Im Frieden Dein, O Herre Mein
"" (In Your peace, o my Lord) is a three-stanza German Christian communion hymn. In 1527 the early Reformer Johann Englisch (Johannes Anglicus) wrote two stanzas as a rhyming close paraphase of the Nunc dimittis, or Canticle of Simeon. The hymn is sung to a melody by Wolfgang Dachstein, written before 1530. Friedrich Spitta revised the lyrics in 1898 and added a third stanza. His revision transformed Englisch's prayer of an individual with a focus on a peaceful death to a communal one more about peaceful life in unity. This version is part of the German Protestant hymnal, '' Evangelisches Gesangbuch'', as EG 222. An ecumenical song, it is also part of the current Catholic hymnal, ''Gotteslob'', as GL 216. It appears in several other hymnals. History The development of the hymn spans four stages within the history of Christianity. Its initial inspiration draws from the account of Jesus being presented at the temple 40 days after his birth, in a ritual of purification depicted ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nördlingen
Nördlingen (; Swabian: ''Nearle'' or ''Nearleng'') is a town in the Donau-Ries district, in Swabia, Bavaria, Germany, with a population of approximately 20,674. It is located approximately east of Stuttgart, and northwest of Munich. It was built in an impact crater 15 million years old and 25 km in diameter—the Nördlinger Ries—of a meteorite which hit with an estimated speed of 70,000 km/h, and left the area riddled with an estimated 72,000 tons of micro-diamonds. Nördlingen was first mentioned in recorded history in 898. The town was the location of two battles during the Thirty Years' War, which took place between 1618 and 1648. Today it is one of only three towns in Germany that still have completely intact city walls, the other two being Rothenburg ob der Tauber and Dinkelsbühl. Another attraction in the town is Saint George's Church's steeple, called "Daniel", which is made of a suevite impact breccia that contains shocked quartz. Other notable bui ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ligature (music)
In music notation, a ligature is a graphic symbol that tells a musician to perform two or more notes in a single gesture, and on a single syllable. It was primarily used from around 800 to 1650 AD. Ligatures are characteristic of neumatic (chant) and mensural notation. The notation and meaning of ligatures has changed significantly throughout Western music history, and their precise interpretation is a continuing subject of debate among musicologists. History Plainchant The early notation of plainchant, particularly Gregorian chant, used a series of shapes called neumes, which served as reminders of music that was taught by rote rather than as an exact record of which notes to sing. Neumes were in use from the 9th through the 11th centuries AD for most plainsong, and differed by region. Due to their malleable nature, there were no hard and fast rules for the lengths each note was supposed to last, or even how high or low the intervals between notes were to be. ''De mensurabili ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dotted Note
In Western musical notation, a dotted note is a note with a small dot written after it. In modern practice, the first dot increases the duration of the basic note by half (the original note with an extra beam) of its original value. This means that a dotted note is equivalent to writing the basic note tied to a note of half the value – for instance, a dotted half note is equivalent to a half note tied to a quarter note. Subsequent dots add progressively halved value, as shown in the example to the right. Though theoretically possible, a note with more than three dots is highly uncommon; only quadruple dots have been attested. If the original note is considered as being of length 1, then a quintuple dot would only be 1/32 longer than the quadruple dotted note. The difficulty may be seen by comparing dotted notation to tied notation: a quarter note () is equivalent to 2 tied eighth notes (), a dotted quarter = 3 tied eighth notes, double dotted = 7 tied sixteenth notes (), tr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Melisma
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Matthias Greitter
Matthias Greitter, also Matthäus Greiter, (ca. 1495 – 20 December 1550) was a German priest, cantor and composer. Life Greitter was born in Aichach. He became priest and cantor at Strasbourg Cathedral. In 1524 he joined the new Reformed Church. In 1538 he accepted a position of music teacher at the Collegium Argentinense (later University of Strasbourg). In 1549 he moved back to the Catholic religion and founded a Catholic school of singing, but he died the following year in Strasbourg, presumably from the plague. Works Sacred works * Domine non secundum, motet, 2 parts, 1545 * Passibus ambiguis/Fortuna desperata, motet, 4 parts * Christ ist erstanden/Christus surrexit, motet, 5 parts * 7 psalms * Kyrie * Gloria * Credo * Alleluia Secular works * 16 songs, 4–5 parts References Sources * * * Hans-Christian Mueller and Sarah Davies's article in New Grove Dictionary of Music External links * Free scoresat the Mutopia Project The Mutopia Project is a voluntee ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Perfect Fourth
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the harmonic series as the interval between the third and fourth harmonics. The term ''perfect'' identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents (), while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ecumenism (Catholic Church)
The Catholic Church has engaged in the modern ecumenical movement especially since the Second Vatican Council (1962-1965) and the issuing of the decree '' Unitatis redintegratio'' and the declaration ''Dignitatis humanae''. It was at the Council that the Pontifical Council for Promoting Christian Unity was created. Those outside of the Catholic Church were categorised as heretics (in reference to Protestantism) or schismatics (as in the case of the Eastern Orthodox Church and Oriental Orthodox Churches), but in many contexts today, in order to avoid offence, the euphemism "separated brethren" is used. Definition Ecumenism, from the Greek word “''oikoumene''”, meaning “the whole inhabited world” (cf. Acts 17.6; Mt 24.14; Heb 2.5), is the promotion of cooperation and unity among Christians. The Union of Christendom is a traditional Catholic view of ecumenism; the view is that every non-Catholic Christian ecclesial community is destined to return to the unity of the Catholi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |