|
Il Campanello
''Il campanello'' or ''Il campanello di notte'' (''The Night Bell'') is a dramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville ''La sonnette de nuit''. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade". Performance history The opera was presented in Italian at the Lyceum Theatre in London on 6 June 1836 and in English on 9 March 1841. It was also given in English in 1870. It was first performed in Italian in the US in Philadelphia on 25 October 1861; this production went on to New York three days later. An English translation was seen in that city on 7 May 1917. Among other performances, the work was staged by Teatro Regio di Torino in 1995 and by the Donizetti festival, Bergamo in 2010. Roles Synopsis :Time: Early 19th century :Place: NaplesOsborne 1994, p. 248 At the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Ashbrook
William Ashbrook (January 28, 1922 – March 31, 2009) was an American musicologist, writer, journalist, and academic. He was perhaps best noted as a historian, researcher and popularizer of the works of Italian opera composer Gaetano Donizetti. Biography Ashbrook was born in Philadelphia, Pennsylvania. He received a Bachelor of Arts degree in English literature from the University of Pennsylvania in 1946, and a Master's degree in musicology from Harvard University in 1947.Gossett, Philip, "In Memory of William Ashbrook", ''Opera Quarterly'', November 18, 2009 Ashbrook began an academic career by teaching humanities and then, for nearly twenty years, was a member of the English Department at Indiana State University at Terre Haute. He retired in 1974 as Distinguished Professor Emeritus. From 1974 to 1984 he was professor of opera at the Philadelphia College of the Performing Arts (now the University of the Arts). Ashbrook died in Denver, Colorado at the age of 87. Ashbrook as o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Osborne (music Writer)
Charles Thomas Osborne (24 November 1927 – 23 September 2017) was an Australian journalist, theatre and opera critic, poet and novelist.Campbell, Ian. Obituary - Charles Osborne. Opera, November 2017, Vol.68 No.11, p4133. He was the assistant editor of ''The London Magazine'' from 1958 until 1966, literature director of the Arts Council of Great Britain from 1971 until 1986, and chief theatre critic of ''Daily Telegraph'' (London) from 1986 to 1991. He is the only author the Agatha Christie Estate has ever allowed to produce adapted works in her name. Life and career Osborne was born in Brisbane, Australia. He taught himself to play the piano and at aged 18 he began singing lessons. Osborne's father hailed originally from Devon and his mother was from Vienna, a fact to which he attributes his lifelong love of opera. He went to school locally, then studied at the University of Queensland. Osborne then worked in literary and musical journalism and in repertory theatre in Aust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newport Classic
Newport Classic, Ltd, is a record label of classical music, founded by Larry Kraman, and is located in Newport, Rhode Island. In its catalog are recordings of both familiar and unusual works, including ''Casanova's Homecoming'', ''A Waterbird Talk'', ''Trouble in Tahiti'', ''A Ceremony of Carols'', ''Médée'' (the original ''opéra-comique'' of Luigi Cherubini, in French), ''Il campanello di notte'', ''The Jumping Frog of Calveras County'', ''Acis and Galatea'', ''Berenice'', ''Joshua'', ''Muzio'', ''Siroe'', ''Sosarme'', ''La canterina'', ''Le vin herbé'', ''The Consul'', ''Help, Help, the Globolinks!'', ''The Ballad of Baby Doe'', ''The Devil and Daniel Webster'', ''Winterreise'', ''Le sacre du printemps'', ''Pimpinone'', and the first recording of Alberto Ginastera's Second Cello Concerto. In 2008, Newport Classic produced a DVD of a production of ''Willie Stark'', which included an interview with the composer, Carlisle Floyd. Performers heard on this label include John Aler, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Ricordi
Casa Ricordi is a publisher of primarily classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian composers such as Gioachino Rossini, Gaetano Donizetti, Vincenzo Bellini, Giuseppe Verdi, and, later in the century, Giacomo Puccini, composers with whom one or another of the Ricordi family came into close contact.Gossett 2006, p. 97 Founded in Milan in 1808 as G. Ricordi & C. by violinist Giovanni Ricordi (1785–1853), the Ricordi company became a totally family-run organization until 1919, when outside management was appointed. Four generations of Ricordis were at the helm of the company, Giovanni being succeeded in 1853 by his son Tito (1811–1888) (who had worked for his father since 1825). Tito's son was Giulio (1840–1912). He had also worked for his father, beginning full-time in 1863, and then took over from 1888 until his death in 1912. Finally Giulio's s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Nucci
Leo Nucci (born 16 April 1942) is an Italian operatic baritone, particularly associated with Verdi and ''Verismo'' roles. Biography Born at Castiglione dei Pepoli, near Bologna, Nucci studied with Giuseppe Marchese. He made his stage debut in 1967 in Spoleto as Figaro in ''Il barbiere di Siviglia''. He then joined the chorus of La Scala in Milan, going on to make his solo debut there in 1975, again as Rossini's Figaro. Nucci's career quickly took an international turn. He debuted at London's Royal Opera House in 1978, as Miller in ''Luisa Miller'', and at New York's Metropolitan Opera in 1980, as Renato/Ankarström in ''Un ballo in maschera''. Renato was also his debut role at the Paris Opéra in 1981, and at the Salzburg Festival in 1989, under Herbert Von Karajan. His career is remembered for high-profile performances in opera including appearances with Luciano Pavarotti, Joan Sutherland and Plácido Domingo. On 6 June 2003 Leo Nucci performed at the Herbert von Kara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_ICON012438.jpg "Click for more on -> Il Campanello")
