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In Spite Of All The Danger
"In Spite of All the Danger" is the first song recorded by the Quarrymen, then consisting of John Lennon, Paul McCartney, George Harrison, pianist John Lowe, and drummer Colin Hanton. McCartney wrote the song and Harrison provided the guitar solo, and so the song is credited to McCartney–Harrison. Recording took place sometime between May and July 1958 at Percy Phillips' home studio in Liverpool. Composition and structure Paul McCartney wrote the song on his own, likely around January 1958 and possibly at George Harrison's family home in Upton Green. The song uses the B7 chord, which McCartney discovered with Harrison after a multi-bus trip across Liverpool to the home of a stranger who knew the chord. Harrison wrote both of the song's guitar solos, and so McCartney gave him a joint credit. In ''The Beatles Anthology'', McCartney describes it as, "a self-penned little song very influenced by Elvis resley" In an interview with Beatles historian Mark Lewisohn, McCartney goes ...
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The Quarrymen
The Quarrymen (also written as "the Quarry Men") are a British skiffle/rock and roll group, formed by John Lennon in Liverpool in 1956, which evolved into the Beatles in 1960. Originally consisting of Lennon and several schoolfriends, the Quarrymen took their name from a line in the school song of their school, the Quarry Bank High School. Lennon's mother, Julia, taught her son to play the banjo, showed Lennon and Eric Griffiths how to tune their guitars in a similar way to the banjo, and taught them simple chords and songs. Lennon founded a skiffle group that was briefly called the Blackjacks, but they changed the name before any public performances. Some accounts credit Lennon with choosing the new name; other accounts credit his close friend Pete Shotton with suggesting the name. The Quarrymen played at parties, school dances, cinemas and amateur skiffle contests before Paul McCartney joined in October 1957. George Harrison joined in early 1958 at McCartney's recommendation ...
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Colin Hanton
Colin Leo Hanton (born 12 December 1938) is a British musician who was a drummer for The Quarrymen—the band which would later evolve into The Beatles. Biography and career Hanton was in an early line-up of the band from summer 1956 along with John Lennon, Eric Griffiths, Pete Shotton and Rod Davis, and stayed with the band through several line-up changes until January 1959 (by then, the group's members were Lennon, Hanton, Paul McCartney, George Harrison and John Lowe). Hanton was working as an apprentice upholsterer when he was asked to join the nascent band, largely because he had recently purchased a new drum kit. Many of the band's early practice sessions took place in Hanton's parents' house. He left the Quarrymen after an argument with the rest of the band following a disastrous performance at the Speke Bus Depot Social Club in Wavertree Wavertree is a district of Liverpool, England. It is a ward of Liverpool City Council, and its population at the 2011 census ...
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Disc Cutting Lathe
upPresto 8N Disc Cutting Lathe (1950) used by the Canadian Broadcasting Corporation to record radio programs A disc cutting lathe is a device used to transfer an audio signal to the modulated spiral groove of a blank master disc for the production of phonograph records. Disc cutting lathes were also used to produce broadcast transcription discs and for direct-to-disc recording. Overview Disc cutting lathes utilize an audio signal, sent through a cutting amplifier to the cutter head, which controls the cutting stylus. The cutting stylus engraves a modulated spiral groove corresponding to the audio signal into the lacquer coating of the master disc. The direct metal mastering (DMM) process uses a copper-coated rather than lacquer-coated disc. Before lacquer discs, master recordings were cut into blank wax discs. Once complete, this master disc is used to produce matrices from which the record is pressed. For all intents and purposes, the finished record is a facsimile of this m ...
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John Lowe (musician)
John Lowe (born 13 April 1942) is an English pianist. In the late-1950s, he played piano for The Quarrymen, the group that would evolve into The Beatles. Early career Known to his friends as "Duff", Lowe had known Paul McCartney since 1953, and was invited to play piano with The Quarrymen by McCartney in February 1958. He was in The Quarrymen for two years, and was there when the band recorded a couple of songs for a vanity disc at Percy Phillips' home studio in Liverpool. The two tracks cut that day were "That'll Be the Day" and "In Spite of All the Danger". Lowe maintained possession of the tracks and, in 1981, sold the recordings to Paul McCartney. Their estimated value was around £12,000. McCartney had the record remastered and the songs appear on The Beatles' ''Anthology 1'' album. Later career In 1994, John Lowe played again with The Quarrymen for the album '' Open For Engagements''. Of the 1994 lineup, only Rod Davis (guitar) and Lowe (piano) played for The Quarrymen i ...
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Buddy Holly
Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Dec ...
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Kensington, Liverpool
Kensington is an inner city area of Liverpool, England, immediately to the east of the city centre, bordered by Everton to the north, Fairfield to the east and Edge Hill to the south. The majority of Kensington is in the Kensington and Fairfield ward, while the westernmost part, Kensington Fields, is in the Central ward. At the 2001 Census, Kensington had a population of 12,740. Description The area is occupied largely by Victorian terraced houses. A number of local shops, including newsagents and convenience stores as well as some supermarkets exist along Kensington, Prescot Road and Edge Lane, the area's three main roads. Many shop fronts have been refurbished by the Government's New Deal for Communities programme. The area boasts a number of traditional Liverpool pubs. Kensington is also home to the historic Deane Road Jewish Cemetery, which was awarded £494,000 in 2010 by the Heritage Lottery Fund to aid restoration. Due to its close proximity to the Knowledge Qua ...
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This Boy
"This Boy" is a song by the English rock band the Beatles, written by John Lennon (credited to Lennon–McCartney). It was released in November 1963 as the B-side of the band's Parlophone single "I Want to Hold Your Hand". In the United States, it was issued in January 1964 on ''Meet the Beatles!'' which was Capitol Records' reconfigured version of the ''With the Beatles'' album. The Beatles performed the song live on 16 February 1964 for their second appearance on ''The Ed Sullivan Show''. An instrumental easy listening arrangement by George Martin, re-titled "Ringo's Theme (This Boy)", was featured in the film '' A Hard Day's Night'' and the United Artists soundtrack album. This version was also issued as a single, reaching number 53 in the US and number one in Canada. "This Boy" was remastered for compact disc by George Martin and released in 1988 on the ''Past Masters, Volume One'' compilation. On 9 September 2009 it was re-released on the two CD set ''Past Masters'', as ...
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There's A Place
"There's a Place" is a song by the English rock band the Beatles from their debut album, ''Please Please Me'', released in March 1963. It was written primarily by John Lennon and credited to McCartney–Lennon. In the United States, the song was released in July 1963 on the group's first US LP, '' Introducing... The Beatles'', later reissued in January 1964 as Beatlemania surged there. It was also issued as a non-album single in the US, in March 1964, as the B-side to "Twist and Shout", reaching number 74 in the ''Billboard'' Hot 100. Lennon said that "There's a Place" was his attempt at writing a song in the Motown style. According to Paul McCartney, the song's title phrase originated from "There's a Place for Us", from the soundtrack album to the 1961 film ''West Side Story''. The song's lyrics relate to the singer's ability to overcome his loneliness by retreating into the haven of his mind. "There's a Place" has received a favourable response from several music critics. ...
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Come Go With Me
"Come Go With Me" is a song written by C. E. Quick (a.k.a. Clarence Quick), an original member (bass vocalist) of the American doo-wop vocal group the Del-Vikings. The song was originally recorded by The Del-Vikings (leadsinger Norman Wright) in 1956 but not released until July 1957 on the Luniverse LP "Come Go With The Del Vikings". When Joe Averbach, the owner of Fee Bee Records couldn't handle the demand, he signed with Dot Records in late January 1957; the song became a hit, peaking at No. 5 on the US ''Billboard'' Top 100. It also reached #2 on the R&B chart. "Come Go with Me" and another 8 songs were recorded in the basement of Pittsburgh disc jockey Barry Kaye. These recordings were released in 1992 as "1956 Audition Tapes". The song was later featured in the films ''American Graffiti'' (1973), '' Diner'' (1982), '' Stand by Me'' (1986), '' Joe Versus the Volcano'' (1990), and ''Set It Up'' (2018). It was included in Robert Christgau's "Basic Record Library" of 1950s ...
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Walter Everett (musicologist)
Walter Everett is a music theorist specializing in popular music who teaches at the University of Michigan. His books include ''The Beatles as Musicians: Revolver through the Anthology'' (1999, ), which has been called "the most important work to appear on the Beatles thus far",The 2007/2008 Kjell Meling Award
, ''Penn State Altoona''.
and its follow-up volume, ''The Beatles as Musicians: The Quarry Men through Rubber Soul'' (2001). He also wrote ''The Foundations of Rock: From 'Blue Suede Shoes' to 'Suite: Judy Blue Eyes (2008, ) and has contributed to titles in the Cambridge Companions to Music series. Gary Burns, editor of the journal ''Popular Music and Society'', describes Everett's ''Be ...
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Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Tryin' To Get To You
"Tryin' to Get to You" is a song written by R&B singer songwriters Rose Marie McCoy and Charles Singleton. It was originally recorded by the Washington DC vocal group The Eagles in 1954 and released in mid-1954 on Mercury Records 70391. The format of the title on The Eagles’ record was “Tryin’ to Get to You”, with an apostrophe. The song was also recorded by Elvis Presley in 1955 on his then unissued Sun recordings. Presley recorded five versions of the song. The first on March 23, 1955, and the second on July 11, 1955, with the second session being released during his lifetime. He also recorded live versions of the song on ''Elvis (NBC TV Special)'', '' Elvis: As Recorded Live on Stage in Memphis'', and ''Elvis in Concert''. On the earlier version that appeared on the 1999 album, ''Sunrise'', Presley recorded this song while simultaneously playing the piano (and not aided by his rhythm guitar, as previously believed). Because his piano playing was not up to the expec ...
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