include the Human League, Heaven 17, Thompson Twins, Wavestar and the more industrially inclined Cabaret Voltaire. This electronic tradition has continued: techno label Warp Records was a central pillar of the Yorkshire Bleeps and Bass scene of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madchester
Madchester was a musical and cultural scene that developed in the English city of Manchester in the late 1980s, closely associated with the indie dance scene. Indie-dance (sometimes referred to as indie-rave) saw artists merging indie music with elements of acid house, psychedelia and 1960s pop. The term Madchester was coined by Factory Records' Tony Wilson, with the label popularised by the British music press in the early 1990s, and its most famous groups include the Stone Roses, Happy Mondays, Inspiral Carpets, the Charlatans, James and 808 State. It is widely seen as being heavily influenced by drugs, especially MDMA. At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love. Pre-Madchester The music scene in Manchester immediately before the Madchester era had been dominated by The Smiths, New Order, and The Fall, who were to become a significa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Music Of Birmingham
Birmingham's culture of popular music first developed in the mid-1950s. By the early 1960s the city's music scene had emerged as one of the largest and most vibrant in the country; a "seething cauldron of musical activity", with over 500 bands constantly exchanging members and performing regularly across a well-developed network of venues and promoters. By 1963 the city's music was also already becoming recognised for what would become its defining characteristic: the refusal of its musicians to conform to any single style or genre. Birmingham's tradition of combining a highly collaborative culture with an open acceptance of individualism and experimentation dates back as far back as the 18th century, and musically this has expressed itself in the wide variety of music produced within the city, often by closely related groups of musicians, from the "rampant eclecticism" of the Brum beat era, to the city's "infamously fragmented" post-punk scene, to the "astonishing range" of distin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
