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Ima No Kimochi
is the 32nd studio album by Japanese singer-songwriter Miyuki Nakajima, released in November 2004. The album contains remake versions of her compositions which came out before she created the records with Ichizo Seo, who has co-produced all of her recordings since '' Goodbye Girl'' and its lead single "Namida" in 1988. Track listing All songs written and composed by Miyuki Nakajima, arranged by Ichizo Seo #"" (Original version appeared on 1975 album '' Watashi no Koe ga Kikoemasuka'' #"" (Original version released as a single in 1977, and also featured on 1978 album ''Aishiteiru to Ittekure'') #"" (Original version appeared on 1978 album ''Aishiteiru to Ittekure'') #"" (Original version appeared on 1979 album ''Shin-ai Naru Mono e'') #"" (Initially recorded by Tokiko Kato, Nakajima's version appeared on 1979 album '' Okaerinasai'') #"" (Original version appeared on 1981 album '' Month of Parturition (Ringetsu)'') #"" (Original version appeared on 1982 album ''Kansuigyo'') #"" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miyuki Nakajima
(born February 23, 1952, Sapporo, Hokkaidō, Japan) is a Japanese singer-songwriter and radio personality. She has released 43 studio albums, 46 singles, 6 live albums and multiple compilations as of January 2020. Her sales have been estimated at more than 21 million copies. In the mid-1970s, Nakajima signed to Canyon Records and launched her recording career with her debut single, "Azami Jō no Lullaby" (アザミ嬢のララバイ). Rising to fame with the hit " The Parting Song (Wakareuta)", released in 1977, she has since seen a successful career as a singer-songwriter, primarily in the early 1980s. Four of her singles have sold more than one million copies in the last two decades, including "Earthly Stars (Unsung Heroes)", a theme song for the Japanese television documentary series ''Project X''. Nakajima performed in experimental theater ("Yakai") every year-end from 1989 through 1998. The idiosyncratic acts featured scripts and songs she wrote, and have continued irregul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Bisharat
Charlie Bisharat is an American violinist known as a member of Shadowfax and for his work in film and with other New Age Jazz artists. He was born in Inglewood, CA in 1963 to parents who immigrated to the United States from Palestine in the 1950s. Bisharat was a member of the band Shadowfax which won the Best New Age Performance Grammy Award in 1988 for the album ''Folksongs for a Nuclear Village''. He has toured with Yanni during the ''Reflections of Passion'', '' Revolution in Sound'', '' Dare to Dream'' and '' Yanni Live, The Symphony Concerts 1993'' concert tours He is also featured on John Tesh's live concert video ''Live at Red Rocks''. Bisharat accompanied Tesh in live shows as co-writer and co-producer. Bisharat's work can be heard in more than 200 recordings, including Elton John, the Rolling Stones, Aerosmith, Jane's Addiction and Lady Gaga's album Chromatica. He is also in demand as a session musician on soundtracks such as ''Swordfish'', ''The Mandalorian, Aquaman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertmaster
The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sid Page
Sid Page is an American violinist who has been active in many genres of music since the late 1960s. He has been a member of Dan Hicks (singer), Dan Hicks and His Hot Licks. From 1973 to 1974, he was a member of Sly and the Family Stone and appeared on their album ''Small Talk'' (1974). Page has worked with Suzy Bogguss, Danny Elfman, Richard Elliot, Jerry Garcia, Mark Isham, James Newton Howard, Thomas Newman, Roy Orbison, Sam Phillips (musician), Sam Phillips, Rod Stewart, John Tesh, Richard Thompson (musician), Richard Thompson, and Suzanne Vega. Film work Page has contributed to the music of at least 29 films including ''The Moderns'' in 1988, ''Little Man Tate'' in 1991, and ''Cold Creek Manor'' in 2003. He has also been concertmaster of at least eight films, including ''Passed Away (film), Passed Away'' in 1992, ''Son in Law'' in 1993, and ''Duma (2005 film), Duma'' in 2005. References External linksOfficial website {{DEFAULTSORT:Page, Sid American male violinists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Loop
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machines, and delay units, and they can be programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be purchased and downloaded for music creation from companies like The Loop Loft, Native Instruments, Splice and Output. Loops are supplied in either MIDI or Audio file formats such as WAV, REX2, AIFF and MP3. Musicians ''play'' loops by triggering the start of the musical sequence by usin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Stubenhaus
Neil Stubenhaus is an American bass guitarist. Career He started his musical training playing drums and switched to bass guitar at the age of 12. He studied at the Berklee College of Music where he graduated in 1975. After graduation, he was recommended by Steve Swallow and started teaching while playing in a band with another Berklee student Steve Smith (Vital Information, Journey). While at Berklee, Neil met session drummers Vinnie Colaiuta (who has worked with famous musicians such as Sting, & Frank Zappa) and John Robinson (who has also worked with superstars, including Barbra Streisand, Quincy Jones, Chaka Khan, Michael Jackson). In 1977 he joined Blood Sweat & Tears and recorded David Clayton-Thomas' first solo album. In 1978, he went on tour with Larry Carlton. That led him to move to the West Coast where, following recommendations from Carlton, he met Mike Post and other composers and started doing sessions. Since 1979, Stubenhaus performed on more than 600 albums (of wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinnie Colaiuta
Vincent Peter Colaiuta (born February 5, 1956) is an American drummer who has worked as a session musician in many genres. He was inducted into the ''Modern Drummer'' Hall of Fame in 1996 and the ''Classic Drummer'' Hall of Fame in 2014. Colaiuta has won one Grammy Award and has been nominated twice. Since the late 1970s, he has recorded and toured with Frank Zappa, Joni Mitchell, and Sting, among many other appearances in the studio and in concert. Career Colaiuta was given his first drum kit when he was seven. He took to it naturally, with little instruction. When he was fourteen, the school band teacher gave him a book that taught him some of the basics. Buddy Rich was his favorite drummer until he heard the album ''Ego'' by Tony Williams, an event that changed his life. Colaiuta was also listening to organ groups, notably Jack McDuff, Jimmy McGriff and Don Patterson. While a student at Berklee College of Music, when jazz fusion was on the rise, he listened to and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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