In The Arbour
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In The Arbour
''In the Arbour'' (Polish: ''W altanie'') is an oil painting created by Polish Realist painter Aleksander Gierymski in 1882. It is displayed at the National Museum in Warsaw, Poland. Description The painting shows a social gathering of a group of aristocrats portrayed in 18th-century clothes, which takes place on a summer day in a garden. In the centre there are four figures engaged in a conversation sitting beside a table and one standing next them. A white tablecloth, cups and a decanter half-filled with wine lie on the table. The background consists of a trellis on the right and trees with another group of people sitting by a table on the left. In the bottom left-hand corner of the painting there is a man leaning over a fountain as well as several plants in flowerpots. The painting is filled with light and deep, vivid colours creating a sensuous atmosphere of a hot summer day. Analysis ''In the Arbour'' was painted by Gierymski in 1882 after his stay in Rome and is considere ...
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Aleksander Gierymski
Ignacy Aleksander Gierymski (30 January 1850, Warsaw – d. 6–8 March 1901, Rome) was a Polish painter of the late 19th century, the younger brother of Maksymilian Gierymski. He was a representative of Realism as well as an important precursor of Impressionism in Poland. Biography Aleksander Gierymski completed Secondary State School nr III in Warsaw in 1867, and in the same year commenced drawing studies in Warsaw. Between 1868 – 1872 he studied at the Academy of Fine Arts in Munich and graduated with a gold medal. He received a commendation for his diploma work ''The Merchant of Venice''. Between 1873-1874 he stayed in Italy, mostly in Rome. There he completed his first famous works: ''Roman Inn'' and ''Morra Game'', which Gierymski brought to Warsaw in the beginning of 1875 and exhibited at Zachęta Gallery. Both paintings received the attention of audiences and critics. From late 1875 until 1879 the artist returned to Rome, where he worked to improve his work, pa ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Paintings By Aleksander Gierymski
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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