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Independence Or Death (painting)
The 1888 painting ''Independence or Death'' (''Independência ou Morte'' in Portuguese), also known as the ''Cry of Ipiranga'' (''Grito do Ipiranga'' in the original), is the main artwork representing the proclamation of the Brazilian independence. Author Pedro Américo was born in 1843, in the Paraíba Province of Brazil, more specifically in the now municipality of Areia, at the time the small town of ''Brejo d'Areia''. Since his youth, he showed a vocation for painting, being 10 years old when he participated as a drawer of flora and fauna in a scientific expedition through Northeastern Brazil lead by the French naturalist Louis Jacques Brunet. At approximately 13 years old, he entered the Imperial Academy of Fine Arts, in the city of Rio de Janeiro. His performance at the Academy made him known even to Emperor Pedro II, who sponsored a trip to Paris and studies at the École nationale supérieure des Beaux-Arts, where the artist perfected his style, mainly in historical ...
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Cry Of Ipiranga
Crying is the dropping of tears (or welling of tears in the eyes) in response to an emotional state, or pain. Emotions that can lead to crying include sadness, anger, and even happiness. The act of crying has been defined as "a complex secretomotor phenomenon characterized by the shedding of tears from the lacrimal apparatus, without any irritation of the ocular structures", instead, giving a relief which protects from conjunctivitis. A related medical term is lacrimation, which also refers to non-emotional shedding of tears. Various forms of crying are known as ''sobbing'', ''weeping'', ''wailing'', ''whimpering'', ''bawling'', and ''blubbering''. For crying to be described as sobbing, it usually has to be accompanied by a set of other symptoms, such as slow but erratic inhalation, occasional instances of breath holding and muscular tremor. A neuronal connection between the lacrimal gland and the areas of the human brain involved with emotion has been established. Tears p ...
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Pedro I Of Brazil
Don (honorific), Dom Pedro I (English: Peter I; 12 October 1798 – 24 September 1834), nicknamed "the Liberator", was the founder and List of monarchs of Brazil, first ruler of the Empire of Brazil. As King Dom Pedro IV, he List of Portuguese monarchs#House of Braganza (1640–1910), reigned briefly over Kingdom of Portugal, Portugal, where he also became known as "the Liberator" as well as "the Soldier King". Born in Lisbon, Pedro I was the fourth child of King Dom John VI of Portugal and Queen Carlota Joaquina of Spain, Carlota Joaquina, and thus a member of the House of Braganza. When the country was invaded by French troops in 1807, he and his family fled to Portugal's largest and wealthiest colony, Brazil. The outbreak of the Liberal Revolution of 1820 in Lisbon compelled Pedro I's father to return to Portugal in April 1821, leaving him to rule Brazil as regent. He had to deal with challenges from revolutionaries and insubordination by Portuguese troop ...
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Horace Vernet
Émile Jean-Horace Vernet (30 June 178917 January 1863), more commonly known as simply Horace Vernet, was a French Painting, painter of battles, portraits, and Orientalism, Orientalist subjects. Biography Vernet was born to Carle Vernet, another famous painter, who was himself a son of Claude Joseph Vernet. He was born in the Paris Louvre, while his parents were staying there during the French Revolution. Vernet quickly developed a disdain for the high-minded seriousness of academic French a work which was distinguished by art influenced by Classicism, and decided to paint subjects taken mostly from contemporary life. During his early career, when Napoleon Bonaparte was in power, he began depicting the France, French soldier in a more familiar, vernacular manner rather than in an idealized, Jacques-Louis David, Davidian fashion; he was just twenty when he exhibited the ''Taking of an Entrenched Camp'' Some other of his paintings that represent French soldiers in a more direct, les ...
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Jean-Louis Ernest Meissonier
Jean-Louis-Ernest Meissonier (; 21 February 181531 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille. Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae". Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the ''atelier d'hiver'', or ''winter workshop'', situated on the top floor of the house, and at ground level, a glass-roofed annexe, the ''atelier d'été'' or ''summer workshop''. Meissonier himself said that his house and temperament belonged to a ...
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Batalha Do Avaí (Pedro Américo)
Batalha (Portuguese for battle) may refer to: ;Portugal *Batalha, Portugal, a municipality *Batalha Monastery (officially Mosteiro Santa Maria da Vitória), monastery in Batalha, Portugal *Batalha Square, a historical public square in the city of Porto ;Brazil *Batalha, Alagoas, municipality in Alagoas, Brazil (15,000 inhabitants) *Batalha, Piauí, municipality in Piauí, Brazil *Batalha River, river in São Paulo ;People *José Lodi Batalha, Brazilian footballer *Martha Batalha, Brazilian journalist *Rui Batalha Rui Pedro Reis Batalha (born 29 June 1996 in Santo Isidoro, Mafra) is a Portuguese footballer who plays for Real S.C. as a forward. Football career On 21 January 2015, Batalha made his professional debut with Gil Vicente in a 2014–15 Taça ..., Portuguese footballer {{disambiguation, surname, geodis Portuguese-language surnames ...
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Solferino Napoleon
Solferino ( Upper Mantovano: ) is a small town and municipality in the province of Mantua, Lombardy, northern Italy, approximately south of Lake Garda. It is best known as being close to the site of the Battle of Solferino on 24 June 1859, part of the Second Italian War of Independence. The battle ended with Italo-French capture of the ''Rocca'', the fortress then in Austrian hands. The Battle of Solferino and San Martino was the largest battle since Leipzig in 1813, with more than 234,000 soldiers fighting for about 12–14 hours and 29,000 victims (14,000 Austrians-Venetians and 15,000 Franco-Sardinians) and about 10,000 prisoners (8,000 Austrians-Venetians and 2,000 Franco-Sardinians). In terms of death toll, it was greater than the Battle of Waterloo. The wounded in the battle were witnessed by the Swiss businessman Jean-Henri Dunant, who had traveled to Italy to meet French emperor Napoléon III with the intention of discussing difficulties in conducting business in Alger ...
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Ipiranga Brook
The Ipiranga Brook (in Portuguese: ''Riacho do Ipiranga'', ), is a river of São Paulo state in southeastern Brazil, historically known as the place where Dom Pedro I declared the independence of Brazil from the United Kingdom of Portugal, Brazil and the Algarves. Its name derives from the Tupi words: "Y", which means water or river, and "Piranga", which means red. It is also mentioned in the country's national anthem. Declaration of Independence On September 2, 1822, a decree with Lisbon's demands arrived in Rio de Janeiro, while Prince Pedro was in São Paulo. Princess Maria Leopoldina, acting as Princess Regent, met with the Council of Ministers and decided to send her husband a letter advising him to proclaim Brazil's independence. The letter reached Prince Pedro on September 7, 1822. That same day, in a famous scene at the shore of the Ipiranga Brook, he declared the country's independence, ending 322 years of colonial dominance of Portugal over Brazil.
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Museu Paulista
The Museu Paulista of the University of São Paulo, commonly known as Museu do Ipiranga, is a Brazilian Museum#Historic houses, history museum located near the place where Emperor Pedro I of Brazil, Pedro I Brazilian Declaration of Independence, proclaimed Brazil's independence on the banks of Ipiranga brook in the Southeast region of the city of São Paulo, then the "Caminho do Mar," or road to the seashore. It contains a huge collection of furniture, documents and historically relevant artwork, especially relating to the Empire of Brazil, Brazilian Empire era. The most famous artwork in the collection is the 1888 painting ''Independence or Death (painting), Independência ou Morte'' (Independence or Death) by Pedro Américo. A few months after the Brazilian Declaration of Independence, people started to suggest a monument on the site where the declaration took place, although they were not sure about what sort of memorial construction to build. In 1884, Italian architect Tommaso ...
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Brazilian Imperial Family
The Brazilian Imperial Family (Brazilian Portuguese: ''Família Imperial Brasileira'') is a Brazilian Dynasty of Portuguese origin that ruled the Empire of Brazil from 1822 in Brazil, 1822 to 1889 in Brazil, 1889, after the proclamation of independence by Pedro I of Brazil, Prince Pedro of Braganza who was later acclaimed as Pedro I, ''Constitutional Emperor and Perpetual Defender of Brazil''. The members of the family are Dynasty#Dynasts, dynastic descendants of Emperor Pedro I. Claimants to headship of the post-monarchic Brazilian Imperial legacy descend from Emperor Pedro II of Brazil, Pedro II, including the senior patrilineality, agnates of two branches of the House of Orléans-Braganza; the so-called ''Petrópolis'' and ''Vassouras'' lines. Prince Pedro Carlos of Orléans-Braganza (born 1945) heads the ''Petrópolis'' line, while the ''Vassouras'' branch is led by his second cousin, Bertrand of Orléans-Braganza.Les manuscrits du C.E.D.R.E. – Dictionnaire Historique et Gén ...
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Réis
The first official currency of Brazil was the real (pronounced ; pl. ''réis''), with the symbol Rs$. As the currency of the Portuguese empire, it was in use in Brazil from the earliest days of the colonial period, and remained in use until 1942, when it was replaced by the cruzeiro. The name "real" was resurrected in 1994 for the new currency unit (but with the new plural form "reais"). This currency is still in use. One modern real is equivalent to 2.75 × 1018 (2.75 quintillion) of the old ''réis''. The name comes from the Portuguese word ''real'' (in the sense of "royal" or "regal") and was borrowed from a Portuguese currency previously used in Brazil. The dollar-like sign in the currency's symbol (and in the symbols of all other Brazilian currencies), called ''cifrão'' in Portuguese, was always written with two vertical strokes (\mathrm\!\!\!\Vert) rather than one. History The Portuguese real was the currency used by the first Portuguese settlers to arrive in the Am ...
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Don (honorific)
Don (; ; pt, Dom, links=no ; all from Latin ', roughly 'Lord'), abbreviated as D., is an honorific prefix primarily used in Spain and Hispanic America, and with different connotations also in Italy, Portugal and its former colonies, and Croatia. ''Don'' is derived from the Latin ''dominus'': a master of a household, a title with background from the Roman Republic in classical antiquity. With the abbreviated form having emerged as such in the Middle Ages, traditionally it is reserved for Catholic clergy and nobles, in addition to certain educational authorities and persons of distinction. ''Dom'' is the variant used in Portuguese. The female equivalent is Doña (), Donna (), Doamnă (Romanian) and Dona () abbreviated D.ª, Da., or simply D. It is a common honorific reserved for women, especially mature women. In Portuguese "Dona" tends to be less restricted in use to women than "Dom" is to men. In Britain and Ireland, especially at Oxford, Cambridge, and Dublin, the word is us ...
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