Il Commissario Di Ferro
'' Il commissario di ferro'' ( is a 1978 Italian ''poliziottesco'' film directed by Stelvio Massi. Plot Commissioner Mauro Mariani is known for his severity towards criminals and for his habit of acting on his own, which cost him the transition from Dr. Crivelli's mobile team to a simple neighborhood police station, where he can assist him. it's Brigadier Ingravallo. One day, while Mariani is with his wife Vera and his son Claudio, from whom he usually lives separated, a boy named Sergio Conforti bursts into his office and, holding an officer under the gun, forces him to call the absent commissioner because he wants to kill, considering him guilty of his father's suicide, arrested by Mariani two years earlier. The commissioner finds out about it when Vera and Claudio, having gone to the office to wait for him, end up in the hands of Conforti. The boy, in a delirium of revenge, takes the child with him and later telephones the inspector asking him to pick him up where and when he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stelvio Massi
Stelvio Massi (26 March 1929 – 26 March 2004), sometimes credited "Max Steel", was an Italian director known for his "''poliziotteschi''" films. Career Massi entered the cinema industry in 1952 as assistant camera operator, and in 1954 he became a cameraman. Ten years later he began to work as cinematographer, and in 1973 he debuted as film director with ''Macrò''. He obtained a great commercial success with the ''Mark il poliziotto'' film series, then with a series of poliziotteschi starred by Maurizio Merli Maurizio Merli (February 8, 1940 – March 10, 1989) was an Italian film actor and a star of many Italian police thrillers. Career After a decade of minor film roles, 1974 saw a breakthrough for Merli with his first starring role in a rema .... Massi also worked on television, directing the 1987 TV series '' Due assi per un turbo''. His son Danilo is also a film director. Filmography :Note: The films listed as N/A are not necessarily chronological. Notes Re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mariangela Giordano
Mariangela Giordano (2 September 1937 – 16 July 2011) was an Italian film and television actress. Life and career Born in Dolcedo, Imperia, Italy as Maria Angela Giordano, the daughter of a journalist, Giordano was elected Miss Liguria in 1954. Then she almost immediately started an intense film career, mainly appearing in genre films in which she was sometimes credited as Mary Jordan. She is known to cult horror movie fans for her starring roles in ''Giallo in Venice'', ''Patrick Lives Again'', ''The Devil's Daughter'', ''Satan's Baby Doll'', ''Burial Ground'' and ''Killer Barbys''. Since the 1980s, Giordano focused her career on television, appearing in the TV series ''Skipper'' and ''I ragazzi del muretto'', among others. She died in Dolcedo on 16 July 2011. Selected filmography * ''Il falco d'oro'' (1955) - Seconda domestica * ''Cortile'' (1955) - The Girl asking Gargiulo for a Lift (uncredited) * ''Dramma nel porto'' (1955) * ''Da qui all'eredità'' (1955) * ''La ba ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Films Scored By Lallo Gori
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Films Directed By Stelvio Massi
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Poliziotteschi Films
Poliziotteschi (; singular ''poliziottesco'') constitute a subgenre of crime and action films that emerged in Italy in the late 1960s and reached the height of their popularity in the 1970s. They are also known as ''polizieschi all'italiana'', ''Euro-crime'', ''Italo-crime'', ''spaghetti crime films'', or simply ''Italian crime films''. Influenced by both 1970s French crime films and gritty 1960s and 1970s American cop films and vigilante films, poliziotteschi films were made amidst an atmosphere of socio-political turmoil in Italy known as Years of Lead and increasing Italian crime rates. The films generally featured graphic and brutal violence, organized crime, car chases, vigilantism, heists, gunfights, and corruption up to the highest levels. The protagonists were generally tough working class loners, willing to act outside a corrupt or overly bureaucratic system. Etymology of the noun In Italian, ''poliziesco'' is the grammatically correct Italian adjective (resulting f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1978 Films
The year 1978 in film involved some significant events. Highest-grossing films (U.S.) The top ten 1978 released films by box office gross in the United States and Canada are as follows: Events * February 6 – David Begelman resigns as president of Columbia Pictures. * March 1 – Charlie Chaplin's coffin is stolen from a Swiss cemetery three months after burial. After recovery a few weeks later, the casket is sealed in a concrete vault prior to reburial. * March – Leigh Brackett completes the first draft for ''The Empire Strikes Back'', but dies only two weeks later. * June – Daniel Melnick becomes head of Columbia Pictures after the David Begelman scandal. * June 4 – '' Grease'', starring John Travolta and Olivia Newton-John, has its world premiere at Grauman's Chinese Theatre in Hollywood. It becomes the highest-grossing musical ever and Paramount Pictures' highest-grossing film. * July 20 – Alan Hirschfield is fired as president and CEO of Columbia Pictures. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Italian Films Of 1978 ...
A list of films produced in Italy in 1978 (see 1978 in film): See also *1978 in Italian television References Footnotes Sources * * External linksItalian films of 1978at the Internet Movie Database {{DEFAULTSORT:Italian Films Of 1978 1978 Films Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Italian Lire
The lira (; plural lire) was the currency of Italy between 1861 and 2002. It was first introduced by the Napoleonic Kingdom of Italy in 1807 at par with the French franc, and was subsequently adopted by the different states that would eventually form the Kingdom of Italy in 1861. It was subdivided into 100 ''centesimi'' (singular: ''centesimo''), which means "hundredths" or "cents". The lira was also the currency of the Albanian Kingdom from 1941 to 1943. The term originates from ''libra'', the largest unit of the Carolingian monetary system used in Western Europe and elsewhere from the 8th to the 20th century. The Carolingian system is the origin of the French ''livre tournois'' (predecessor of the franc), the Italian lira, and the pound unit of sterling and related currencies. In 1999 the euro became Italy's unit of account and the lira became a national subunit of the euro at a rate of €1 = Lit. 1,936.27, before being replaced as cash in 2002. History Etymology ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elisa Mainardi
Elisa Mainardi (27 July 1930 – 8 May 2016) was an Italian stage, film, and television actress. Life and career Born in Rome, Mainardi studied at the acting school of Peter Sharoff, and debuted on stage in 1956, in Ottavio Spadaro's ''Corruzione a palazzo di giustizia'' alongside Salvo Randone, immediately receiving critical acclaim for her performance. Shortly later she became lead actress in ''Il sorriso della Gioconda'' directed by Ernesto Grassi and in ''La penna'' directed by Lucio Chiavarelli, and the absolute protagonist in Luciano Salce's ''Colombe di Anouilh''. Her stage works include main roles in works directed by Luchino Visconti, Giorgio De Lullo, Silverio Blasi and Alessandro Fersen. Mainardi was also active on television and in films, in which she worked several times with Federico Fellini. Selected filmography * ''La Vendetta'' (1962) * ''Hercules and the Black Pirates'' (1964) * ''I figli del leopardo'' (1965) * ''Night of Violence'' (1965) * ''Fellini Sa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Enzo Fiermonte
Enzo Fiermonte (17 July 1908 – 22 March 1993), sometimes credited as William Bird, was an Italian actor and boxer. Early life Vincenzo "Enzo" Fiermonte was born on 17 July 1908 in Casamassima, a rural village near Bari, in southern Italy to Donato and Lucrezia Fiermonte. Career From 1925 to 1934, he was a professional boxer, with a lifetime record of 47 wins (11 by knockout), 17 losses (10 by knockout), and 2 draws. On June 22, 1943, he announced his permanent retirement from boxing. In 1937, he entered his Maserati in the Vanderbilt Cup auto race in Westbury, New York, but was not allowed to participate because he had no formal auto racing experience. Acting career In 1940, he starred as a boxer in Dino De Laurentiis' first film, '' L'ultimo Combattimento'' (The Last Fight), directed by Pietro Ballerini. Between the 1940s and the 1980s, he had acting roles in at least 116 films. Personal life Fiermonte was married to Tosca Manetti. In June 1933, Fiermonte's wife anno ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Janet Ågren
Lena Janet Yvonne Ågren (born 6 April 1949) is a Swedish former actress and model. She starred primarily in Italian exploitation films. Life and career Ågren was born in Landskrona, Sweden, a town she once described to Italian entertainment journalists as a "Northern Naples". Her modeling career brought her to Rome where she studied acting at the Drama School directed by Alessandro Fersen. She made her film debut in Luciano Salce's ''Colpo di stato'', and her early roles included the Michael Caine film ''Pulp'' (1972) as a receptionist, and the Jack Lemmon comedy ''Avanti!'' (1972) as a nurse. She appeared in 57 films, including '' The Left Hand of the Law'' (1975), Lucio Fulci's ''City of the Living Dead'' (1980), Umberto Lenzi's ''Eaten Alive!'' (1980), ''Panic'' (1982), ''Red Sonja'' (1985), the Bud Spencer comedy '' Aladin'' (1986) and the cult horror film '' Ratman'' (1988). In the early 1980s she also had a brief musical career."Janet Agren canta il rap e sogna il teat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maurizio Merli
Maurizio Merli (February 8, 1940 – March 10, 1989) was an Italian film actor and a star of many Italian police thrillers. Career After a decade of minor film roles, 1974 saw a breakthrough for Merli with his first starring role in a remake of romantic drama '' Catene'', and brought in as lead in the third of a franchise for '' White Fang to the Rescue'', in part due to his resemblance to Franco Nero. However the following year became a true banner one for Merli when he made ''Violent Rome'' which was an enormous success, and made him the star of ''poliziotteschi'' genre. He went on to make 11 more, two as Commissario Betti, Merli's character in ''Violent Rome''. Betti is a detective who metes out apoplectic violence, and in some way the character was an exploitative imitation of American police thrillers like Dirty Harry and a film of Nero. However, distinctive elements in ''Violent Rome'' reflected Italian law enforcement of the era. Similar to Luigi Calabresi, a real lif ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |