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In Concert (The Doors Album)
''In Concert'' is a live triple album by the Doors released in 1991. The songs were recorded at several concerts between 1968 and 1970 in Los Angeles, New York City, Philadelphia, Pittsburgh, Detroit, and Copenhagen. The Doors' producer, Paul A. Rothchild, remarked, "I couldn't get complete takes of a lot of songs, so sometimes I'd cut from Detroit to Philadelphia in midsong. There must be 2,000 edits on that album." ''In Concert'' includes tracks previously released on '' Absolutely Live'' (1970), ''Alive, She Cried'' (1983), and '' Live at the Hollywood Bowl'' (1987) plus a recording of " The End". Track listing All songs are written by the Doors ( Jim Morrison, Ray Manzarek, Robby Krieger and John Densmore), except where noted. Details are taken from the 1991 Elektra Records album and may differ from other sources. Personnel The Doors * Jim Morrison – vocals *Ray Manzarek Raymond Daniel Manzarek Jr. (né Manczarek; February 12, 1939 – May 20, 2013) w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Doors
The Doors were an American Rock music, rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most controversial and influential rock acts of the 1960s, partly due to Morrison's lyrics and voice, along with his erratic stage persona. The group is widely regarded as an important figure of the counterculture of the 1960s, era's counterculture. The band took its name from the title of Aldous Huxley's book ''The Doors of Perception'', itself a reference to a quote by William Blake. After signing with Elektra Records in 1966, the Doors with Morrison recorded and released six studio albums in five years, some of which are generally considered among the greatest of all time, including The Doors (album), their self-titled debut (1967), ''Strange Days (The Doors album), Strange Days'' (1967), and ''L.A. Woman'' (1971). They were one of the most successful bands during that tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robby Krieger
Robert Alan Krieger (born January 8, 1946) is an American guitarist and founding member of the rock band the Doors. Krieger wrote or co-wrote many of the Doors' songs, including the hits "Light My Fire", "Love Me Two Times", " Touch Me", and "Love Her Madly". When the Doors disbanded following the death of lead singer Jim Morrison, Krieger continued to perform and record with other musicians including former Doors bandmates John Densmore and Ray Manzarek. He was inducted into the Rock and Roll Hall of Fame as a member of the Doors and is listed by ''Rolling Stone'' as one of the 100 greatest guitarists of all time. Early life and education Krieger was born in Los Angeles, California to a Jewish family. His father, an engineer, was a fan of classical music, while his mother enjoyed "Frank Sinatra and stuff like that". ''Peter and the Wolf'' was the first record that captivated him. When he broke it, he started listening to other records. The radio introduced him to the likes o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Soft Parade (song)
"The Soft Parade" is a song composed by the American rock group the Doors, though credited to lead singer Jim Morrison only. It was recorded for their fourth studio album, also titled ''The Soft Parade'' (1969), appearing as the closing track. It has been considered as one of the most musically diverse compositions by the band. The 40th Anniversary remastered edition of the album reinstates an intro before the 'Petition the Lord with Prayer' section of the song, where Jim Morrison laments he's "troubled immeasurably" by the eyes of an unknown figure or subject. This piece was subsequently included as a bonus track on the 50th Anniversary release under the title "I Am Troubled". Composition The main body of "The Soft Parade" is notated in 4/4 time. The song was completed with the help of record producer Paul A. Rothchild by helping Morrison to organise pieces of his poetry books. As Rothchild himself recalled, "I'd ask Jim to get out his notebooks of poetry and we'd go through the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five To One
"Five to One" is a song by American rock band the Doors, from their 1968 album ''Waiting for the Sun''. The song's lyrics were written by lead singer Jim Morrison, though the songwriting credit identified each member of the Doors as songwriters. Composition Unlike some of the Doors tracks, "Five to One" was created in the studio. According to music journalist Gillian G. Gaar, the song originated during a session when Morrison asked drummer John Densmore to lay down a 4/4 beat to which he inserted the lyrics. The song is consistently applied at 4/4 time signature, accompanied by a distorted sound of drums and bass. The tune features a rhythm and blues rhyme, and has been considered as an origin of the heavy metal genre. Critic Matthew Greenwald of AllMusic described Robby Krieger's guitar playing as "a menacing, proto-heavy metal", and on "top of that, John Densmore's relentless, almost march-rhythm drums take the song through various sections with a convincing power." Lyrics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howlin' Wolf
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta. After going t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back Door Man
"Back Door Man" is a blues song written by Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album. Lyrics In Southern culture, the phrase "back-door man" refers to a man having an affair with a married woman, using the back door as an exit before the husband comes home. Dixon's lyrics include: The philandering "back-door man" is a theme of several blues songs, including those by Charley Patton, Lightnin' Hopkins, Blind Willie McTell and Sara Martin: "every sensible woman got a back-door man", Martin sang in "Strange Loving Blues" (1925). Recording and releases "Back Door Man" was recorded in Chicago in June 1960. Accompanying Howlin' Wolf on vocals is Otis Spann on piano, Hubert Sumlin on guitar, Willie Dixon on double bass, and Fred Below on d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
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Alabama Song
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play '' Little Mahagonny''. It was reused for the 1930 opera ''Rise and Fall of the City of Mahagonny'' and has been recorded by the Doors and David Bowie. Original version The "Alabama Song" was written as a German poem and translated into idiosyncratic English for the author Bertolt Brecht by his close collaborator Elisabeth Hauptmann in 1925 and published in Brecht's 1927 '' Home Devotions'' (german: Hauspostille), a parody of Martin Luther's collection of sermons. It was set to music by Kurt Weill for the 1927 play '' Little Mahagonny'' (') and reused for Brecht and Weill's 1930 opera ''Rise and Fall of the City of Mahagonny'' ('), where it is sung by Jenny and her fellow prostitutes in Act I. Although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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