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Inariyama Kofun
The is a ''kofun'' burial mound located in the city of Gyōda, Saitama Prefecture, in the Kantō region of Japan. The tumulus was designated a National Historic Site in 1938 and re-designated as a Special National Historic Site of Japan in 2020 as part of the Sakitama Kofun Cluster. It is also referred to as the or the to disambiguate it from other tumuli using the name of "Inariyama" in other parts of the country. Overview The Inariyama Kofun has a total length of 120 meters, and is thus the second largest tumulus in the Saitama Kofun Cluster. The construction period is thought to be the latter half of the 5th century, the latter part of the Kofun period. It was the first to be built in the Saitama Kofun cluster. The tumulus is a , which is shaped like a keyhole, having one square end and one circular end, when viewed from above. Proportionately, it is a one-quarter scale version of the Tomb of Emperor Nintoku in Sakai, Osaka. The Gyōda Futagoyama Kofun and the Teppōyam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaeological Excavation
In archaeology, excavation is the exposure, processing and recording of archaeological remains. An excavation site or "dig" is the area being studied. These locations range from one to several areas at a time during a project and can be conducted over a few weeks to several years. Excavation involves the recovery of several types of data from a site. This data includes artifacts (portable objects made or modified by humans), features (non-portable modifications to the site itself such as post molds, burials, and hearths), ecofacts (evidence of human activity through organic remains such as animal bones, pollen, or charcoal), and archaeological context (relationships among the other types of data).Kelly&Thomas (2011). ''Archaeology: down to earth'' (4th ed.). Belmont, Calif.: Wadsworth, Cengage Learning. Before excavating, the presence or absence of archaeological remains can often be suggested by, non-intrusive remote sensing, such as ground-penetrating radar. Basic informat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan R
Joan may refer to: People and fictional characters *Joan (given name), including a list of women, men and fictional characters *:Joan of Arc, a French military heroine *Joan (surname) Weather events *Tropical Storm Joan (other), multiple tropical cyclones are named Joan Music * ''Joan'' (album), a 1967 album by Joan Baez *"Joan", a song by The Art Bears from their 1978 album ''Hopes and Fears'' *"Joan", a song by Lene Lovich from her 1980 album ''Flex'' *"Joan", a song by Erasure from their 1991 album ''Chorus'' *"Joan", a song by The Innocence Mission from their 1991 album ''Umbrella'' *"Joan", a song by God Is My Co-Pilot from their 1992 album ''I Am Not This Body'' Other uses *Jōan (era), a Japanese era name * ''Joan'' (play), 2015 one-woman play written by Lucy J. Skillbeck *Joan Township, Ontario, a geographic township See also *''Jo-an'' tea house, National Treasure in Inuyama, Aichi Prefecture, Japan * *Jane (other) *Jean (other) *Jeanne (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Yūryaku
(418 - 8 September 479) was the 21st legendary Emperor of Japan, Imperial Household Agency (''Kunaichō'') 雄略天皇 (21) retrieved 2013-8-28. according to the traditional order of succession. He is remembered as a patron of sericulture.Nippon Gakujutsu Shinkokai (1969). ''The Manyōshū,'' p. 317. No firm dates can be assigned to this Emperor's life or reign, but he is conventionally considered to have reigned from 25 December 456 to 8 September 479. Legendary narrative Yūryaku was a 5th-century monarch. The reign of Emperor Kinmei ( – 571 AD), the 29th Emperor,Titsinghpp. 34–36 Brown pp. 261–262 Varley, pp. 123–124. is the first for which contemporary historiography is able to assign verifiable dates; however, the conventionally accepted names and dates of the early Emperors were not to be confirmed as "traditional" until the reign of Emperor Kanmu (737–806), the 50th sovereign of the Yamato dynasty. According to the '' Kojiki'', this Emperor is said to ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saitama Prefectural Museum Of The Sakitama Ancient Burial Mounds
The is a museum in Gyōda, Saitama, Japan. The building is inside of Sakitama Kofun Park. It is one of Japan's many museums which are supported by a prefecture. The museum was originally established as in 1969 as part of the construction of , an archeological preserve encompassing the Sakitama Kofun Cluster. In 2006, Saitama Prefecture renamed the museum as Museum of the Sakitama Ancient Burial Mounds and made its goals the research, collection, preservation of the site's archeological data as well as educating the site's cultural and historical value to its visitors. Nearly 100,000 visitors come to the museum every year to learn about Sakitama Kofun Cluster and its artifacts, including a national treasure, Inariyama Sword. The museum consists of two buildings, Sakitama Shiseki Hall and Shōgunyama Kofun Exhibit Hall, which opened in 1997 and allows visitors to walk inside of the reconstructed stone chamber of the Shōgunyama Kofun. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inariyama Sword
The iron or was excavated at the Inariyama Kofun in 1968. Inariyama Kofun is a megalithic tomb located in Saitama Prefecture. In 1978, X-ray analysis revealed a gold-inlaid inscription that comprises at least 115 Chinese characters. This sword was described as the discovery of the century for the study of ancient Japanese history. The sword is designated a national treasure of Japan. Creation Japanese research suggests that the metal used in the sword was smelted from copper-bearing magnetite originating in the Jiangnan region of China, later brought to Japan, and then used to forge the sword. Inscription The inscription is in Chinese, but includes several Japanese proper names written using Chinese characters as syllabograms. The original inscription and translation (by Murayama Shichirō and Roy Andrew Miller) is as follows. ;Front : ;Reverse : Interpretation The year is denoted as "''xin-hai''" (that is "Year of the Metal Pig") according to the Chinese sexagenary cycle, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grave Goods
Grave goods, in archaeology and anthropology, are the items buried along with the body. They are usually personal possessions, supplies to smooth the deceased's journey into the afterlife or offerings to the gods. Grave goods may be classed as a type of votive deposit. Most grave goods recovered by archaeologists consist of inorganic objects such as pottery and stone and metal tools but organic objects that have since decayed were also placed in ancient tombs. The grave goods were to be useful to the deceased in the afterlife; therefore their favorite foods or everyday objects were left with them. Often times social status played a role in what was left and how often it was left. Funerary art is a broad term but generally means artworks made specifically to decorate a burial place, such as miniature models of possessions including slaves or servants for "use" in the afterlife. Although, in ancient Egypt they would sometimes bury the real servants with the deceased. Where grave go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Treasure (Japan)
Some of the National Treasures of Japan A is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts." Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship. Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The other 80% are paintings; scrolls; sutras; works of calligraphy; sculptures of wood, bronze, lacquer or stone; crafts such as pottery and lacquerware carvings; metalworks; swords and textiles; and archaeological and historical artifacts. The items span the period of ancient to early modern Japan before the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Cultural Property (Japan)
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs ( Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magatama
are curved, comma-shaped beads that appeared in prehistoric Japan from the Final Jōmon period through the Kofun period, approximately 1000 BCE to the 6th century CE. The beads, also described as "jewels", were made of primitive stone and earthen materials in the early period, but by the end of the Kofun period were made almost exclusively of jade. originally served as decorative jewelry, but by the end of the Kofun period functioned as ceremonial and religious objects. Archaeological evidence suggests that were produced in specific areas of Japan and were widely dispersed throughout the Japanese archipelago to the Southern Koreanic kingdoms via trade routes. Jōmon period first appeared in Japan in the Final Jōmon period (1000–300 BCE), and in this period were made from relatively simple, naturally occurring materials, including clay, talc, slate, quartz, gneiss, jadeite, nephrite, and serpentinite. from the Jōmon period were irregularly shaped, lacked continuity in f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Mirror
Bronze mirrors preceded the glass mirrors of today. This type of mirror, sometimes termed a copper mirror, has been found by archaeology, archaeologists among elite assemblages from various cultures, from Etruscan art, Etruscan Italy to Japan. Typically they are round and rather small, in the West with a handle, in East Asia with a knob to hold at the back, often with a loop for a cord, or silk tassel. Some were fitted with small stands, and others had a hinged protective cover. They are first-surface mirrors, where the immediate bronze surface is flat, plain and highly polished to be reflective, rather than second-surface mirrors, like modern glass mirrors, where the reflection comes from a backing applied to the glass. They are significantly inferior to modern mirrors in terms of the quality of the reflection, but in older societies were sufficiently impressive to have religious significance in some societies. Examples include the melong in Tibetan Buddhism and the Toli ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
