In A Mellow Tone (Mint 400 Records Album)
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In A Mellow Tone (Mint 400 Records Album)
"In a Mellow Tone", also known as "In a Mellotone", is a 1939 jazz standard composed by Duke Ellington, with lyrics written by Milt Gabler. The song was based on the 1917 standard "Rose Room" by Art Hickman and Harry Williams, which Ellington himself had recorded in 1932. Howard Stern used a recording of this song (from Ellington's '' Blues in Orbit'' album) as the opening theme to ''The Howard Stern Show'' from 1987 to 1994. Notable recordings *Red Norvo (1943) *Erroll Garner - '' Contrasts'' (1954) *Clark Terry - '' Duke with a Difference'' (1957) *Chico Hamilton with Eric Dolphy - ''The Original Ellington Suite'' (1958) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Duke Ellington Songbook'' (1958) *Ben Webster (with Coleman Hawkins and Roy Eldridge) - ''Ben Webster and Associates'' (1959) *Count Basie - ''Breakfast Dance and Barbecue'' (1959) *Lambert, Hendricks, & Ross - ''The Hottest New Group in Jazz'' (1960) *Billy May - ''Cha Cha! Billy May'' (1960) *Coleman Hawkins with Ed ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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The Original Ellington Suite
''The Original Ellington Suite'' is an album by drummer and bandleader Chico Hamilton's Quintet, recorded in 1958 but not released on the Pacific Jazz label until 2000. The album was shelved and Hamilton recorded another set of Ellington tunes with a different group that was released as '' Ellington Suite'' in 1959. Reception The AllMusic review by Ken Dryden states: "Chico Hamilton's pianoless chamber jazz recordings for Pacific Jazz between 1955 and 1959 are important landmarks, but the discovery of this long-lost date adds to his many achievements. Highly recommended". In ''JazzTimes'', Harvey Pekar wrote that "the principal importance of the disc is Dolphy's appearance. Aside from some work he did on Roy Porter big band selections cut in 1949, this is his initial appearance on record... Dolphy's improvising is excellent but, except on 'It Don't Mean a Thing', restrained, which is not surprising, since Hamilton had a chamber-jazz group... overall, the arrangements here are by ...
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Eddie Lockjaw Davis
Eddie or Eddy may refer to: Science and technology * Eddy (fluid dynamics), the swirling of a fluid and the reverse current created when the fluid flows past an obstacle *Eddie (text editor), a text editor originally for BeOS and now ported to Linux and Mac OS X Arts and entertainment * ''Eddie'' (film), a 1996 film about basketball starring Whoopi Goldberg ** ''Eddie'' (soundtrack), the soundtrack to the film * ''Eddy'' (film), a 2015 Italian film * "Eddie" (Louie), a 2011 episode of the show ''Louie'' *Eddie (shipboard computer), in ''The Hitchhiker's Guide to the Galaxy'' *Eddy (Ed, Edd n Eddy), a character on ''Ed, Edd n Eddy'' *Eddie (mascot), the mascot for the British heavy metal band Iron Maiden *Eddie, an American Cinema Editors award for best editing *Eddie (book series), a book series by Viveca Lärn *Half of the musical duo Flo & Eddie *"Eddie", a song from the ''Rocky Horror Picture Show'' * "Eddie" (song), a 2022 song by the Red Hot Chili Peppers Places United State ...
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Cha Cha! Billy May
''Cha Cha! Billy May'' is a studio album released by Billy May in 1960 on Capitol LP record T1329 (monophonic) and ST1329 (stereophonic). The album features instrumental Latin renderings of big band standards and theme songs of many top musical outfits. Many of the arrangements are done tonge-in-cheek, even Capitol's own publicity described "Twelfth Street Rag-Cha-Cha" as "unforgivable". Further playfulness is revealed in the song " Good-Bye" in which May's arrangement references the Benny Goodman bandmembers' habit of singing "go to hell, go to hell" over the repeating riff. The album was recorded on October 1, 1959, at Capitol Studios in Hollywood. May's experience arranging and performing this album subsequently influenced his arrangements for the Frank Sinatra album ''Sinatra Swings''. Track listing Side one #"In a Mellow Tone-Cha-Cha" (Duke Ellington) – associated with Duke Ellington/Count Basie #"Twelfth Street Rag-Cha-Cha" (Euday L. Bowman) – associated with Pee ...
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Billy May
Edward William May Jr. (November 10, 1916 – January 22, 2004) was an American composer, arranger and trumpeter. He composed film and television music for ''The Green Hornet'' (1966), ''The Mod Squad'' (1968), ''Batman'' (with '' Batgirl'' theme, 1967), and '' Naked City'' (1960). He collaborated on films such as '' Pennies from Heaven'' (1981), and orchestrated '' Cocoon'', and '' Cocoon: The Return'', among others. May wrote arrangements for many top singers, including Frank Sinatra, Yma Sumac, Nat King Cole, Anita O'Day, Peggy Lee, Vic Damone, Bobby Darin, Johnny Mercer, Ella Fitzgerald, Louis Prima, Keely Smith, Jack Jones, Bing Crosby, Sandler and Young, Nancy Wilson, Rosemary Clooney, The Andrews Sisters and Ella Mae Morse. He also collaborated with satirist Stan Freberg on several classic 1950s and 1960s comedy music albums. As a trumpet player in the 1940s Big Band era, May recorded such songs as "Measure for Measure", "Long Tall Mama", and "Boom Shot", with Glenn ...
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The Hottest New Group In Jazz
''The Hottest New Group in Jazz'', also known by its full title ''Lambert, Hendricks, & Ross!: "The Hottest New Group in Jazz"'' or alternatively considered self-titled, is the fourth album by Lambert, Hendricks & Ross, released in 1960. The title is a quote from ''Downbeat'' magazine. The CD reissue combines the full original album with the group's two other Columbia albums: the 1961 LP ''Lambert, Hendricks & Ross Sing Ellington'' and the 1962 LP ''High Flying''. The CD release additionally includes seven previously unreleased "rarities", recorded in 1962. On all these recordings, the group is backed up by the Ike Isaacs Trio. Track listing Original album # "Charleston Alley" ( Horace Henderson, Jon Hendricks, Leroy Kirkland) – 3:21 # "Moanin'" (Bobby Timmons) – 2:37 # " Twisted" (Wardell Gray, Annie Ross) – 2:19 # "Bijou" (Ralph Burns, Jon Hendricks) – 3:19 # "Cloudburst" ( Jimmy Harris, Leroy Kirkland) – 2:18 # "Centerpiece" (Harry Edison, Jon Hendricks) – 2:29 # ...
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Lambert, Hendricks, & Ross
Lambert, Hendricks & Ross were an American vocalese trio formed by jazz vocalists Dave Lambert, Jon Hendricks and Annie Ross. From 1962 to 1964, Ross was replaced by vocalist Yolande Bavan. History The group formed in 1957 and recorded their first album ''Sing a Song of Basie'' for ABC-Paramount Records. The album featured versions of Count Basie standards and was successful enough that the Count Basie Orchestra collaborated with them on ''Sing Along With Basie'' (1959). ''Sing a Song of Basie'' was awarded a Grammy Hall of Fame Award in 1998. Beginning in 1959, the trio recorded three LPs with Columbia Records. They recorded a version of Ross's 1952 song " Twisted", featuring her lyrics set to a Wardell Gray melody. Their ''High Flying'' album won a Grammy Award for Best Performance by a Vocal Group in 1962. Lambert, Hendricks & Ross were voted Best Vocal Group in the ''Down Beat'' Readers Poll from 1959 to 1963. Annie Ross left the group in 1962, replaced by vocalist Yolande ...
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Breakfast Dance And Barbecue
''Breakfast Dance and Barbecue'' is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.Kitora, R.Count Basie Discography accessed November 5, 2015 Reception AllMusic awarded the album 3 stars and its review by Scott Yanow states, "Their first of three sets took place at 2 a.m. but the late hour if anything kept the band loose". Track listing # "The Deacon" (Thad Jones) - 5:52 Bonus track on CD reissue # "Cute" (Neal Hefti) - 4:09 Bonus track on CD reissue # "In a Mellow Tone" (Duke Ellington, Milt Gabler) - 6:53 # "No Moon at All" ( David Mann, Redd Evans) - 2:57 Bonus track on CD reissue # "Cherry Red" ( Pete Johnson, Big Joe Turner) - 2:39 Bonus track on CD reissue # "Roll 'Em Pete" (Johnson, Turner) - 2:38 Bonus track on CD reissue # "Cherry Point" (Hefti) - 4:10 Bonus track on CD reissue # "Splanky" (H ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ...
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Ben Webster And Associates
''Ben Webster and Associates'' is an album by American jazz saxophonist Ben Webster featuring tracks recorded in 1959 for the Verve label.Verve Records discography
accessed August 25, 2012


Reception

awarded the album 4½ stars with its review by Al Cambell stating: "''Ben Webster and Associates'' is a 1959 session that took full advantage of the long-playing LP format. Highlighted by the 20-minute version of Ellington's 'In a Mellow Tone' (taking up the entirety of side one) in which tenor titans

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Roy Eldridge
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop. Biography Early life Eldridge was born on the North Side of Pittsburgh, Pennsylvania on January 30, 1911, to parents Alexander, a wagon teamster, and Blanche, a gifted pianist with a talent for reproducing music by ear, a trait that Eldridge claimed to have inherited from her. Eldridge began playing the piano at the age of five; he claims to have been able to play coherent blues licks at even this young age. The young Eldridge looked up to his older brother, Joe Eldridge (born Joseph Eldridge, 1908, North Side of Pittsburgh, Pennsylvania, di ...
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Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ...
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