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Imperial Examination In Chinese Mythology
The imperial examination was a civil service examination system in Imperial China designed to select the best potential candidates to serve as administrative officials, for the purpose of recruiting them for the state's bureaucracy. With the avowed purpose of testing and selecting candidates for merit, the examination system markedly influenced various aspects of society and culture in Imperial China, including Chinese mythology. The imperial civil service examinations were designed as objective measures to evaluate the educational attainment and merit of the examinees, as part of the process by which to make selections and appointments to various offices within the structure of the government of the Chinese empire, or, sometimes, during periods of Chinese national disunion, of offices within the various states. During more recent historical times, successful candidates could receive the jinshi (chin-shih), and other degrees, generally followed by assignment to specific offices, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Hero
A culture hero is a mythological hero specific to some group (cultural, ethnic, religious, etc.) who changes the world through invention or discovery. Although many culture heroes help with the creation of the world, most culture heroes are important because of their effect on the world after creation. A typical culture hero might be credited as the discoverer of fire, agriculture, songs, tradition, law, or religion, and is usually the most important legendary figure of a people, sometimes as the founder of its ruling dynasty. Culture heroes in mythology History of a culture hero The term "culture hero" was originated by historian Kurt Breysig, who used the German word ''heilbringer,'' which translates to ''savior''. Over the years, "culture hero" has been interpreted in many ways. Older interpretations by Breysig, Paul Ehrenreich, and Wilhelm Schmidt thought that the journeys of culture heroes were ways in which humans could attempt to understand things in nature, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nüwa
Nüwa, also read Nügua, is the mother goddess of Chinese mythology. She is credited with creating humanity and repairing the Pillar of Heaven. As creator of mankind, she molded humans individually by hand with yellow clay. In the Huainanzi, there is described a great battle between deities that broke the pillars supporting Heaven and caused great devastation. There was great flooding, and Heaven had collapsed. Nüwa was the one who patched the holes in Heaven with five colored stones, and she used the legs of a tortoise to mend the pillars. There are many instances of her in literature across China which detail her in creation stories, and today remains a figure important to Chinese culture. Name The character ''nü'' ( zh, t=女, l=female) is a common prefix on the names of goddesses. The proper name is ''wa'', also read as ''gua'' ( zh, t=媧). The Chinese character is unique to this name. Birrell translates it as 'lovely', but notes that it "could be construed as 'fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Investiture Of The Gods
''The Investiture of the Gods'', also known by its Chinese names () and is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (''shenmo'') genre written during the Ming dynasty (1368–1644). Consisting of 100 chapters, it was first published in book form between 1567 and 1619. Another source claims it was published in 1605. The work combines elements of history, folklore, mythology, legends and fantasy.Chew, Katherine Liang (2002). ''Tales of the Teahouse Retold: Investiture of the Gods''. Page XI. . The story is set in the era of the decline of the Shang dynasty (1600–1046 BC) and the rise of the Zhou dynasty (1046–256 BC). It intertwines numerous elements of Chinese mythology, including deities, immortals and spirits. The authorship is attributed to Xu Zhonglin. Plot The novel is a romanticised retelling of the overthrow of King Zhou, the last ruler of the Shang dynasty, by Ji Fa, who would establish the Zhou dy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houji
Hou Ji (or Houji; ) was a legendary Chinese culture hero credited with introducing millet to humanity during the time of the Xia dynasty.. Millet was the original staple grain of northern China, prior to the introduction of wheat. His name translates as Lord of Millet and was a title granted to him by Emperor Shun, according to Records of the Grand Historian. Houji was credited with developing the philosophy of Agriculturalism and with service during the Great Flood in the reign of Yao; he was also claimed as an ancestor of the Ji clan that became the ruling family of the Zhou dynasty. History Hou Ji's original name was Qi (), meaning "abandoned". Two separate versions of his origin were common. In one version of Chinese mythology, he was said to have been supernaturally conceived when his mother Jiang Yuan, a previously barren wife of the Emperor Ku, stepped into a footprint left by Shangdi, the supreme sky god of the early Chinese pantheon.''Encyclopædia Britannica''. "Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiang Yuan
Jiang Yuan () is an important figure in Chinese mythology and history. She is recorded as having lived during ancient Chinese history. Jiang Yuan was the mother of Houji, who is a culture hero and revered as the god of millet. Clan name and title Jiang Yuan's personal name was not recorded. During the Spring and Autumn period, women were not called by personal names (名 ''míng'') and even seemingly did not have such names, which could be considered taboo (諱 ''huì'') to those of inferior status. Instead, Jiang is her clan name. Yuan does not seem to be a lineage name: instead, it seems to be a title signifying "origin" or "source", in reference to her role as the mother of Houji, whom is claimed as an ancestor of the royal Ji family of the Zhou dynasty. Mythological biography Jiang Yuan was the mother of Qi (also known as Houji), credited in Chinese mythology with founding the Ji clan who went on to establish the Zhou dynasty. She was said historically to have been a consor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oracle Bones
Oracle bones () are pieces of ox scapula and turtle plastron, which were used for pyromancy – a form of divination – in ancient China, mainly during the late Shang dynasty. ''Scapulimancy'' is the correct term if ox scapulae were used for the divination, ''plastromancy'' if turtle plastrons were used. Diviners would submit questions to deities regarding future weather, crop planting, the fortunes of members of the royal family, military endeavors, and other similar topics. These questions were carved onto the bone or shell in oracle bone script using a sharp tool. Intense heat was then applied with a metal rod until the bone or shell cracked due to thermal expansion. The diviner would then interpret the pattern of cracks and write the prognostication upon the piece as well. Pyromancy with bones continued in China into the Zhou dynasty, but the questions and prognostications were increasingly written with brushes and cinnabar ink, which degraded over time. The oracle bones bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhou Dynasty
The Zhou dynasty ( ; Old Chinese ( B&S): *''tiw'') was a royal dynasty of China that followed the Shang dynasty. Having lasted 789 years, the Zhou dynasty was the longest dynastic regime in Chinese history. The military control of China by the royal house, surnamed Ji, lasted initially from 1046 until 771 BC for a period known as the Western Zhou, and the political sphere of influence it created continued well into the Eastern Zhou period for another 500 years. The establishment date of 1046 BC is supported by the Xia–Shang–Zhou Chronology Project and David Pankenier, but David Nivison and Edward L. Shaughnessy date the establishment to 1045 BC. During the Zhou dynasty, centralized power decreased throughout the Spring and Autumn period until the Warring States period in the last two centuries of the dynasty. In the latter period, the Zhou court had little control over its constituent states that were at war with each other until the Qin state consolidated power and forme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confucius
Confucius ( ; zh, s=, p=Kǒng Fūzǐ, "Master Kǒng"; or commonly zh, s=, p=Kǒngzǐ, labels=no; – ) was a Chinese philosopher and politician of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. Confucius's teachings and philosophy underpin East Asian culture and society, remaining influential across China and East Asia to this day. Confucius considered himself a transmitter for the values of earlier periods which he claimed had been abandoned in his time. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, correctness of social relationships, justice, kindness, and sincerity. His followers competed with many other schools during the Hundred Schools of Thought era, only to be suppressed in favor of the Legalists during the Qin dynasty. After the collapse of Qin and the victory of Han over Chu, Confucius's thoughts received official sanction in the new government. During the Tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Of Poetry
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BCE. It is one of the "Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of '' chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' (''shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of Confuc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Bureau
The Music Bureau (Traditional Chinese: 樂府; Simplified Chinese: 乐府; Hanyu Pinyin: ''yuèfǔ'', and sometimes known as the "Imperial Music Bureau") served in the capacity of an organ of various imperial government bureaucracies of China: discontinuously and in various incarnations, the Music Bureau was charged directly, by the emperor (or other monarchical ruler), or indirectly, through the royal (or imperial) government to perform various tasks related to music, poetry, entertainment, or religious worship. These tasks included both musical and lyrical research and development, and also directing performances. The existence of a Music Bureau was typical of various Chinese dynasties, though the Music Bureau's prominence and influence may have peaked during the reign of Han dynasty emperor Wu, who was especially interested in such activities and engaged himself accordingly. The mission of the Music Bureau was concerned with poetry, music, and their live performances, because t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Folk Religion
Chinese folk religion, also known as Chinese popular religion comprehends a range of traditional religious practices of Han Chinese, including the Chinese diaspora. Vivienne Wee described it as "an empty bowl, which can variously be filled with the contents of institutionalised religions such as Buddhism, Taoism, Confucianism, the Chinese syncretic religions". This includes the veneration of ''shen'' (spirits) and ancestors, exorcism of demonic forces, and a belief in the rational order of nature, balance in the universe and reality that can be influenced by human beings and their rulers, as well as spirits and gods. Worship is devoted to gods and immortals, who can be deities of places or natural phenomena, of human behaviour, or founders of family lineages. Stories of these gods are collected into the body of Chinese mythology. By the Song dynasty (960-1279), these practices had been blended with Buddhist doctrines and Taoist teachings to form the popular religious sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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