|
Imperial Household Artist
An was an artist who was officially appointed by the Imperial Household Agency of Japan to create works of art for the Tokyo Imperial Palace and other imperial residences. History The system came into being during the Meiji period in 1890 and was discontinued after the end of World War II. From 1890 to 1944, seventy-nine individuals were appointed to the position, from both the fine and decorative arts. These tended to be artists who had already had a long and distinguished career. The programme was created to promote Japanese art, inspire new generations of artists, and preserve old techniques. Imperial Household Artists received 100 yen each year. They were expected to submit one example of their work on being appointed and to accept commissions from the Imperial Household Agency. Some of the works commissioned were for presentation to foreign dignitaries. Many presentation wares were commissioned and then put into storage, to be gifted when the need came. Often these wares ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vases De Namikawa Sosuke (Musée Guimet, Paris) (31023042187) CROP
A vase ( or ) is an open container. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to conventional wood or plastic. Vases are often decorated, and they are often used to hold cut flowers. Vases come in different sizes to support whatever flower it is holding or keeping in place. Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles. Various styles and types of vases have been developed around the world in different time periods, such as Chinese ceramics and Native America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kōno Bairei
was a Japanese painter, book illustrator, and art teacher. He was born (as Yasuda Bairei) and lived in Kyoto. He was a member of the broad Maruyama-Shijo school and was a master of kacho-e painting (depictions of birds and flowers) in the Meiji period of Japan. Biography In 1852, he went to study with the ''Maruyama-school'' painter, Nakajima Raisho (1796–1871). After Raisho's death, Bairei studied with the Shijo-school master Shiokawa Bunrin (1808–77). His work included flower prints, bird prints , and landscapes, with a touch of western realism. Bairei's Album of One Hundred Birds was published in 1881. He opened an art school in 1880 and his students included Takeuchi Seihō, Kawai Gyokudō, and Uemura Shōen was the pseudonym of an artist in Meiji, Taishō and early Shōwa period Japanese painting. Her real name was Uemura Tsune. Shōen was known primarily for her ''bijin-ga,'' or paintings of beautiful women, in the ''nihonga'' style, although sh .... Externa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takeuchi Seihō
(December 20, 1864 – August 23, 1942) was a Japanese painter of the ''Nihonga'' genre, active from the Meiji through the early Shōwa period. One of the founders of ''nihonga'', his works spanned half a century and he was regarded as master of the prewar Kyoto circle of painters. His real name was . Biography Seihō was born in Kyoto. As a child, he loved to draw and wanted to become an artist. He was a disciple of Kōno Bairei of the Maruyama-Shijō school of traditional painting. In 1882, two of his works received awards at the ''Naikoku Kaiga Kyoshinkai'' (Domestic Painting Competition), one of the first modern painting competitions in Japan, which launched him on his career. During the Exposition Universelle in Paris (1900), he toured Europe, where he studied Western art. After returning to Japan he established a unique style, combining the realist techniques of the traditional Japanese Maruyama–Shijo school with Western forms of realism borrowed from the techniques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogawa Kazumasa
, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, printer and publisher who was a pioneer in photomechanical printing and photography in the Meiji era. Life Ogawa was born in Saitama to the Matsudaira samurai clan. He started studying English and photography at the age of 15 under Yoshiwara Hideo, then in 1880 he moved to Tokyo in order to further hone his English language skills. One year later, Ogawa was hired as an interpreter in the Yokohama Police Department, while learning photography from Shimooka Renjō in Yokohama. In 1882, he moved to Boston where he took courses in portrait photography and the dry plate process. He also studied collotype printing in Albert Type Company. Upon his return to Japan in 1884, Ogawa opened a photographic studio in Iidabashi (Kōjimachi), the first in Tokyo. Four years later, he established the Tsukiji Kampan Seizō Kaisha ( Tsukiji dry plate manufacturing company), which manufactured dry plates for use by photo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōga
is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the Meiji period (1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional Japanese paintings, or . History Early works European painting was introduced to Japan during the late Muromachi period along with Christian missionaries from Portugal in 1543. Early religious works by Japanese artists in imitation of works brought by the missionaries can be considered some of the earliest forms of ''Yōga''. However, the policy of national seclusion introduced by the Tokugawa bakufu in the Edo period effectively ended the influence of western art on Japanese painting, with the exception of the use of perspective, which was discovered by Japanese artists in sketches found in European medical and scientific texts imported from the Dutch via Nagasaki. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuroda Seiki
Viscount was a Japanese painter and teacher, noted for bringing Western art theory and practice to a wide Japanese audience. He was among the leaders of the ''yōga'' (or Western-style) movement in late 19th and early 20th-century Japanese painting, and has come to be remembered in Japan as "the father of Western-style painting." Biography Early years Kuroda was born in Takamibaba, Satsuma Domain (present day Kagoshima Prefecture), as the son of a ''samurai'' of the Shimazu clan, Kuroda Kiyokane and his wife Yaeko. At birth, the boy was named Shintarō; this was changed to Seiki in 1877, when he was 11. In his personal life, he used the name Kuroda Kiyoteru, which uses an alternate pronunciation of the same Chinese characters. Even before his birth, Kuroda had been chosen by his paternal uncle, Kuroda Kiyotsuna, as heir; formally, he was adopted in 1871, after traveling to Tokyo with both his birth mother and adoptive mother to live at his uncle's estate. Kiyotsuna was also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bladesmith
Bladesmithing is the art of making knives, swords, daggers and other blades using a forge, hammer, anvil, and other smithing tools. Bladesmiths employ a variety of metalworking techniques similar to those used by blacksmiths, as well as woodworking for knife and sword handles, and often leatherworking for sheaths. Bladesmithing is an art that is thousands of years old and found in cultures as diverse as China, Japan, India, Germany, Korea, the Middle East, Spain and the British Isles. As with any art shrouded in history, there are myths and misconceptions about the process. While traditionally bladesmithing referred to the manufacture of any blade by any means, the majority of contemporary craftsmen referred to as bladesmiths are those who primarily manufacture blades by means of using a forge to shape the blade as opposed to knifemakers who form blades by use of the stock removal method, although there is some overlap between both crafts. Related trades Many blade smiths were kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noguchi Shohin
(25 February 1847 – 17 February 1917) was a Japanese painter. Biography Shohin was born in Ōsaka Prefecture in 1847. Shohin was appointed an Imperial household artist — an honour for the most distinguished artists — in 1904 and her pictures were bought by the Japanese Imperial family. She was a friend of the statesman Kido Takayoshi and she and Okuhara Seiko Okuhara Seiko was a Literati artist in Japan in the late 1800s. She became a leading artist in Japan founding an art school and displaying her art throughout the country. In 1891, at the age of fifty-five, Seiko decided to retire to a country vil ... enjoyed his patronage. Kido and the two of them would create gassaku which are collaborative paintings that include both pictures and text. Her daughters Iku and Shokei also became artists. In 1982 Yamanashi Prefectural Museum of Art had an exhibition of her art. Style Her surviving paintings seem to show a woman who felt equal to men in her culture. She illustr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imao Keinen
was a Japanese painter and print designer of the late 19th and early 20th centuries, part of the ''shin-hanga'' ("new prints") movement. In 1904 he was appointed as an Imperial Household Artist. Biography He received a comprehensive education in various Japanese art styles from the age of 12. In 1880 he received a professorship at the Kyoto School of Painting. Following the publication of the ' album in 1892, he became a member of the Art Committee of the imperial court and in 1919 a member of the Imperial Academy of Fine Arts The Russian Academy of Arts, informally known as the Saint Petersburg Academy of Arts, was an art academy in Saint Petersburg, founded in 1757 by the founder of the Imperial Moscow University Ivan Shuvalov under the name ''Academy of the Thre .... The ' (景年花鳥畫譜), published in 1892, is an album with an extensive series of bird-and-flower (') in woodblock print. His works are part of many museum collections throughout the world. Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maki-e
is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term ''maki-e'' is a compound word of ''maki'' meaning "sprinkling" and ''e'' meaning "picture" or "design". The term can also be used to refer to lacquerware made with this decorative technique. The term first appeared in the Heian period.Maki-e. This technique is the most used technique in Japanese lacquer decoration. The is often combined with other techniques such as in which a nacreous layer of shellfish is embedded or pasted in lacquer, in which metal or ivory is embedded in lacquer, and in which gold leaf or gold powder is embe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namikawa Yasuyuki
Namikawa Yasuyuki (1845–1927) — original family name Takaoka — was a Japanese ''cloisonné'' artist. His work was highly sought after in his own lifetime and is held in several collections today. He and Namikawa Sōsuke (no relation)Despite their identical pronunciation, Namikawa Yasuyuki and Namikawa Sōsuke's family names are written differently in Chinese characters. were the most famous ''cloisonné'' artists of the 1890 to 1910 period, known as the "Golden age" of Japanese enamels. From 1875 to 1915, he won prizes at 51 exhibitions, including at world's fairs and at Japan's National Industrial Exhibition.Toyoro Hida, Gregory Irvine, Kana Ooki, Tomoko Hana and Yukari Muro. ''Namikawa Yasuyuki and Japanese Cloisonné The Allure of Meiji Cloisonné: The Aesthetic of Translucent Black'', pp.182-188, The Mainichi Newspapers Co, Ltd, 2017 For his work he was appointed an Imperial Household Artist in 1896. He sometimes signed his pieces Kyoto Namikawa (Namikawa of Kyoto). Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(31023042187)_CROP.jpg "Click for more on -> Imperial Household Artist")
.jpg "Click for more on -> Kuroda Seiki")
