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Ikuntji Artists Aboriginal Corporation
Haasts Bluff, also known as Ikuntji, is an Aboriginal Australian community in Central Australia, a region of the Northern Territory. The community is located in the MacDonnell Shire local government area, west of Alice Springs. At the 2006 census, the community, including outstations, had a population of 207. History The Haasts Bluff community takes its name from the nearby outcrop, given this name in 1872 by the explorer Ernest Giles, after the German-born New Zealand geologist, Julius von Haast. The locality was established as a Lutheran mission in 1946, and is home to Western Arrernte, Pintupi and Pitjantjatjara people. The term "Finke River Mission" was initially an alternative name for the Hermannsburg Mission, but this name was later often used to include the settlements at Haasts Bluff, Areyonga and, later, Papunya. It now refers to all Lutheran missionary activity in Central Australia since the first mission was established at Hermannsburg in 1877. Art A number of n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Areyonga, Northern Territory
Areyonga ( pjt, Utju) is a small town in the Northern Territory of Australia, located about west of Alice Springs. it had a population of about 195, most of whom are Aboriginal people of the Pitjantjatjara language group. History Areyonga was founded during the 1920s. A long drought forced Pitjantatjara families to leave Kaḻṯukatjara and other places in the Petermann Ranges. They originally moved to Hermannsburg and then set up a new community at Areyonga. A Lutheran mission was established in the settlement in the 1940s. In the 1970s, many people from the mission moved back to the community at Kaḻṯukatjara. The Lutheran mission at Areyonga was closed in 1990, and the land was given back to the native people as part of the Haasts Bluff Aboriginal Land Trust. The term " Finke River Mission" was initially an alternative name for the mission at Hermannsburg, but this name was later often used to include the settlements at Haasts Bluff, Areyonga and, later, Papunya. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doris Bush Nungarrayi
Doris Bush Nungarrayi is an Australian Aboriginal artist (born c. 1942, in Haasts Bluff, Northern Territory). She is a painter at the Aboriginal-owned Papunya Tjupi art centre in Papunya, an Indigenous Australian community northwest of Alice Springs Alice Springs ( aer, Mparntwe) is the third-largest town in the Northern Territory of Australia. Known as Stuart until 31 August 1933, the name Alice Springs was given by surveyor William Whitfield Mills after Alice, Lady Todd (''née'' Al .... Her first solo exhibition "Doris Bush Nungarrayi: This is a Love Story" opened at Damien Minton Gallery, Sydney in 2012. Her work is held in the Maquarie Bank Collection, Artbank, and the University of Western Sydney collection. Group exhibitions References Australian Aboriginal artists 1942 births Living people {{Australia-painter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norah Nelson Napaljarri
Norah Nelson Napaljarri (born 26 October 1956) is a Warlpiri-speaking Aboriginal artist from Australia's Western Desert region. Norah Nelson began painting in 1986 and has exhibited her works both in Australia and other countries. Her paintings and pottery are held in the collection of the National Gallery of Victoria. Life Norah Nelson was born at Haasts Bluff, Northern Territory, north-west of Alice Springs on 26 October 1956. She married artist Jakamarra Frank 'Bronson' Nelson, who was deceased by 1994. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. Thus 'Norah Nelson' is the element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molly Jugadai Napaltjarri
Molly Jugadai Napaltjarri (1954–2011) was a Pintupi- and Luritja-speaking Aboriginal artist from Australia's Western Desert region. Her paintings are held in major collections, including the National Gallery of Australia. Life Molly Jugadai was born around 1954 at Haasts Bluff, Northern Territory, eldest daughter of artists Narputta Nangala and Timmy Jugadai Tjungurrayi. The ambiguity around the year of birth is in part because Aboriginal peoples of Australia operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. She had a younger sister, artist Daisy Jugadai Napaltjarri, who died in 2008. '' Napaljarri'' (in Warlpiri) or ''Napaltjarri'' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Aboriginal peoples. These names define kinship relationships that influence preferred marriage partners and may be assoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ngoia Pollard Napaltjarri
Ngoia Pollard Napaltjarri (born c. 1948; also known as Ngnoia) is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. Ngoia Pollard married Jack Tjampitjinpa, who became an artist working with the Papunya Tula company, and they had five children. Having commenced painting in 1997, Ngoia Pollard won a major regional art prize in 2004. She went on to win the painting prize in the 2006 National Aboriginal & Torres Strait Islander Art Awards. Her works are held in major private and public collections, including the National Gallery of Australia. Life Daughter of Angoona Nangala and Jim Tjungurrayi, Ngoia Pollard was born circa 1948 in Haasts Bluff, Northern Territory, west of Alice Springs. The ambiguity around the year of birth is in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ada Andy Napaltjarri
Ada Andy Napaltjarri (born c. 1954) is a Warlpiri– and Luritja–speaking Indigenous artist from Australia's Western Desert region. Ada was born near Haasts Bluff, Northern Territory, and has lived in several Northern Territory communities. She began painting in the early 1980s at Alice Springs and probably played a role in the development of interest in painting in the communities in which she has lived. Life Ada Andy was born in 1954 at Narwietooma Station, near Haasts Bluff, Northern Territory, west of Alice Springs. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. Thus 'Ada Andy' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nora Andy Napaltjarri
Nora Andy Napaltjarri (born c. 1957) is a Warlpiri- and Luritja-speaking Indigenous artist from Australia's Western Desert region. like her mother Entalura Nangala, Nora has painted for Indigenous artists' cooperative Papunya Tula. Her work has been exhibited at the Gauguin Museum in Tahiti, and is held by Artbank. Life Nora Andy was born circa 1957: Karrinyarra Artists' biography gives a date of 1956, while Birnberg and Kreczmanski's 2004 biographical dictionary gives circa 1957. She was born at Haasts Bluff, Northern Territory, west of Alice Springs. The ambiguity around the year of birth is in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eileen Napaltjarri
Eileen Napaltjarri (born 1956) is a Pintupi-speaking Aboriginal Australian artist from Australia's Western Desert region. Eileen Napaltjarri, also known as Anyima Napaltjarri, began painting for Papunya Tula artists' cooperative in 1996. She was named as one of ''Australian Art Collector'' magazine's 50 Most Collectible artists in 2008; her works are held by the National Gallery of Australia and the Art Gallery of New South Wales. Life Born at Haasts Bluff, Northern Territory in 1956, daughter of Charlie Tarawa Tjungurrayi (aka Charlie Tararu Tjungurayi), one of the founding members of Papunya Tula Artists, and Tatali Nangala, Eileen was the only one of seven siblings to follow her parents' advice and take up painting. She was reportedly the only one still alive by 2008. Marriage discrepancies In 2008, researcher Vivien Johnson reported that she married Puuna Tjakamarra, and had two children, William Tjupurrula and Sharon Napurrula, as well as an adopted son, Jeffrey. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wintjiya Napaltjarri
Wintjiya Napaltjarri (born between ca. 1923 to 1934) (also spelt Wentjiya, Wintjia or Wentja), and also known as Wintjia Napaltjarri No. 1, is a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Tjunkiya Napaltjarri; both were wives of Toba Tjakamarra, with whom Wintjiya had five children. Wintjiya's involvement in contemporary Indigenous Australian art began in 1994 at Haasts Bluff, when she participated in a group painting project and in the creation of batik fabrics. She has also been a printmaker, using drypoint etching. Her paintings typically use an iconography that represents the eggs of the flying ant ('' waturnuma'') and hair-string skirts (''nyimparra''). Her palette generally involves strong red or black against a white background. A finalist in the 2007 and 2008 National Aboriginal & Torres Strait Islander Art Awards, Wintjiya's work is held in several of Australia's public collections including the Art Gallery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tjunkiya Napaltjarri
Tjunkiya Napaltjarri (also known as Tjunkiya Kamayi, Tjungkiya, Tunkaii Napaltari, Kowai or Kamayi) (c. 1927–2009) was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Wintjiya Napaltjarri. Tjunkiya's paintings are held in major public art collections, including those of the National Gallery of Australia, the Art Gallery of New South Wales, the Museum and Art Gallery of the Northern Territory and the National Gallery of Victoria. Life Tjunkiya was born around 1927: the main biographical reference work for the region gives a date of circa 1927; while the Art Gallery of New South Wales suggests circa 1930. The ambiguity around the year of birth is in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daisy Jugadai Napaltjarri
Daisy Jugadai Napaltjarri (c. 1955–2008) was a Pintupi language, Pintupi-Luritja-speaking Indigenous Australian, Indigenous artist from Australia's Western Desert cultural bloc, Western Desert region, and sister of artist Molly Jugadai Napaltjarri. Daisy Jugadai lived and painted at Haasts Bluff, Northern Territory. There she played a significant role in the establishment of Ikuntji Artists, Ikuntji Women's Centre, where many artists of the region have worked. Influenced by the Hermannsburg School, Jugadai's paintings reflect her ''Dreaming (spirituality), Tjuukurrpa'', the complex spiritual knowledge and relationships between her and her landscape. The paintings also reflect fine observation of the structures of the vegetation and environment. Jugadai's works were selected for exhibition at the National Aboriginal & Torres Strait Islander Art Awards five times between 1993 and 2001, and she was a section winner in 2000. Her paintings are held in major collections including th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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