In Dreams (soundtrack)
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In Dreams (soundtrack)
The score to the psychological thriller '' In Dreams,'' by Elliot Goldenthal, is an avant-garde work filled with his trademark techniques and dissonance. Composed in 1999, and working again with frequent collaborator Neil Jordan, it also features songs by Roy Orbison and The Andrews Sisters. The Score Stylistically similar to his score for ''Heat'' with the use of dark, at times deliberately off-key, electric guitars layered upon one another (a technique he has referred to as a "guitar orchestra") over string and brass arrangements typical of his style, using '' Deaf Elk'' for this purpose and employing the use of a string quartet; also with this score, as in ''Titus'', his use of saxophone (played by Bruce Williamson) is very off-beat, earthy and avant-garde. The dark mood is off-set with more delicate piano and string pieces; also the use of electronic arrangements (produced by Richard Martinez), something Goldenthal embraced on this score. Overview )))">allmusic ((( In Drea ...
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Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ...
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The Andrews Sisters
The Andrews Sisters were an American close harmony singing group of the Swing music, swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (July 6, 1911 – May 8, 1967), soprano Maxene Anglyn Andrews (January 3, 1916 – October 21, 1995), and mezzo-soprano Patricia "Patty" Marie Andrews (February 16, 1918 – January 30, 2013). The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bistu Shein, Bei Mir Bist Du Schön (Means That You're Grand)" (1937), "Beer Barrel Polka (Roll Out the Barrel)" (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree (With Anyone Else but Me)" (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso music, calypso. The Andrews Sisters' harmonies and songs a ...
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Horror Film Soundtracks
Horror may refer to: Arts, entertainment, and media Genres *Horror fiction, a genre of fiction ** Japanese horror, Japanese horror fiction **Korean horror, Korean horror fiction * Horror film, a film genre *Horror comics, comic books focusing on horror *Horror punk, a music genre *Horrorcore, a subgenre of hip hop music based on horror *Horror game, a video game genre **Survival horror, a video game subgenre of horror and action-adventure *Horror podcast, a podcast genre Films * ''Horror'' (2002 film), an American film by Dante Tomaselli * ''#Horror'', a 2015 American film by Tara Subkoff *''Horror'', Italian title for the 1963 Italian-Spanish film ''The Blancheville Monster'' Fictional characters * Horror (''Garo''), fictional monsters in the Tokusatsu series ''Garo'' *Horror icon, a significant person or fictional character in a horror genre Music Groups and labels * Ho99o9 (pronounced Horror), an American hip hop group * The Horrors, an English rock band Albums and EPs * ' ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ...
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Elegy
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to ''The Oxford Handbook of the Elegy'', "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead". History The Greek term ἐλεγείᾱ (''elegeíā''; from , , ‘lament’) originally referred to any verse written in elegiac couplets and covering a wide range of subject matter (death, love, war). The term also included epitaphs, sad and mournful songs, and commemorative verses. The Latin elegy of ancient Roman literature was most often erotic or mythological in nature. Because of its structural potential for rhetorical effects, the elegiac couplet was also used by both Greek and Roman poets for witty, humorous, and satirical subject matter. Oth ...
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Andante (tempo)
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Scythia
Scythia (Scythian: ; Old Persian: ; Ancient Greek: ; Latin: ) or Scythica (Ancient Greek: ; Latin: ), also known as Pontic Scythia, was a kingdom created by the Scythians during the 6th to 3rd centuries BC in the Pontic–Caspian steppe. History Background Origins of the Scythians The Scythians originated in Central Asia possibly around the 9th century BC, and they arrived in the Caucasian Steppe in the 8th and 7th centuries BC as part of a significant movement of the nomadic peoples of the Eurasian Steppe. This movement started when another nomadic Iranian tribe closely related to the Scythians, either the Massagetae or the Issedones, migrated westwards, forcing the Early Scythians to the west across the Araxes river, following which the Scythians moved into the Caspian Steppe, where they conquered the territory of the Cimmerians, who were also a nomadic Iranian people closely related to the Scythians, and assimilated most of them while displacing the rest, before settling ...
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Nocturne
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '' nocturne'' 'of the night') was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for solo piano, the noctur ...
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Agitato
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe orga ...
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London Metropolitan Orchestra
The culture of London concerns the music, museums, festivals and lifestyle within London, the capital city of the United Kingdom. London has frequently been described as a global cultural capital and is one of the world's leading business centres, renowned for its technological readiness and economic clout, as well as attracting the most foreign investment of any global city. As such, London has often been ranked as the world's capital city. The city is particularly renowned for its theatre quarter, and its West End theatre district has given the name to "West End theatre", the strand of mainstream professional theatre staged in the large theatres in London. London is also home to notable cultural attractions such as the British Museum, the Tate Galleries, the National Gallery, the Notting Hill Carnival and The O2. Through music, comedy and theatre, London has a lively nightlife with approximately 25.6 events per thousand people, 44.1% of those events being theatre based. A ...
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Elizabeth Fraser
Elizabeth Davidson Fraser (born 29 August 1963), is a Scottish singer, songwriter and musician. Hailing from Grangemouth, Scotland, she is best known as the vocalist for the pioneering dream pop band Cocteau Twins who achieved international success primarily during the fifteen years from the mid–1980s to late 1990s. Their studio albums ''Victorialand'' (1986) and ''Heaven or Las Vegas'' (1990) both reached the top ten of the UK Album Charts, as well as other albums including ''Blue Bell Knoll'' (1988), ''Four-Calendar Café'' (1993) and '' Milk & Kisses'' (1996) charting on the ''Billboard'' 200 album charts in the United States as well as the top 20 in the UK. She also performed as part of the 4AD group This Mortal Coil, including the successful 1983 single " Song to the Siren", and as a guest with Massive Attack on their 1998 single " Teardrop". The album ''Heaven or Las Vegas'' was included in the book ''1001 Albums You Must Hear Before You Die'', and was voted number ...
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