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Ignaz Vitzthumb
Ignaz or Ignace Vitzthumb (also ''Witzthumb''; 14 September 1724 – 23 March 1816) was an Austrian musician, composer and conductor active in the Austrian Netherlands. He was also music director of the La Monnaie theatre in Brussels. Life Vitzthumb was born in Baden bei Wien. Arriving in Brussels in 1735 at the age of 11, he entered the service of archduchess Maria Elisabeth of Austria as a child-singer in her choir. Taught by Jean-Joseph Fiocco, then choirmaster of the Brussels chapel royal, Vitzthumb became a court drummer at sixteen, a post he held for more than 40 years alongside other roles. His half-brother, François-Antoine Vitzthumb, was a trumpeter in the court and his son Paul Vitzthumb (1761–1838) succeeded him as court drummer. After the War of the Austrian Succession, in which he had served in a regiment of Hungarian hussars, he returned to Brussels and took part in several chambers of rhetoric and compagnies bourgeoises, of which there were Francophon ...
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Ignace Vitzthumb
Ignaz or Ignace Vitzthumb (also ''Witzthumb''; 14 September 1724 – 23 March 1816) was an Austrian musician, composer and conductor active in the Austrian Netherlands. He was also music director of the La Monnaie theatre in Brussels. Life Vitzthumb was born in Baden bei Wien. Arriving in Brussels in 1735 at the age of 11, he entered the service of archduchess Maria Elisabeth of Austria as a child-singer in her choir. Taught by Jean-Joseph Fiocco, then choirmaster of the Brussels chapel royal, Vitzthumb became a court drummer at sixteen, a post he held for more than 40 years alongside other roles. His half-brother, François-Antoine Vitzthumb, was a trumpeter in the court and his son Paul Vitzthumb (1761–1838) succeeded him as court drummer. After the War of the Austrian Succession, in which he had served in a regiment of Hungarian hussars, he returned to Brussels and took part in several chambers of rhetoric and compagnies bourgeoises, of which there were Francopho ...
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Opéra Flamand
The Opéra flamand was a Flemish language opera and theatre stage in Brussels between 1772 and 1776. It was housed in the La Monnaie theatre building in Brussels. Despite its name, it performed both theatre as well as opera. The opera theatre was established on the initiative of Ignaz Vitzthumb Ignaz or Ignace Vitzthumb (also ''Witzthumb''; 14 September 1724 – 23 March 1816) was an Austrian musician, composer and conductor active in the Austrian Netherlands. He was also music director of the La Monnaie theatre in Brussels. Life ..., who was engaged as the manager and director of the French language opera theatre La Monnaie in Brussels. In this period, Brussels was one of the leading theatre culture centers of Europe, but all professional theatre was performed in the French language. The Flemish theatre was therefore an innovation of its time. It was a success, but the initiative did not last after Ignaz Vitzthumb left the post as manager. References * Bram Van Oostveldt ...
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1816 Deaths
This year was known as the ''Year Without a Summer'', because of low temperatures in the Northern Hemisphere, possibly the result of the Mount Tambora volcanic eruption in Indonesia in 1815, causing severe global cooling, catastrophic in some locations. Events January–March * December 25 1815–January 6 – Tsar Alexander I of Russia signs an order, expelling the Jesuits from St. Petersburg and Moscow. * January 9 – Sir Humphry Davy's Davy lamp is first tested underground as a coal mining safety lamp, at Hebburn Colliery in northeast England. * January 17 – Fire nearly destroys the city of St. John's, Newfoundland. * February 10 – Friedrich Karl Ludwig, Duke of Schleswig-Holstein-Sonderburg-Beck, dies and is succeeded by Friedrich Wilhelm, his son and founder of the House of Glücksburg. * February 20 – Gioachino Rossini's opera buffa ''The Barber of Seville'' premières at the Teatro Argentina in Rome. * March 1 – The Gorkha ...
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1724 Births
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *'' Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Chris ...
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Sophie Lothaire
Marguerite-Louise Odiot de Montroty, stage name Sophie Lothaire (born 1732 in Paris) was a French dancer, actress and director who spent her whole career at the Théâtre de la Monnaie in Brussels. Life She began as a figurative dancer, from 1753 to 1772, under the name of Mlle Sophie, before becoming an actress until 1775. In 1762, Chevrier wrote that "she plays all sorts of roles indifferent well - she shares, by economy, the reading of sieur Duranci". In 1766, the comic-actors clubbed together to head the Théâtre de Bruxelles. This association was made up of D'Hannetaire and his two daughters Eugénie and Angélique, Mlle Rosalide, Compain, Prévost, Le Petit, Dubois, Durancy, D'Rozely, Serville, Grégoire, Mme Granier, Suzette Defoye and Sophie Lothaire. From 1777 to 1783, Sophie Lothaire shared the direction of the theatre with Louis-Jean Pin and Alexandre Bultos. When this arrangement hit financial difficulties, she returned to France, to Versailles The P ...
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Louis-Jean Pin
Louis-Jean Pin (born 1734, date of death unknown) was a French comic-actor and theatre director. He was born in Paris. Life He headed the Montpellier company during the 1757-1758 season, then made his début at the Comédie-Française on 5 December 1765. Effectively combining the professions of actor and rich businessman, he spent some years at the Théâtre-Français before leaving it in December 1771. Touring the provinces, he came to the Théâtre de la Monnaie in Brussels in 1773, before playing at Valenciennes the following year. He returned to Brussels to deal with costumes and finance during the 1774-1775 season, and co-directed the Théâtre de la Monnaie with Alexandre Bultos and Sophie Lothaire Marguerite-Louise Odiot de Montroty, stage name Sophie Lothaire (born 1732 in Paris) was a French dancer, actress and director who spent her whole career at the Théâtre de la Monnaie in Brussels. Life She began as a figurative dancer, from 17 ... from 1777 to 1783. He a ...
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D'Hannetaire
Jean-Nicolas Servandoni, stage name D'Hannetaire, (3 November 1718 - 1 January 1780) was a French actor and theatre director. Life He was born in Grenoble, the son of the Florentine painter Giovanni Niccolò Servandoni (also known as Jean-Nicolas Servandoni) and his wife Marie-Josèphe Gravier, known for his façade for the église Saint-Sulpice in Paris. D'Hannetaire seems to have begun his acting career in Germany, around 1740. He played at the château d'Arolsen, for the prince of Waldeck, around 1743 and was in Aix-la-Chapelle in 1744, from whence he arrived in Liège around the end of the year. In November he presented a ''Divertissement nouveau de chants et de danses'' for prince-bishop Jean-Théodore of Bavaria and, also whilst in Liège, married the comic-actor Marguerite-Antoinette Huet (stage name Mademoiselle Danicourt) on 17 February 1745. The couple arrived in Brussels in October 1745 and D'Hannetaire took up leadership of the Théâtre de la Monnaie, from whic ...
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New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Dominique Dujardin
"Dominique" is a 1963 French language popular song, written and performed by the Belgian female singer Jeannine Deckers, better known as Sœur Sourire ("Sister Smile" in French) or The Singing Nun. The song is about Saint Dominic, a Spanish-born priest and founder of the Dominican Order, of which she was a member (as Sister Luc-Gabrielle). The English-version lyrics of the song were written by Noël Regney. In addition to French and English, Deckers recorded versions in Dutch, German, Hebrew, Japanese, Korean, and Portuguese. It was a top selling record in 11 countries in late 1963 and early 1964. Commercial performance "Dominique" reached the Top 10 in 11 countries in late 1963 and early 1964, topping the chart in the United States, Canada, Australia and New Zealand. It reached the Top 5 in Norway, Denmark, Ireland and South Africa, with the song making it into the lower reaches of the Top 10 in the Netherlands, West Germany, and the United Kingdom. The song reached and stay ...
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François-Xavier Pagès De Vixouze
François-Xavier is a French masculine given name. Notable people with the name include: * François-Xavier Archambault (1841–1893), a lawyer and political figure in Quebec * François-Xavier Audouin (1765–1837), a French clergyman and politician during the French Revolution * François-Xavier Babineau (1825–1890), a Canadian Catholic priest * François-Xavier Bélanger (1833–1882), a French-Canadian naturalist and museum curator * François-Xavier Bellamy (born 1985), French philosopher and politician * François-Xavier Brunet (1868–1922), a Canadian Roman Catholic priest and bishop of Mont-Laurier, Québec * François-Xavier Cloutier (1848–1934), a Canadian Roman Catholic Bishop * François-Xavier de Donnea (born 1941), a Belgian politician * François-Xavier de Feller (1735–1802), a Belgian author * François-Xavier de Peretti, a French politician * François-Xavier Dulac (1841–1890), a farmer, merchant and political figure in Quebec * François-Xavier Dumortie ...
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Jean-François De Bastide
Jean-François de Bastide (15 July 1724, Marseille – 4 July 1798, Milan aged 73) was an 18th-century French writer and playwright. The son of a magistrate from Provence, Bastide was a polygraph: he wrote novels (''Histoire d'une religieuse par elle-même'', "Bibliothèque universelle des romans", May 1786, 24 p. in-16), theatre plays, critics, and was also a journalist and a compilator. As a journalist, he published ''Le Nouveau spectateur'' (1758–60), ''Le Monde tel qu'il est'' (1760–61), ''Journal de Bruxelles ou le Penseur'' (1766–67), etc. He also directed the "Bibliothèque universelle des romans" from 1779 to 1789. As a playwright, he composed: *1749: ''Le Désenchantement inespéré'' *1762: ''L'Épreuve de la probité'' *1763: ''Les Caractères de la musique'' *1763: ''Les Deux talents'', opéra comique presented at Comédie Italienne 11 August (music by chevalier d'Herbain) *1764: ''Le Jeune homme'', comedy presented in Bordeaux *1766: ''Les Amants opposés'', co ...
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Pieter Van Maldere
Pieter van Maldere, known also as Pierre van Maldere (16 October 1729 – 1 November 1768) was a Flemish violinist and composer. He was a violinist of the Royal Chapel, the court orchestra in Brussels of the governor-general of the Austrian Netherlands, Prince Charles Alexander of Lorraine. After an international career which brought him to Dublin, Paris and Vienna, he returned to Brussels where he became a director of the Brussels opera house (De Munt/La Monnaie). He was the leading composer of the Austrian Netherlands in the mid-18th century. His symphonies, exemplary for the galant style, merged French stylistic elements with Viennese and Italian influences.''Pieter van Maldere''
liner notes of the CD Pieter van Maldere Sinfonia in D opus V, /I ...
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